Quentin Reynolds, noted author and columnist for Colliers magazine, was among the select group of American correspondents that recorded and recounted the Second World War in Europe from the very beginning. In this witty, perceptive and personal account the author tells of the fall of France and the Battle of Britain. “Collier’s our reporter tells the inside story of everyday life in England, particularly in London, and makes you feel, for sure “‘there’ll always be an England’”. No mawkish sentimentality here, but cold hard facts about people, conditions and life and death. Reynolds was there in time to see France Collapse and he bears witness to the courage of the French soldiers, bewildered and betrayed by their leaders. He escaped south to Bordeaux, he got to England, to Ireland. He sees the Englishman in his home, his pub, his factory, his hospital, his airfield, his shelter. You meet R.A.F. men, labor leaders, members of the cabinet. Without belittling the punishment England is taking, he gives you confidence in their survival. Interesting and enlightening reading.”-Kirkus Reviews.
The Wounded River takes the reader back more than 130 years to reveal a marvelous, first-hand account of nineteenth-century warfare. In the process, the work cuts the legends and mythology that have come to frame and define accounts of America's bloodiest war. Of equal significance, Peter Josyph's editorial work on this superb collection of letters from the Western Americana Division of Yale University's Beinecke Rare Book and Manuscripts Library enhances and clarifies Lauderdale's experinces as a surgeon aboard the U.S. Army hospital ship D. A. January. The reader looks on while Lauderdale, a New York civilian contract surgeon, operates on hundreds of Confederate and Union wounded. The young doctor's clear writing style and his great compassion for these unfortunate men whose bodies were ripped apart by bullets, shell fragments, and bayonets permits us to catch a disturbiing glimpse of what modern warfare does to humanity. Finally, we learn of Lauderdale's motives for volunteering, his impressions of the "hospital ship" D. A. January, Confederate morale, the Abolitionist cause, and black slavery. The Wounded River is a must read for anyone interested in the real American Civil War.
Told by soldiers, sailors, airmen, and marines, this series is an oral history of World War II from those who were there. This second volume examines the storming of Omaha Beach on D-Day, and the advance of allied forces across Europe to the liberation of Paris. THE GREATEST WAR is an oral history of World War II told in the words of the soldiers, sailors, airmen, and marines-the men dubbed the "greatest generation," who fought and ultimately emerged victorious from battle. In this second volume, Gerald Astor, one of the nation's most acclaimed military historians, takes readers from the storming of Omaha Beach on D-Day to the advance of Allied forces across Europe to the liberation of Paris. It is a gripping narrative of unparalleled courage, honor, and glory that is sure to become a military classic.
Reunited with her ex, a military vet faces internal battles and physical danger in this romantic suspense tale by a New York Times–bestselling author. Mariah Conrad has come home. Badly wounded on active duty in Afghanistan and finally released stateside, she has no family to call on and nowhere to go—until Quinn Walker arrives at her bedside. Quinn . . . her brother-in-arms, ex-lover and now maybe her future. Quinn brings Mariah to his log cabin in the Appalachian Mountains of Kentucky to rest and recuperate both physically and emotionally. While she’s incredibly grateful, Mariah is also confused and frustrated. She’s always stood on her own two feet, but now even that can literally be torture. She’s having flashbacks and blackouts, hearing helicopter noises in the night. She wants to push Quinn away—and hold him closer than ever. But will she get the chance? Those helicopters are more than just post-traumatic stress; they’re real—and dangerous. Bad things are happening on the mountain. Suddenly there’s a battle to be fought on the home front, and no guarantee of survival.
James Maloneys start in life was rooted in abuse, rejection, and fear. As a teenager, facing thoughts of suicide, he cried out to God, If Youre real, You're going to have to reveal Yourself to me. Jesus Christ appeared to James in a cloud of glory and told him, I have heard your cry for acceptance. I have heard your cry for reality, and I love you just the way you are. Like many others in this world, James suffered under severe wounds of rejection stemming from physical and emotional abuse as a child. He labored under fear and isolation. Even so, his moving testimony shows Jesus as the Great Physicianone who can uproot any issue and touch any person and make them whole, no matter how wounded they may be. The Wounded Cry is a dynamic, true story of one young mans search for acceptance and love, and how a touch from God can turn any horrible situation into a praise report of His glory.
In ships and planes, they crossed the English Channel. On the other side Hitler’s army waited. And the longest day was about to begin.... In the spring of 1944, 120,000 Allied soldiers crossed the English Channel in the most ambitious invasion force ever assembled. Rangers, paratroopers, infantry, and armored personnel, these soldiers--some who had just cut their teeth in Africa and Sicily and some who were brand-new to war--joined a force aimed at the heart of Europe and Hitler’s defenses. On the morning of June 6, D-Day began. And in the hours that followed, thousands lost their lives, while those who survived would be changed forever No other chronicle of D-Day can match Gerald Astor's extraordinary work--a vivid first-person account told with stunning immediacy by the men who were there. From soldiers who waded through the bullet-riddled water to those who dropped behind enemy lines, from moments of terror and confusion to acts of incredible camaraderie and heroism, June 6, 1944 plunges us into history in the making--and the most pivotal battle ever waged.
The three kingdoms will rise, who will fight, and see how I can achieve my own hegemony in this chaotic world. The world is filled with beauties, can it be settled by both sides?
There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
Lieutenant Bob McDade volunteers for the Vietnam War instead of becoming a school teacher. He made the wrong decision. When Lieutenant Bob McDade witnesses an officer ordering the execution of villagers while on an operation to gather intelligence about the Viet Cong, he questions his role as a seasoned veteran. Conflicted, he argues with his commanding officer and is court martialled as a result. McDade is found guilty and is facing disgrace, but his lawyer wins a plea that he is a victim of 'battle stress'. He is sent to a veteran’s psychiatric hospital in the US while the army happily closes down the issue of a war crime. Meanwhile, Gail is dedicated to her work in another veteran’s home in the US. She met McDade in Saigon while she was working as a nurse, although the couple knew each other from high school, and they fell in love. Uncertain of whether he is sane or not, McDade eventually walks out of the hospital. He plans to leave, and he wants to take Gail with him. Will he persuade her to leave her job and nurse elsewhere, or will Gail be destroyed by the very madness she is trying to cure? Focusing on battle stress and exploring the difficult issue of front line soldiers under stress who kill civilians, Don’t Cry for the Brave is an intriguing novel for those who enjoy military and crime fiction.
Belgium 1942. In the midst of the German occupation, this heart warming story comes to life through the eyes of a child. It captures brilliantly the sights and sounds of war. It is an amazing chronicle of hardships and triumphs, of survival, both humorous and compassionate. A monument to the enduring strength of the human spirit.
