A major American novel, and arguably the finest work of literature ever to emerge from a US prison, On the Yard is a book of penetrating psychological realism in which Malcolm Braly paints an unforgettable picture of the complex and frightening world of the penitentiary. At its center are the violently intertwined stories of Chilly Willy, in trouble with the law from his earliest years and now the head of the prison’s flourishing black market in drugs and sex, and of Paul, wracked with guilt for the murder of his wife and desperate for some kind of redemption. At once brutal and tender, clear-eyed and rueful, On the Yard presents the penitentiary not as an exotic location, an exception to everyday reality, but as an ordinary place, one every reader will recognize, American to the core.
As Jack the Ripper’s reign of terror in London comes to an end, a new era of depravity sets the stage for the first gripping mystery featuring the detectives of Scotland Yard’s Murder Squad. “If Charles Dickens isn’t somewhere clapping his hands for this one, Wilkie Collins surely is.”—The New York Times Book Review Victorian London—a violent cesspool of squalid sin. The twelve detectives of Scotland Yard’s Murder Squad are expected to solve the thousands of crimes committed in the city each month. Formed after the Metropolitan Police’s spectacular failure in capturing Jack the Ripper, they suffer the brunt of public contempt. But no one can anticipate the brutal murder of one of their own... A Scotland Yard Inspector has been found stuffed in a black steamer trunk at Euston Square Station, his eyes and mouth sewn shut. When Walter Day, the squad’s new hire, is assigned to the case, he finds a strange ally in Dr. Bernard Kingsley, the Yard’s first forensic pathologist. Their grim conclusion: this was not just a random, bizarre murder but in all probability, the first of twelve. The squad itself it being targeted and the devious killer shows no signs of stopping. But Inspector Day has one more surprise, something even more shocking than the crimes: the murderer’s motive.
Spago's pastry chef's recipes for such desserts as cráeme brãulâee, chocolate caramel tart, oatmeal raisin cookies, and soufflâeed cráeme fraãiche pancakes with strawberry sauce are accompanied by handy baking techniques, tricks, and personal anecdotes.
In his book Stories from the Old Yard: Book One, the Murders, J. M. Fitzmaurice chronicles two decades of brutal murder inside the MAX-custody federal penitentiaries at Lompoc, California, and other Bureau of Prisons facilities. From Lompoc to Lewisburg, Pennsylvania, and Florence, Colorado, to Marion, Illinois, Fitzmaurice reveals the backstory behind the brutal killings carried out in medieval fashion by deadly prison gangs and ruthless predators on the federal penitentiary circuit. Interlaced with humanity, humor, and compassion, Stories from the Old Yard is much more than regurgitated investigative reports—it captures the courage and heroism of the young men and women who risk their lives daily to protect one another and Convict Nation alike! Some of these BOP staff gave their lives in this mission, and Fitzmaurice pays them the tribute they earned by making the ultimate sacrifice! The afterword includes a sneak peek from book two, More Stories from the Old Yard!
"Shelton also recounts the bittersweet triumph of seeing work published by men who later met with agonizing deaths, and the despair of seeing the creative strides of inmates broken by politically motivated transfers to private prisons. And his memoir bristles with hard-edged experiences, ranging from inside knowledge of prison breaks to a workshop conducted while a riot raged outside a barricaded door."--BOOK JACKET.
Callie and her family are moving from their house to an apartment, so they're having a yard sale. It can be hard to let things go, but in the end, it's who you have - not what you have - that counts.
“Taylor Kitching’s rousing debut puts you right on the fifty-yard line of a vital historical moment.” —Chris Grabenstein, New York Times bestselling author of Escape from Mr. Lemoncello’s Library Perfect for readers of Christopher Paul Curtis’s Bud, Not Buddy and Vince Vawter’s Paperboy, Yard War explores race relations during the Civil Rights Movement from the perspective of a boy who accidentally sets off a “yard war” when he invites his maid’s son to play football on his front lawn. Trip Westbrook has spent his first twelve years far from the struggle for civil rights going on in Mississippi. The one black person he knows well is Willie Jane, the family maid, who has been a second mother to him. When Trip invites her son, Dee, to play football in the yard, he discovers the ugly side of his smiling neighbors. Trip’s old pals stop coming by. He is bullied, his house is defaced, and his family is threatened. The Westbrooks will be forced to choose between doing the right thing or losing the only home Trip has ever known. Who knew that playing football in the yard could have such consequences? This engaging, honest, and hopeful novel is full of memorable characters, and brings the civil rights–era South alive for young readers. “Trip is a fine character. 1964 Mississippi leaps to life in this book.” —Gennifer Choldenko, Newbery Honor winning author of Al Capone Does My Shirts “A captivating story about standing up for your friends. I loved seeing Trip learn how hard it can be to do the right thing.” —Kristin Levine, author of The Lions of Little Rock and The Paper Cowboy “Trip’s journey is a sensitive account about how one person can slowly make a difference.” —Booklist “A challenging but worthwhile portrait of a very difficult period in American history.” —SLJ
'A moving story of love and redemption set in Trinidad, that exposes the fault lines in Indo-Muslim culture, as it explores three generations of a family who move from being indentured labourers to wealthy business owners.' The Yard is a large compound in the Republic of Trinidad and Tobago housing six families-Father Khalid, his four siblings and their widowed mother Sakina. Behrooz, an orphan who cannot remember his past, is brought to The Yard, when the old woman with whom he has sought shelter dies. Here, he struggles to belong. Father Khalid is kindhearted, but other family members are guarded about the outsider in their midst. They contend that Behrooz will betray the family by forging a clandestine relationship with his adoptive sister, Maya, a willful and rebellious girl who was not romantically forbidden to him under Islamic law. Two loners, Behrooz and Maya form a childish alliance and later, struggle with a physical attraction. After they share a night of adolescent tenderness, Maya, fearing retribution, flees to London where she pursues her artistic talent in defiance of her culture. Behrooz painstakingly rebuilds his life and marries another. When tragedy strikes, Maya returns to her childhood home. There, she and Behrooz must face up to old demons. Can their love endure? Even after Maya is dealt the most 'righteous' blow of all?
A collection of rare panoramic photographs taken by Cirkut cameras during the early twentieth century offers an evocative portrait of America at the turn of the last century, capturing a variety of scenic vistas, group photographs, and seminal events, ranging from the construction of the Panama Canal to an early race at the Indianapolis Speedway.
