Author: J. Estlin Carpenter

Publisher: Forgotten Books

Published: 2015-06-12

Total Pages: 566

ISBN-13: 9781330041994

Excerpt from Theism in Medieval India: Lectures Delivered in Essex Hall, London, October-December, 1919 This volume is an attempt to present to the English reader a general view of the phases of Theism in Medieval India. The term is understood in its widest aspect, for even the philosophic pantheism of the Vedanta admitted a relative reality to the Theistic interpretation of the world and man. The labours of the great Sanskrit scholars of the last century were largely devoted to the varied products embraced under the comprehensive term Veda, and the later aspects of the higher religions of Hinduism after the formulation of its great schools of philosophy received less attention. But the learning and industry of the last thirty years in England, on the Continent, and among distinguished Indian scholars, have rendered a large amount of material accessible to the modern student unequipped with knowledge of the vernacular languages or with first-hand familiarity with modern conditions. I am fully conscious of the drawbacks of such ignorance, and cannot hope to have escaped error. If the object of these Lectures is only partially attained, I shall be content. In the admitted uncertainties of Indian chronology it seemed desirable to secure a firm point of departure. This is provided by the journey of the Chinese Buddhist Yuan Chwang to Nalanda in the seventh century A.D. Buddhism had then developed its significant Theistic types and its chief philosophical schools. The interaction and mutual influence of Buddhism and Hinduism present many problems of great interest, but also of great difficulty. It is no part of the purpose of this book to enter into their technical discussion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.