Tibetan biographers began writing Jetsun Milarepa's (1052–1135) life story shortly after his death, initiating a literary tradition that turned the poet and saint into a model of virtuosic Buddhist practice throughout the Himalayan world. Andrew Quintman traces this history and its innovations in narrative and aesthetic representation across four centuries, culminating in a detailed analysis of the genre's most famous example, composed in 1488 by Tsangnyön Heruka, or the "Madman of Western Tibet." Quintman imagines these works as a kind of physical body supplanting the yogin's corporeal relics.
Throughout the past millennium, certain Tibetan Buddhist yogins have taken on profoundly norm-overturning modes of dress and behavior, including draping themselves in human remains, consuming filth, provoking others to violence, and even performing sacrilege. They became known far and wide as "madmen" (smyon pa, pronounced ny npa), achieving a degree of saintliness in the process. This book offers the first comprehensive study of Tibet's "holy madmen" drawing on their biographies and writings, as well as tantric commentaries, later histories, oral traditions, and more. Much of The Holy Madmen of Tibet is dedicated to examining the lives and legacies of the three most famous "holy madmen" who were all of the Kagy sect: the Madman of Tsang (author of The Life of Milarepa), the Madman of , and Drukpa K nl , Madman of the Drukpa Kagy . Each born in the 1450s, they rose to prominence during a period of civil war and of great shifts in Tibet's religious culture. By focusing on literature written by and about the "holy madmen" and on the yogins' relationships with their public, this book offers in-depth looks at the narrative and social processes out of which sainthood arises, and at the role biographical literature can play in the formation of sectarian identities. By showing how understandings of the "madmen" have changed over time, this study allows for new insights into current notions of "crazy wisdom." In the end, the "holy madmen" are seen as self-aware and purposeful individuals who were anything but insane.
Tibetan biographers began writing Jetsun Milarepa’s (1052–1135) life story shortly after his death, initiating a literary tradition that turned the poet and saint into a model of virtuosic Buddhist practice throughout the Himalayan world. Andrew Quintman traces this history and its innovations in narrative and aesthetic representation across four centuries, culminating in a detailed analysis of the genre’s most famous example, composed in 1488 by Tsangnyön Heruka, or the “Madman of Western Tibet.” Quintman imagines these works as a kind of physical body supplanting the yogin’s corporeal relics.
This life story of Milarepa--the important Tibetan religious leader who lived over 800 years ago--is part of a remarkable four-volume series on Tibetan Buddhism produced by the late W.Y. Evans-Wentz, all four of which are being published by Oxford in new editions. While there are many parochial differences among the several sects of Tibetan Buddhism, each holds the Great Yogi Milarepa in the highest reverence and esteem. For exemplified in Milarepa's life, as we discover in these pages, are all of the teachings of the great yogis of India--including those of Gautama the Buddha, the greatest yogi known to history. Amid his detailed introductory and explanatory notes for this text, Evans-Wentz also reveals compelling similarities between the life and thought of Milarepa and those of Jesus, Gandhi, and "saints...in ancient China, or India, or Babylonia, or Egypt, or Rome, or in our own epoch." In composing this translation from the original Tibetan, the late Lāma Kazi Dawa-Samdup, who was Evans-Wentz's guru for many years, aimed to show Western readers "one of our great teachers as he actually lived...much of which is couched in the words of his own mouth, and the remainder in the words of his disciple Rechung, who knew him in the flesh." For this third edition, Donald S. Lopez, author of Prisoners of Shangri-La: Tibetan Buddhism and the West, has written a critical foreword that updates and contextualizes this crucial part of Evans-Wentz's scholarship within the yoga tradition.
The Life of the Madman of Ü tells the story of Künga Zangpo (1458-1532), a famous Tibetan Buddhist ascetic of the Kagyü sect. Having grown weary of the trials of human existence, Künga Zangpo renounced the world during his teenage years, committing himself to learning and practicing the holy Dharma as a monk. Some years later he would give up his monkhood to take on a unique tantric asceticism that entailed dressing in human remains, wandering from place to place, and provoking others to attack him physically, among other norm-overturning behaviors. It was because of this asceticism that Künga Zangpo came to be known as the Madman of Ü. David M. Divalerio translates this biography, originally written in two parts in 1494 and 1537, making accessible to a modern audience a rich depiction of religious life in fifteenth- and sixteenth-century Tibet. The book also details Künga Zangpo's many miracles, a testament to the spiritual perfection he attained. His final thirty years were spent at his monastery of Tsimar Pel, where he dispensed teachings to his numerous disciples and followers. The Life of this remarkable and controversial figure, now available in English for the first time, provides new means for understanding the tradition of the "holy madman" (smyon pa) in Tibetan Buddhism.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Monastery Rules discusses the position of the monasteries in pre-1950s Tibetan Buddhist societies and how that position was informed by the far-reaching relationship of monastic Buddhism with Tibetan society, economy, law, and culture. Jansen focuses her study on monastic guidelines, or bca’ yig. The first study of its kind to examine the genre in detail, the book contains an exploration of its parallels in other Buddhist cultures, its connection to the Vinaya, and its value as socio-historical source-material. The guidelines are witness to certain socio-economic changes, while also containing rules that aim to change the monastery in order to preserve it. Jansen argues that the monastic institutions’ influence on society was maintained not merely due to prevailing power-relations, but also because of certain deep-rooted Buddhist beliefs.
