Examines a variety of dolls throughout the world, discussing how they have been used at different times and how they reflect the cultures that created them.
With secondary market prices for more than 1,000 dolls and accessories, this comprehensive reference covers doll artists, foreign dolls, and personality dolls from the 1920s to the present--including Shirley Temple and Scarlet O'Hara. 900+ photos, 60 in color.
Dolls are, by definition, playthings. But the best of today's dolls are highly collectible works of art. This book traces the history of dolls and doll collecting, and takes you into the wonderful world of artists dolls, many of which sell for thousands of dollars. The stunning creations of fifty internationally renowned artists are showcased in full-colour photographs. Discover the artists and delight in their inspiring stories.
Dolls of the World offers stylish design and three things girls love: dolls in traditional outfits, coloring, and stickers-lots of them! Thirteen different countries and regions are represented by dolls on pages that are partly colored and partly blank, allowing for plenty of creative options. And if a girl wants to take some creative license with her masterpiece-why not? Who says a girl from Sweden can't be paired with a Mexican pinata? This chic and fun gift is a perfect fit for any girl.
The hobby of doll collecting is attracting increasing interest the world over. Along with this surge in popularity comes a growing desire for more information concerning the origins and approximate ages of the rarer dolls which fetch extremely high prices at auctions and exhibitions. Celluloid dolls are now being spoken of in the doll world as the next 'sleeper' to awaken. The most recent celluloid dolls are more than forty-five years old, and the the oldest are true antiques, having been made at the end of the last century. Presented alphabetically by country, "Celluloid Dolls of the World" is Marjory Fainges's third doll encyclopaedia (following "The Encyclopaedia of Regional Dolls" and the "Encyclopaedia of Australian Dolls)" and presents new up-to-date information gleaned over many years of research, which will be of interest to toy and doll collectors, historians and enthusiasts alike. It is now well over a decade since any definitive book has been written on the celluloid dolls that were manufactured in their millions by countries as diverse as China, Czechoslovakia, England, France, Germany, Japan, Italy, the Netherlands, Poland, Sweden and the United States. Besides the companies that manufactured complete dolls in celluloid, other companies throughout the world imported celluloid components which were assembled into dolls bearing their own respective company's identification. This comprehensive work showcases many of the manufacturers around the world, which were making celluloid dolls from the very early years of this century until the late 1950's. Also Included are examples of the logos used and historical notes on each company. There is a special section devoted to'Personality Dolls' such as Shirley Temple, Charley Chaplin and Popeye, and over 450 photographs of celluloid dolls made and sold around the world in the first half of the twentieth century.
Stories from a world both fantastically strange and gruellingly familiar where isolation, ruin, prejudice, and misinformation soar in an irresistible, susurrant fugue of displaced families yearning to belong In the four stories that make up The Dolls, characters are plagued by unexplained illnesses and oblique, human-made disasters and environmental losses. A big sister descends into the family basement. Another sister refuses her younger brother. A third sister with memory loss is on the run and offered shelter by Notpla, a man both an ally and an enemy. A fourth set of siblings travel to Hungary with their late mother in a coffin. They each have a different version of their mother's story. Drawing on the likes of August Strindberg, Franz Kafka, Andrej Kurkov, Knut Hamsun, T.S. Eliot, Béla Tarr, and Hieronymus Bosch, Scavenius's universe is chilling and excruciatingly seductive. In it, nothing can be said to be true anymore. After all, anything can be propaganda today. Praise for The Dolls Here is a writer of extremely unusual imaginative powers. I found myself completely entranced. This is one of the most extraordinary pieces of writing I've ever read - Editor's Pick, BBC Radio 4 From a Rear Window-like position, a girl in a wheelchair watches extremely sinister happenings at a refugee centre with her complicit parents while her sister refuses to leave the basement of their house. A woman seeks refuge from the ever-present threat of war or the chaos of climate change with a man whose identity is as unclear as his intentions... These are artful, singular stories which, with rigorous inventiveness of language and technique, vividly evoke the calamities that form our nightmares - The Irish Times Fiercely anti-establishment and addictively macabre. The translation is appropriately atmospheric: Jennifer Russell has done a marvellous job of weaving the narrative seamlessly between an almost dreamlike lyricism and a grisly reality - Translating Women Scavenius's book is filled with impressive observation and uncomfortable characters, all bound together by her peculiarnand gritty prose, beautifully told in Russell's immaculate translation - Asymptote A dilute wash of watercolour exposes the terrifying images and themes underneath... Emerging from Scavenius' world, we recognise the cruelty and threat and bewilderment as not only the domain of the world she's writing from, but also a powerful and poetic compression of where we live - Exacting Clam Ursula Scavenius is one of the most exciting Danish short story writers at work today. The Dolls, in Jennifer Russell's magnificent translation, is a literary page-turner: haunting, mesmerizing, and unforgettable in all its grotesque glory - Katrine Øgaard Jensen Scavenius's dystopian narratives are hard to put down, recalling both historical crimes and current crises - Information URSULA SCAVENIUS is a writer based in Copenhagen. She is a graduate of the Danish Academy of Creative Writing and holds an MA in comparative literature and Italian from the University of Copenhagen. She debuted in 2015 with the short story collection Fjer [Feathers], which won the Bodil and Jørgen Munch-Christensen Prize and was nominated for the Montana Prize for Fiction. