Theatre Theory and Performance

Theatre Theory and Performance

Author: Siddhartha Biswas

Publisher: Cambridge Scholars Publishing

Published: 2017-08-21

Total Pages: 115

ISBN-13: 1527502600

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Over the last few centuries, the world as we know it has seen remarkable change and the arts – including theatre – have faced new challenges. Theatre is now no longer a simple point of entertainment laced with instruction or dissent, but is perceived as a more collaborative idea that looks at ever-changing paradigms. All over the world, theatre now is a dynamic process that simultaneously retains tradition and delves into extreme experimentations. This book represents a starting point for a much-needed critical interrogation. It looks at the constant features of European theatre and brings in some Indian elements, positing both in their respective locations, as well as looking at the symbiosis that has been functioning for some time.


Critical Theory and Performance

Critical Theory and Performance

Author: Janelle G. Reinelt

Publisher: University of Michigan Press

Published: 2007

Total Pages: 612

ISBN-13: 9780472068869

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Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance


Theory/Theatre

Theory/Theatre

Author: Mark Fortier

Publisher: Routledge

Published: 2005-07-08

Total Pages: 273

ISBN-13: 1134523645

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This is a new and enlarged edition of Mark Fortier's very successful and widely used essential text for students. Theory/Theatre provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, through cultural materialism, postcolonial studies and feminist theory. This new edition includes: * More detailed explanation of key ideas * New 'Putting it into practice' sections at the end of each chapter so you can approach performances from specific theoretical perspectives * Annotated further reading section and glossary. Theory/Theatre is still the only study of its kind and is invaluable reading for beginning students and scholars of performance studies.


Teaching Critical Performance Theory

Teaching Critical Performance Theory

Author: Jeanmarie Higgins

Publisher: Routledge

Published: 2020-05-12

Total Pages: 368

ISBN-13: 1000045226

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Teaching Critical Performance Theory offers teaching strategies for professors and artist-scholars across performance, design and technology, and theatre studies disciplines. The book’s seventeen chapters collectively ask: What use is theory to an emerging theatre artist or scholar? Which theories should be taught, and to whom? How can theory pedagogies shape and respond to the evolving needs of the academy, the field, and the community? This broad field of enquiry is divided into four sections covering course design, classroom teaching, the studio space, and applied theatre contexts. Through a range of intriguing case studies that encourage thoughtful theatre practice, this book explores themes surrounding situated learning, dramaturgy and technology, disability and inclusivity, feminist approaches, race and performance, ethics, and critical theory in theatre history. Written as an invaluable resource for professionals and postgraduates engaged in performance theory, this collection of informative essays will also provide critical reading for those interested in drama and theatre studies more broadly.


Performance Theory

Performance Theory

Author: Richard Schechner

Publisher: Routledge

Published: 2003-09-02

Total Pages: 568

ISBN-13: 113596517X

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First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.


Professing Performance

Professing Performance

Author: Shannon Jackson

Publisher: Cambridge University Press

Published: 2004-04-08

Total Pages: 276

ISBN-13: 9780521656054

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Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context.


Generating Theatre Meaning

Generating Theatre Meaning

Author: Eli Rozik

Publisher: Liverpool University Press

Published: 2007-12-01

Total Pages: 306

ISBN-13: 178284726X

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Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.


Real Theatre

Real Theatre

Author: Paul Rae

Publisher: Cambridge University Press

Published: 2018-12-27

Total Pages: 251

ISBN-13: 1107186595

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Draws on musicals, plays and experimental performances to show what theatre is made of and how we experience it.


Drama/Theatre/Performance

Drama/Theatre/Performance

Author: Simon Shepherd

Publisher: Routledge

Published: 2004-09-16

Total Pages: 387

ISBN-13: 1134565283

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What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated. Simon Shepherd and Mick Wallis: analyze attitudes to drama, theatre and performance at different historical junctures trace a range of political interventions into the field(s) explore and contextualise the institutionalisation of drama and theatre as university subjects, then the emergence of 'performance' as practice, theory and academic disciplines guide readers through major approaches to drama, theatre and performance, from theatre history, through theories of ritual or play, to the idea of performance as paradigm for a postmodern age discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial 'keywords' section. Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and vigorous debates about its nature, purpose and place in the academy.


Space in Performance

Space in Performance

Author: Gay McAuley

Publisher:

Published: 1999

Total Pages: 330

ISBN-13:

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How real and imagined theatrical spaces and the relationships between them evoke meaning