Modern Japanese Prints

Modern Japanese Prints

Author: Carnegie Museum of Art

Publisher:

Published: 2009

Total Pages: 224

ISBN-13:

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A selection of exemplary 20th-century Japanese woodblock prints from the collection of the Carnegie Museum of Art This volume presents more than 1,000 exemplary twentieth-century Japanese woodblock prints, from the collection of Carnegie Museum of Art in Pittsburgh. Taken together, the collection reflects the stylistic movements, aesthetic directions and historic changes of the past century, with particular emphasis on two significant movements: sosakuhanga (creative prints), represented by in-depth selections by Hiratsuka Un'ichi, Onchi Koshiro and Munakata Shiko; and shin-hanga (new prints), with works by Kawase Hasui and Hashiguchi Goyo. Carnegie Museum of Art also possesses several complete series of prints produced in such limited numbers that they are rarely seen today, including One Hundred Views of New Tokyo created between 1929 and 1932. In addition, an essay on the history and significance of the collection provides a brief introduction to Japanese printmaking in the twentieth century, making this illustrated guide an invaluable reference for researchers, curators, collectors and general enthusiasts of Japanese art.


Japan: Modern

Japan: Modern

Author: Marije Jansen

Publisher: Nai010 Publishers

Published: 2016

Total Pages: 231

ISBN-13: 9789491714887

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For the first time ever, the Rijksmuseum will be presenting 170 Japanese prints from the Elise Wessels Collection, picturing Japan's rapid modernization during the opening decades of the twentieth century. Alongside prints, the exhibition will feature kimonos and lacquerware from the Jan Dees and René van der Star Collection and posters on loan from the National Museum of Modern Art in Tokyo. Exhibition: Rijksmuseum, Amsterdam, The Netherlands (24 juni t/m zondag 11 september 2016).


Guide to Modern Japanese Woodblock Prints

Guide to Modern Japanese Woodblock Prints

Author: Helen Merritt

Publisher: University of Hawaii Press

Published: 1995-01-01

Total Pages: 380

ISBN-13: 9780824817329

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"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.


Modern Japanese Woodblock Prints

Modern Japanese Woodblock Prints

Author: Helen Merritt

Publisher:

Published: 1990

Total Pages: 360

ISBN-13:

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Surveys the persistence of Japanese woodblock printing through the first half of the 20th century, when mainstream art ignored it as an extinct form. Describes the divergence of traditional and modern methods, the influence of the West, and the eventual decline. Includes many fine reproductions, 16 pages in color. Annotation copyrighted by Book News, Inc., Portland, OR


Modern Japanese Prints - Statler

Modern Japanese Prints - Statler

Author: Oliver Statler

Publisher: Tuttle Publishing

Published: 2012-10-09

Total Pages: 355

ISBN-13: 1462909558

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Featuring over 100 unique prints, Modern Japanese Prints is a testament to the continuity of Japanese art and creativity. By far the most vitally creative group of artists working in Japan today, modern print-makers are truly international in appeal. Although they owe much of their heritage to the famous ukiyoe techniques of the past, they depart from their forebears in at least two important respects. In the first place, whereas in the ancient ukiyoe tradition a print was the joint production of three men— the artist-designer, the artisan who carved the blocks, and the printer—these modern artists perform all these functions themselves, thus satisfying their demands for individual artistic expression at every step of the creative process. Another distinguishing feature of this artistic school is that its inspiration is derived neither solely from its own Japanese past nor solely from the West. This book carefully traces the history of the modern print movement through detailed discussions of the life and work of twenty-nine of its most noteworthy and representative artists. It describes vicissitudes which the movement has undergone and the high artistic ideals which have motivated its members in spite of public apathy and the hostility of the traditionalists.


Warriors of Art

Warriors of Art

Author: Yumi Yamaguchi

Publisher: Kodansha International

Published: 2007

Total Pages: 190

ISBN-13: 9784770030313

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Recently the West has been inundated by a steady flow of images from manga, anime, and the video games that are a key part of todays Japanese visual culture. At the same time, Japanese contemporary artists are gaining a higher profile overseas: many Westerners are already familiar with Takashi Murakamis brightly colored, cartoonlike characters, or with Junko Mizunos grotes-cute Lolita-style girls. Perhaps less familiar are the absurd fighting machines of Kenji Yanobe, the many disguises of Tomoko Sawada, or the grotesque fairytale landscapes of Tomoko Konoike. Warriors of Art features the work of forty of the latest and most relevant contemporary Japanese artists, from painters and sculptors, to photographers and performance artists, with lavish full-color spreads of their key works. Author Yumi Yamaguchi offers an insightful introduction to the main themes of each artist, and builds up a fascinating portrait of the society that has given birth to them: a Japan that still bears the scars of atomic destruction, a Japan with a penchant for the cute and the childish, a Japan whose manga and anime industries have come to dominate the world. Warriors of Art takes its title from a phrase used to describe Taro Okamoto (1911-1996), perhaps the first truly influential contemporary artist to emerge in postwar Japan, who fought to bring modern art to a wider audience. Following in Okamotos footsteps, the forty artists featured in this book are a new generation of warriors, attacking our senses with a shocking mix of the cute, the grotesque, the sexy, and the violent, forcing us to sit up and take notice of their vision of Japan.


Modern Japanese Art and the Meiji State

Modern Japanese Art and the Meiji State

Author: Dōshin Satō

Publisher: Getty Publications

Published: 2011

Total Pages: 378

ISBN-13: 1606060597

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This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. "Modern Japanese Art" is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.


Who's who in Modern Japanese Prints

Who's who in Modern Japanese Prints

Author: Frances Blakemore

Publisher: Weatherhill, Incorporated

Published: 1975

Total Pages: 270

ISBN-13:

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Lists modern Japanese print artists and provides illustrations and descriptive commentary on the style and technique of more than one hundred leading artists in the media of etching, woodblock, silkscreen, lithograph, and intaglio.


Making Modern Japanese-Style Painting

Making Modern Japanese-Style Painting

Author: Chelsea Foxwell

Publisher: University of Chicago Press

Published: 2015-07-20

Total Pages: 296

ISBN-13: 022611080X

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Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.