Theatre of the Book, 1480-1880

Theatre of the Book, 1480-1880

Author: Julie Stone Peters

Publisher: Oxford University Press, USA

Published: 2003

Total Pages: 516

ISBN-13: 9780199262168

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This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.


Theatre of the Book, 1480-1880

Theatre of the Book, 1480-1880

Author: Julie Stone Peters

Publisher:

Published: 2000

Total Pages: 506

ISBN-13: 0198187149

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Theatre of the Book explores the impact of printing on the European theater, 1480-1880. Far from being marginal to Renaissance dramatists, the printing press played as essential role in the birth of the modern theater. Looking at playtexts, engravings, actor portraits, notation systems, and theatrical ephemera as part of the broader history of theatrical ideas, this illustrated book offers both a history of European dramatic publication and an examination of the European theater's continual refashioning of itself in the world of print.


Early Modern Theatricality

Early Modern Theatricality

Author: Henry S. Turner

Publisher: Oxford University Press, USA

Published: 2013-12

Total Pages: 637

ISBN-13: 0199641358

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Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.


Readings on Audience and Textual Materiality

Readings on Audience and Textual Materiality

Author: Carrie Griffin

Publisher: Routledge

Published: 2015-10-06

Total Pages: 263

ISBN-13: 1317322657

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The twelve essays in this edited collection examine the experience of reading, from the late medieval period to the twentieth century. Central to the theme of the book is the role of materiality: how the physical object – book, manuscript, libretto – affects the experience of the person reading it.


The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

Author: Tracy C. Davis

Publisher:

Published: 2024-01-31

Total Pages: 350

ISBN-13: 100929489X

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We often know performance when we see it - but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.


Fixing the Musical

Fixing the Musical

Author: Douglas L. Reside

Publisher: Oxford University Press

Published: 2023

Total Pages: 233

ISBN-13: 0190073713

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Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording. The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway.


Theorising Performance

Theorising Performance

Author: Bloomsbury Publishing

Publisher: A&C Black

Published: 2013-10-16

Total Pages: 320

ISBN-13: 1472519779

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This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - "Sophocles", "Oedipus", "Euripides", and "Medea" - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alike.


Theorising Performance

Theorising Performance

Author: Edith Hall

Publisher: A&C Black

Published: 2010-03-25

Total Pages: 320

ISBN-13: 0715638262

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Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.


National Theatres in a Changing Europe

National Theatres in a Changing Europe

Author: S. Wilmer

Publisher: Springer

Published: 2008-02-21

Total Pages: 271

ISBN-13: 0230582915

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Examining the ways in which national theatres have formed and evolved over time, this new collection highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands.


Theatre and the English Public from Reformation to Revolution

Theatre and the English Public from Reformation to Revolution

Author: Katrin Beushausen

Publisher: Cambridge University Press

Published: 2018-04-05

Total Pages: 313

ISBN-13: 1316856739

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This book presents new and overarching perspectives on the relationship between theatre and public from the Henrician Reformation through the interregnum to the Restoration, combining vivid case studies with discussion of theatre's continued importance in shaping the early modern public. Considered from the vantage point of theatre, the early modern public becomes visible as an unruly agent of political change, a force that authorities both feared and appealed to, and one that proved ultimately beyond control. It was through theatrical strategies that rulers and their opposition addressed the early modern public, and in turn it was theatre's public potential that shaped the development of the stage during the revolutionary years of the seventeenth century. In this volume, Katrin Beushausen examines sources including irreverent satirical pamphlets, regal spectacles, anti-theatrical polemic and visions of state theatres, casting new light on the development of the early modern public and theatre.