Harnessing the romance of the world of fashion and high art, this fascinating story of a collection of miniature mannequins describes the birth of Théâtre de la Mode, the Theater of Fashion. Full of stars such as Robert Ricci (Nina Ricci's son), filmmaker Jean Cocteau, and other members of the 1944 haute couture industry, the story follows 237 miniature fashion dolls through their epic tour of Europe and North America, bringing fashion, elegance, and beauty into a war-torn world. Also included are new colour photographs of the mannequins, the reconstructed sets, and close-up details of clothing so sewers, designers, and fashion mavens can appreciate the creativity of Paris designers at the end of World War II.
From the runways of Paris to the casting controversies over BMiss Saigon, from a local demonstration at the Claremont Colleges in California to the gender-blending of BM. Butterfly, BAbout Face examines representations of Asia and their reverberations in both Asia and Asian American lives. Japanese high fashion and Asian American theater become points of entry into the politics of pleasure, the performance of racial identities, and the possibility of political intervention in commodity capitalism. Based on Kondo's fieldwork, this interdisciplinary work brings together essays, interviews with designer Rei Kawakubo of Comme des Garcons and playwright David Henry Hwang, and "personal" vignettes in its exploration of counter-Orientalisms.
In The Art and Practice of Costume Design, a panel of seven designers offer a new multi-sided look at the current state and practice of theatrical costume design. Beginning with an exploration of the role of a Costume Designer, the subsequent chapters analyse and explore the psychology of dress, the principles and elements of design, how to create costume renderings, and collaboration within the production. The book also takes a look at the costume shop and the role of the designer within it, and costume design careers within theatrical and fashion industries.
During World War 2 French women, determined not to give way to the inevitable austerities, sought innovation wearing hats made out of blotting paper or newspapers & blouses made out of parachute silk. This is a history of French fashion during the war years.
Effective costume design is a subtle art, for the impact of stage dress can immediately convey historical perspective, insights into individual characters, and a visual complement to the setting. The author, whose years of experience as a costume designer have made him a master of the craft, examines every detail of the complex process. From script to production, the author guides the reader towards a complete understanding of costume design, in a work encompassing critical, aesthetic, practical, and historical viewpoints.
An amazing resource book filled with detailed costume patterns to trace, cut out and assemble. The patterns illustrated range from Ancient Egypt to 1915 and include trims and accessories. The basic pattern shapes allow the designer's creativity free range. Gowns tunics, headdresses, jackets, robes breeches - the patterns will produce an accurate silhouette for each time period, leaving the costumer free to explore variations of cut and surface embellishment within an historic framework. Holkeboar also gives step-by-step instructions for making corsets and hoop petticoats, hats, crowns, and even masks and wigs. The patterns are multiple-sized and easy to adapt and elaborate upon so they may be used opver and over again to create a completely different look each time beause you add the all-important details. The basics are here - just add inspiration!
Project Runway meets Fame in this fresh, fun new series from the mother-daughter writing team who created the successful Cupcake Club series. MacKenzie "Mickey" Williams is the new student at FAB Middle School (Fashion Academy of Brooklyn), a training ground for the fashion designers of tomorrow. Fashion-forward MacKenzie "Mickey" Williams is thrilled to be accepted to FAB Middle School (Fashion Academy of Brooklyn), a school that serves as a training ground for the fashion designers of tomorrow. (Their motto, "We are SEW FAB"). But when her daring fashion and stellar grades turn the Fab A-listers green with envy, Mickey discovers that standing out doesn't always make it easy to fit in. So when friendly classmate JC comes up with a plan to help Mickey fit in, she decides to take the ultimate fashion risk—ditch her personal style for good. One mega makeover later, pink-haired Mickey Williams mysteriously disappears, and the trendy, blonde "Kenzie Wills" shows up on the FAB scene, blending with the other students in a way Mickey never could. But when Mickey starts to lose herself to "Kenzie," she's not sure that fitting in is worth cutting herself down to size...