A Thelwell pony book set in the Wild West, for the reader who yearns to gallop a golden palomino along the cowboy trails, or to leap into the saddle from an upper window of the Golden Nugget Saloon and quit town in a hail of bullets.
An unflinching student of pony psychology, Norman Thelwell's equestrian cartoons entertained millions of readers the world over - be they in the saddle or in the armchair. This reissue of his classic book of pony cartoons gives a reminder of the late master's peculiar genius.
The long-anticipated, riveting autobiography of the late Stokely Carmichael chronicles the legendary civil rights leader's work as the charismatic patriarch of Black Power, Pan-African activist, and social revolutionary - a major milestone in African-American autobiography. Populated with an international cast of luminaries, including James Baldwin, Fannie Lou Hamer, Miriam Makeba, Shirley Graham Du Bois, Toni Morrison, Martin Luther King, Jr., Malcolm X, Ho Chi Minh and Fidel Castro, this book captures the cultural upheavals that define the modern world.
It was perhaps the most wretchedly aspersive race and gender scandal of recent times: the dramatic testimony of Anita Hill at the Senate hearings on the confirmation of Clarence Thomas as Supreme Court Justice. Yet even as the televised proceedings shocked and galvanized viewers not only in this country but the world over, they cast a long shadow on essential issues that define America. In Race-ing Justice, En-gendering Power, Nobel Prize winner Toni Morrison contributes an introduction and brings together eighteen provocative essays, all but one written especially for this book, by prominent and distinguished academicians—Black and white, male and female. These writings powerfully elucidate not only the racial and sexual but also the historical, political, cultural, legal, psychological, and linguistic aspects of a signal and revelatory moment in American history. With contributions by: Homi K. Bhabha, Margaret A. Burnham, Kimberlé Crenshaw, Paula Giddings, A. Leon Higginbotham, Jr., Claudia Brodsky Lacour, Wahneema Lubiano, Manning Marable, Nellie Y. McKay, Toni Morrison, Nell Irvin Painter, Gayle Pemberton, Andrew Ross, Christine Stansell, Carol M. Swain, Michael Thelwell, Kendall Thomas, Cornel West, Patricia J. Williams
From the first publication in 1965, the Thelwell pony entered the language - and the libraries of children and horse-lovers the world over. This reprint contains Thelwell's invaluable advice to aspiring equestrians on how to get into the saddle and stay there.
Little girls. Fat hairy ponies. Hook-nosed riding teachers, riders on backward, and horses gone madly off course. The artist Norman Thelwell published his first pony cartoon in 1953, and quite by accident, his name became synonymous with these kinds of images. "The response was instantaneous," he wrote in his autobiography. "Suddenly I had fan mail...I dreamed up some more horsey ideas and people went into raptures." The "Thelwell pony" soon became the most-often referenced source of horse-humor the world over. In 1957, Thelwell's first collection of pony cartoons, Angels on Horseback, was published, followed by A Leg at Each Corner in '61, and Riding Academy in '63. In this Anniversary Special Collection, readers get all three classics, featuring page after page of Thelwell's hilarious cartoons along with his often blisteringly accurate advice for survival in and around the equine herd. Whether audiences open Pony Calvacade out of nostalgia or curiosity, the delightful details of Thelwell's illustrations and timeless wit of his caricatures and asides are a surefire way to change a day for the better, and certain to send a new generation of fat-hairy-pony-lovers out to the barn to test the truths within.
Col-n Man a Come Mythographies of Panam Canal Migration examines the imaginable truths that inform the use of Col-n Men in literature, song, and memoir, thereby revealing analyses of the Panam Canal project that have not been examined by existing scholarship.
From the first publication of Angels on Horseback in 1957, the 'Thelwell pony' entered the language - and the libraries of horse-lovers everywhere. This omnibus edition contains much of Norman Thelwell's invaluable advice to aspiring equestrians on how to get into the saddle and stay there; each item illustrated with inimitable and deadly clarity.
The language of Jamaican popular culture—its folklore, idioms, music, poetry, song—even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper critically examines the dismissed discourse of Jamaica’s vibrant popular culture and reclaims these cultural forms, both oral and textual, from an undeserved neglect. Cooper’s exploration of Jamaican popular culture covers a wide range of topics, including Bob Marley’s lyrics, the performance poetry of Louise Bennett, Mikey Smith, and Jean Binta Breeze, Michael Thelwell’s novelization of The Harder They Come, the Sistren Theater Collective’s Lionheart Gal, and the vitality of the Jamaican DJ culture. Her analysis of this cultural "noise" conveys the powerful and evocative content of these writers and performers and emphasizes their contribution to an undervalued Caribbean identity. Making the connection between this orality, the feminized Jamaican "mother tongue," and the characterization of this culture as low or coarse or vulgar, she incorporates issues of gender into her postcolonial perspective. Cooper powerfully argues that these contemporary vernacular forms must be recognized as genuine expressions of Jamaican culture and as expressions of resistance to marginalization, racism, and sexism. With its focus on the continuum of oral/textual performance in Jamaican culture, Noises in the Blood, vividly and stylishly written, offers a distinctive approach to Caribbean cultural studies.