In his early twenties, the Tibetan monk Sangyé Gyaltsen (1452–1507) left his monastery to become a wandering tantric yogin. As he moved from place to place, seeking enlightenment beyond the bounds of monasticism, his behavior became increasingly erratic. While some were shocked or even angered by his actions, others were drawn to him. Tsangnyön’s followers described his transgressive behaviors as enlightened action, rooted in authoritative Buddhist scripture. Using biographical sources, Stefan Larsson explores Sangyé Gyaltsen’s transformation into the charismatic ‘Madman of Tsang,’ Tsangnyön Heruka. Best known today as the author of the Life of Milarepa, Tsangnyön Heruka was one of the most influential mad yogins of Tibet. His biography brings its reader face-to-face with an unexpected aspect of Buddhist practice that flourished in fifteenth-century Tibet.
Explore new research on the religious and cultural traditions of the Himalayan Buddhist world. Over decades, hundreds of American undergraduates spending a semester abroad have been introduced to Tibetan culture in India, Nepal, and China by Hubert Decleer. A number went on to become prominent scholars in the field at institutions such as Yale, Berkeley, and Georgetown, and as a tribute to him they have put together this collection of cutting-edge research in Himalayan studies, bringing together contributions of this new generation with those of senior researchers in the field. This new research on the religion and culture of the Himalayan Buddhist world spans a broad range of subjects, periods, and approaches, and the diversity and strength of the contributions ensures Himalayan Passages be warmly welcomed by scholars, travelers, and Tibetan Buddhists alike. Highlights include: Donald S. Lopez, Jr. tells the story of Gendun Chopel's unusual visit to Sri Lanka in 1941. Leonard van der Kuijp examines the Bodhicittavivarana, an ancient work on the enlightened resolve to free all beings. Kabir Mansingh Heimsath compares Western and Chinese curatorial approaches to Tibetan modern art. Alexander von Rospatt illuminates the fascinating history and artistic details of the famous Svayambhu stupa in Kathmandu. Sarah H. Jacoby translates the short autobiography of Sera Khandro, the celebrated female Tibetan mystic of a century ago. Additional contributors include Franz-Karl Ehrhard, Ernst Steinkellner, Jacob P. Dalton, Iain Sinclair, Anne Vergati, Punya Prasad Parajuli, and Dominique Townsend.
An authoritative new translation of the complete Hundred Thousand Songs of Milarepa, the teaching songs and stories from Tibet's most beloved Buddhist yogi, poet, and saint. Powerful and deeply inspiring, there is no book more beloved by Tibetans than The Hundred Thousand Songs, and no figure more revered than Milarepa, the great eleventh-century poet and saint. An ordinary man who, through sheer force of effort, faith, and perseverance, overcame nearly insurmountable obstacles on the spiritual path to achieve enlightenment in a single lifetime, he stands as an exemplar of what it is to lead a spiritual life. Milarepa, a cotton-clad yogi, wandered and taught the dharma, most famously through spontaneously composed songs, a colorful and down-to-earth way to convey the immediacy and depth of the Buddhist teachings. In this work, the songs are woven into a narrative that tells the stories of his most famous encounters with his students, including Gampopa and Rechungpa, and recount his victories over supernatural forces in the remote Himalayan mountains and caves where he meditated. In this authoritative new translation, prepared under the guidance of Dzogchen Ponlop Rinpoche, Christopher Stagg brilliantly brings to life the teachings of this extraordinary man. This classic of world literature is important for its narrative alone but is also a key contribution for those who seek inspiration for the spiritual path.
The Life of the Madman of Ü is a complete English translation of the biography of the Tibetan Buddhist ascetic Künga Zangpo (1458-1532), who was renowned for adopting an extreme and unique form of tantric asceticism.
