Theatre After Empire
Theatre After Empire

Author: Megan E. Geigner

Publisher: Routledge

Published: 2021

Total Pages: 0

ISBN-13: 9781138368941

DOWNLOAD EBOOK

Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events--theatre, dance, and performance art--that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition. This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism. The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http: //www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Music Theatre and the Holy Roman Empire
Music Theatre and the Holy Roman Empire

Author: Austin Glatthorn

Publisher: Cambridge University Press

Published: 2022-07-07

Total Pages: 391

ISBN-13: 1009079948

DOWNLOAD EBOOK

Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.

Theater and Spectacle in the Art of the Roman Empire
Theater and Spectacle in the Art of the Roman Empire

Author: Katherine M. D. Dunbabin

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780801454059

DOWNLOAD EBOOK

Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events. Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.

Yiddish Empire
Yiddish Empire

Author: Debra Caplan

Publisher: University of Michigan Press

Published: 2018-04-02

Total Pages: 343

ISBN-13: 0472037250

DOWNLOAD EBOOK

Relates the untold story of a traveling Yiddish theater company and traces their far- reaching influence

Bolt Action: Empires in Flames
Bolt Action: Empires in Flames

Author: Warlord Games

Publisher: Bloomsbury Publishing

Published: 2015-10-20

Total Pages: 346

ISBN-13: 1472813537

DOWNLOAD EBOOK

Far from the battlefields of Europe and North Africa, Allied forces fought a very different war against another foe, from the jungles of Burma to the islands of the Pacific and the shores of Australia. This new Theatre Book for Bolt Action allows players to command the spearhead of the lightning Japanese conquests in the East or to fight tooth and nail as Chindits, US Marines and other Allied troops to halt the advance and drive them back. Scenarios, special rules and new units give players everything they need to recreate the ferocious battles and campaigns of the Far East, from Guadalcanal to Okinawa, Singapore, the Philippines, Iwo Jima and beyond.

The Colonial Public and the Parsi Stage
The Colonial Public and the Parsi Stage

Author: Rashna Darius Nicholson

Publisher: Springer Nature

Published: 2021-02-27

Total Pages: 328

ISBN-13: 3030658368

DOWNLOAD EBOOK

The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.

Theater of War
Theater of War

Author: Lewis H. Lapham

Publisher:

Published: 2003

Total Pages: 278

ISBN-13: 9781565848474

DOWNLOAD EBOOK

In the months since the destruction of the World Trade Centers, voices of dissent have been rare. Lapham, the editor of "Harper's," is an exception as he questions the motive and feasibility of the Bush administration's crusade against the evildoers.

Harlequin Empire
Harlequin Empire

Author: David Worrall

Publisher: Routledge

Published: 2015-09-30

Total Pages: 269

ISBN-13: 1317315480

DOWNLOAD EBOOK

Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.

Spectacle of Empire
Spectacle of Empire

Author: Marc Lescarbot

Publisher:

Published: 2006

Total Pages: 124

ISBN-13:

DOWNLOAD EBOOK

Arguably the first North American play, this edition includes the original French script, an extensive historical, critical introduction and more.

The Operetta Empire
The Operetta Empire

Author: Micaela Baranello

Publisher: Univ of California Press

Published: 2021-06

Total Pages: 250

ISBN-13: 0520379128

DOWNLOAD EBOOK

"When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth‐century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.