But, my dear madam, it is so very large a majority of your fellow-countrymen that are of this insignificant stamp. At least eighty out of a hundred of your adult male fellow-Britons returned in the last census are neither extraordinarily silly, nor extraordinarily wicked, nor extraordinarily wise; their eyes are neither deep and liquid with sentiment, nor sparkling with suppressed witticisms; they have probably had no hairbreadth escapes or thrilling adventures; their brains are certainly not pregnant with genius, and their passions have not manifested themselves at all after the fashion of a volcano.
Janet's Repentance George Eliot Mary Ann Evans (1819-1880), better known by her pen name George Eliot, was an English novelist. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological perspicacity. Her first major literary work was the translation of David Strauss' Life of Jesus (1846). In 1857 The Sad Fortunes of the Reverend Amos Barton, the first of the Scenes of Clerical Life, was published in Blackwood's Magazine and, along with the other Scenes, was well received. Her first complete novel, published in 1859, was Adam Bede and was an instant success. Eliot's most famous work, Middlemarch, was a turning point in the history of the novel. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Three novellas that brilliantly portray English country and clergy life at the turn of the nineteenth century from the author of Middlemarch. Initially appearing in Blackwood’s Magazine, this trio of linked stories comprises George Eliot’s first published work. Together they form a portrait of small-town life in Midlands, England, where changes are affecting both society at large and religious beliefs and institutions. In “The Sad Fortunes of Reverend Amos Barton,” the clergyman struggles to raise funds for church repairs and perform his parochial duties, while a target of gossip—both good and bad. Meanwhile, few in Shepperton can find fault with his shy and hardworking wife, who cares for their six children, stretching Barton’s meager salary—and herself—to the limit. Set before the arrival of Amos Barton, “Mr. Gilfil’s Love Story” features well-liked parish priest Maynard Gifil, who is known for smoking long pipes and preaching short sermons. Shockingly tumultuous events lead up to his marriage—including a love triangle, deception, and a murder plot. An argument over religious doctrine splits the market town of Milby into two factions in “Janet’s Repentance.” With the arrival of Reverend Tryan, a rumor spreads that Evangelicalism has invaded the parish, angering local lawyer Robert Dempster. But his long-suffering wife finds in Tryan a kindred spirit, leading her to embark on a new life. “The exquisite truth and delicacy, both of the humour and the pathos of those stories, I have never seen the like of.” —Charles Dickens “A first-rate novel, and its author takes rank at once among the masters of the art.” —The Times
A marvellous work by Eliot, it comprises of three tales of three clergymen. She has done a brilliant job as she explores different facets of society and various aspects of life like misfortune, rejection of love and repentance of sin. Her stories are remarkable for their insightful and intricate characterization. This book will keep up on the edge of your seat till the very last page.
The works collected in this volume provide an illuminating introduction to George Eliot's incisive views on religion, art and science, and the nature and purpose of fiction. Essays such as 'Evangelical Teaching' show her rejecting her earlier religious beliefs, while 'Woman in France' questions conventional ideas about female virtues and marriage, and 'Notes on Form in Art' sets out theories of idealism and realism that she developed further in Middlemarch and Daniel Deronda. It also includes selections from Eliot's translations of works by Strauss and Feuerbach that challenged many ideas about Christianity; excerpts from her poems; and reviews of writers such as Wollstonecraft, Goethe and Browning. Wonderfully rich in imagery and observations, these pieces reveal the intellectual development of this most challenging and rewarding of writers.
