World of Theatre 2003 Edition

World of Theatre 2003 Edition

Author: Ian Herbert

Publisher: Routledge

Published: 2003-09-02

Total Pages: 846

ISBN-13: 1134402112

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Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature, Brussels, the World of Theatre is a lavishly illustrated biennial publication providing on-the-spot and authoritative surveys of current theatrical activity from across the globe. The content of the book is as varied as the theatrical situations it describes, from magisterial round-ups by leading critics in Europe to desperate and pitiful reports from the battlefield in war-torn countries. With expanded coverage, this new edition encompasses the three seasons from 1999 to 2002 and contains articles from over seventy countries. The contributors include leading commentators such as Jim O'Quinn, editor of American Theatre, and England's Peter Hepple, the longest serving London theatre critic and a former editor of The Stage. The World of Theatre will be welcomed by theatre scholars as an ongoing revision of another Routledge reference work, the World Encyclopedia of Contemporary Theatre and is essential reading for anyone seeking up-to-date information on the developments in the leading theatre nations as well as those countries whose theatre is little known outside their boundaries.


Theatre and Autocracy in the Ancient World

Theatre and Autocracy in the Ancient World

Author: Eric Csapo

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-10-24

Total Pages: 290

ISBN-13: 3110980355

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Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.


American Reference Books Annual

American Reference Books Annual

Author: Bohdan S. Wynar

Publisher:

Published: 2005

Total Pages: 840

ISBN-13:

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1970- issued in 2 vols.: v. 1, General reference, social sciences, history, economics, business; v. 2, Fine arts, humanities, science and engineering.


The Oxford Companion to Theatre and Performance

The Oxford Companion to Theatre and Performance

Author: Dennis Kennedy

Publisher: Oxford University Press, USA

Published: 2010-08-26

Total Pages: 705

ISBN-13: 0199574197

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An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.


The Semiotics of Theatre and Drama

The Semiotics of Theatre and Drama

Author: Keir Elam

Publisher: Routledge

Published: 2003-12-16

Total Pages: 269

ISBN-13: 1134465122

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Keir Elam showed how this new 'science' could provide a radical shift in our understanding of theatrical performance, one of our very richest and most complex forms of communication.


The Cambridge Guide to American Theatre

The Cambridge Guide to American Theatre

Author: Don B. Wilmeth

Publisher: Cambridge University Press

Published: 2007-09-13

Total Pages: 13

ISBN-13: 0521835380

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New and updated encyclopedic guide to American theatre, from its earliest history to the present.


The Routledge Introduction to Theatre and Performance Studies

The Routledge Introduction to Theatre and Performance Studies

Author: Erika Fischer-Lichte

Publisher: Routledge

Published: 2014-04-03

Total Pages: 215

ISBN-13: 1135083886

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Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.


Physical Theatres: A Critical Introduction

Physical Theatres: A Critical Introduction

Author: Simon Murray

Publisher: Routledge

Published: 2007-11-14

Total Pages: 247

ISBN-13: 1134231040

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Physical Theatres: A Critical Introduction is the first account to provide a comprehensive overview of non text-based theatre, from experimental dance to traditional mime. This book synthesizes the history, theory and practice of physical theatres for students and performers, in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicité and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Physical Theatres: A Critical Introduction can be used as a standalone text, or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance.