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Author: Haiping Yan
Publisher: Routledge
Published: 2015-02-18
Total Pages: 375
ISBN-13: 1317453778
DOWNLOAD EBOOKExploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
Author: Xiaomei Chen
Publisher: Columbia University Press
Published: 2014-03-25
Total Pages: 655
ISBN-13: 0231535546
DOWNLOAD EBOOKThis condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Author: Haiping Yan
Publisher: M.E. Sharpe
Published: 1998
Total Pages: 378
ISBN-13: 9780765633828
DOWNLOAD EBOOKChinese spoken drama flourished in the 1980s when it generated a series of national controversies. In important respects, this was the golden age of drama in the People's Republic, as the stage became a most effective arena for exploring long suppressed cultural and political issues, constituting an indispensable dimension of the reform that has been altering the landscape of contemporary Chinese culture and society. The plays in this volume are among the most influential and controversial, having engendered intense cultural debate and political confrontations. They include the only complete English language translation of Bus Stop by Nobel Prize-winning author Gao Xingjian. The film script was chosen from among the most acclaimed contemporary Chinese films for its high significance in the history of Chinese film and its international influence in the cinematic world. For general readers with diverse cultural and artistic interests, this anthology introduces a new world of performing culture that enriches, delights, and challenges. For students and scholars of modern Chinese culture and society, it provides insights into China's profound social, political, and cultural transformation. For students and scholars in theatre and film studies who are increasingly interested in dramatic creations beyond the boundaries of the European tradition, it offers much needed materials for broadening cultural horizons. Yan Haiping, who holds advanced degrees in theater arts from Cornell University, was awarded the First Prize for Excellence in Drama 1980-81 by the Society of Chinese Dramatists and the Ministry of Culture of the PRC for her ten-act historical play Li Shimin, Prince of Qin. contents Plays: WM, by Wang Peigong, playscript revised for performance by Wang Gui, translated by Thomas Moran; Pan Jinlian:The History of a Fallen Woman, by Wei Minglun, translated by Dave Williams with Xiaoxia Williams; Shanshuping Chronicles, by Chen Zidu, Yang Jian, Zhu Xiaoping, translated by Rong Cai; The Bus Stop by Gao Xingjian, translated by Kimberly Besio. Film: ld Well, by Zheng Yi, directed by Wu Tianming, translated by Shiaoling Yu.
Author: Phillip B. Zarrilli
Publisher: Routledge
Published: 2013-03-07
Total Pages: 656
ISBN-13: 1134042949
DOWNLOAD EBOOKThis new edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers overviews of theatre and drama in many world cultures and periods together with case studies demonstrating the methods and interpretive approaches used by today's theatre historians. Completely revised and renewed in color, enhancements and new material include: a full-color text design with added timelines to each opening section a wealth of new color illustrations to help convey the vitality of performances described new case studies on African, Asian, and Western subjects a new chapter on modernism, and updated and expanded chapters and part introductions fuller definitions of terms and concepts throughout in a new glossary a re-designed support website offering links to new audio-visual resources, expanded bibliographies, approaches to teaching theatre and performance history, discussion questions relating to case studies and an online glossary.
Author: Laifong Leung
Publisher: Routledge
Published: 2016-07-28
Total Pages: 635
ISBN-13: 1317516184
DOWNLOAD EBOOKIn the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Writers, as well as others. Unlike earlier works, it provides detailed, often first-hand, biographical information on this wide range of writers, including their career trajectories, major themes and artistic characteristics. In addition to this, each entry includes a critical presentation and evaluation of the writer’s major works, a selected bibliography of publications that includes works in Chinese, works translated into English, and critical articles and books available in English. Offering a valuable contribution to the field of contemporary Chinese literature by making detailed information about Chinese writers more accessible, this book will be of interest to students and scholars Chinese Literature, Contemporary Literature and Chinese Studies.
Author: Kam Louie
Publisher: Cambridge University Press
Published: 2008-06-05
Total Pages: 401
ISBN-13: 0521863228
DOWNLOAD EBOOKA wide-ranging and accessibly written guide to the key aspects of elite and popular culture in contemporary China.
Author: Enoch Brater
Publisher: University of Michigan Press
Published: 2010-02-09
Total Pages: 165
ISBN-13: 0472025066
DOWNLOAD EBOOKNo American playwright is more revered on the international stage than Arthur Miller. In Arthur Miller’s Global Theater—a fascinating collection of new essays by leading international critics and scholars—readers learn how and why audiences around the world have responded to the work of the late theatrical icon. With perspectives from diverse corners of the globe, from Israel to Japan to South Africa, this groundbreaking volume explores the challenges of translating one of the most American of American playwrights and details how disparate nations have adapted meaning in Miller’s most celebrated dramas. An original and engaging collection that will appeal to theater aficionados, scholars, students, and all those interested in Miller and his remarkable oeuvre, Arthur Miller’s Global Theater illustrates how dramas such as Death of a Salesman,The Crucible, and A View from the Bridge developed a vigorous dialogue with new audiences when they crossed linguistic and national borders. In these times when problems of censorship, repressive regimes, and international discord are increasingly in the news, Arthur Miller’s voice has never been more necessary as it continues to be heard and celebrated around the world. Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature at the University of Michigan. His other books include Arthur Miller: A Playwright’s Life and Works and Arthur Miller’s America.
Author: Xiaomei Chen
Publisher: University of Hawaii Press
Published: 2003-07-31
Total Pages: 484
ISBN-13: 9780824826895
DOWNLOAD EBOOKReading the Right Text introduces six new plays from contemporary China, five of which are translated here into English for the first time. Chosen from a wide variety of well-received dramas of the period, each play represents the traditions and changes in a particular subgenre: regional theater, proletarian theater, women's theater, history plays, and experimental theater. Xiaomei Chen's wide-ranging and perceptive introduction locates the plays in the political and cultural history of modern China to demonstrate the interrelationship between theater, history, society, and everyday experience. She highlights the origin and development of the different sub-genres and outlines critical approaches from numerous fields, including gender studies, performance studies, subaltern studies, and comparative cultural studies. Quite apart from their importance as theater, these plays are crucial for a fully rounded understanding of the cultural dynamics involved in the transition from Maoist to post-Mao China, from socialist realist drama to the post-socialist response to a market economy and a society in flux.
Author: Nishan Parlakian
Publisher: Columbia University Press
Published: 2001-02-01
Total Pages: 498
ISBN-13: 9780231502665
DOWNLOAD EBOOKAvailable in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.
Author: Xiaomei Chen
Publisher: Columbia University Press
Published: 2014-04-01
Total Pages: 656
ISBN-13: 023116503X
DOWNLOAD EBOOKThis condensed anthology reproduces close to a dozen plays from Xiaomei ChenÕs well-received original collection, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the PeopleÕs Republic of China, the collection encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of Chinese national and gender identities during a period of tremendous social, cultural, and political change and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism in China, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nationÕs socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgement provides a concise yet well-rounded survey of China's theatricality and representation of political life. This work has not only established a canon of modern Chinese drama but also made it available for the first time in English in a single volume.
