Theo-Drama: Theological Dramatic Theory, Vol. 5

Theo-Drama: Theological Dramatic Theory, Vol. 5

Author: Hans Urs von Balthasar

Publisher: Ignatius Press

Published: 1988-01-01

Total Pages: 636

ISBN-13: 0898706890

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This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology," "The World is from the Trinity," "Earth moves Heavenward," "The Final Act: A Trinitarian Drama."


Theo-Drama: Theological Dramatic Theory, Vol. 2

Theo-Drama: Theological Dramatic Theory, Vol. 2

Author: Hans Urs von Balthasar

Publisher: Ignatius Press

Published: 1990-01-01

Total Pages: 502

ISBN-13: 0898702879

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The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.


Theo-Logic, Vol. 1

Theo-Logic, Vol. 1

Author: Hans Urs von Balthasar

Publisher: Ignatius Press

Published: 2000-01-01

Total Pages: 347

ISBN-13: 0898707188

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Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.


Theo-Drama: Theological Dramatic Theory, Vol. 4

Theo-Drama: Theological Dramatic Theory, Vol. 4

Author: Hans Urs von Balthasar

Publisher: Ignatius Press

Published: 1988-01-01

Total Pages: 626

ISBN-13: 0898704715

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Having presented his christology and mariology under the sign of the "Dramatis Personae" in volume three of Theo-Drama, von Balthasar now turns to the action of the divine drama itself. Here we find his soteriology, where time, freedom, history, power, sin, conflict are seen in the light of the Cross, the culmination of the action and passion of God and man. As Balthasar expresses it in the conclusion to his preface: here "we discern the unity of 'glory' and the 'dramatic'. God's glory, as it appears in the world--supremely in Christ--is not something static that could be observed by a neutral investigator. It manifests itself only through the personal involvement whereby God himself comes forth to do battle and is both victor and vanquished. If this glory is to come within our range at all, an analogous initiative is called for on our part. Revelation is a battlefield. Those who do battle on it can only be believers and theologians, provided they have equipped themselves with the whole armor of God (Eph 6:11)."


David Mamet

David Mamet

Author: Anne Dean

Publisher: Fairleigh Dickinson Univ Press

Published: 1990

Total Pages: 262

ISBN-13: 9780838633670

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This book supports the claim that David Mamet is possibly the first true verse dramatist by examining in detail his celebrated use of language as dramatic action. Five of Mamet's best known plays are studied in detail: Sexual Perversity in Chicago, American Buffalo, A Life in the Theatre, Edmond, and Glengarry Glen Ross.


Theo-Drama

Theo-Drama

Author: Hans Urs Von Balthasar

Publisher: Ignatius Press

Published: 2013-06-20

Total Pages: 448

ISBN-13: 1681495767

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The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.


Theo-Drama: Theological Dramatic Theory, Vol. 1

Theo-Drama: Theological Dramatic Theory, Vol. 1

Author: Hans Urs von Balthasar

Publisher: Ignatius Press

Published: 1988-01-01

Total Pages: 793

ISBN-13: 0898701856

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This is the introduction to the second part of the trilogy which is von BalthasarÕs major work. The Glory of the Lord approaches revelation from the standpoint of the beautiful. The final part of the trilogy, the Theo-Logic, will treat Christian revelation from the standpoint of the true. In this first volume von Balthasar shows how many of the trends of modern theology (e.g. ÒeventÓ, ÒhistoryÓ, ÒorthopraxyÓ, ÒdialogueÓ, Òpolitical theologyÓ) point to an understanding of human and cosmic reality as a divine drama. He will then consider objections to such a theological dramatic theory and also the relationship between the Church and the theatre. This volume assembles the materials and the themes that will make it possible in subsequent volumes to develop this theological dramatic theory. "Émeeting Balthasar was for me the beginning of a lifelong friendship I can only be thankful for. Never again have I found anyone with such a comprehensive theological and humanistic education as Balthasar and de Lubac, and I cannot even begin to say how much I owe to my encounter with them." ÑJoseph Ratzinger (Pope Benedict XVI) Ê


Maria de Zayas Tells Baroque Tales of Love and the Cruelty of Men

Maria de Zayas Tells Baroque Tales of Love and the Cruelty of Men

Author: Margaret Greer

Publisher: Penn State Press

Published: 2011-11-30

Total Pages: 486

ISBN-13: 0271041218

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María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.


Female Mourning in Medieval and Renaissance English Drama

Female Mourning in Medieval and Renaissance English Drama

Author: Katharine Goodland

Publisher: Ashgate Publishing, Ltd.

Published: 2006

Total Pages: 276

ISBN-13: 9780754651017

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Looking at the plays of Shakespeare, Kyd, and Webster this book presents a new perspective on early modern drama grounded upon three original interrelated points. The author explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England; brings to light the extent to which the figures of early modern drama recall those of the recent medieval past; and addresses how these representations embody actual mourning practices that were, after the Reformation, increasingly viewed as disturbing.


Unless You Become Like this Child

Unless You Become Like this Child

Author: Hans Urs von Balthasar

Publisher: Ignatius Press

Published: 1991

Total Pages: 84

ISBN-13: 9780898703795

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In one of the last books written before his death, the great theologian provides a moving and profound meditation on the theme of spiritual childhood. Somewhat startlingly, von Balthasar puts forth his conviction that the central mystery of Christianity is our transformation from world-wise, self-sufficient "adults" into abiding children of the Father of Jesus by the grace of their Spirit.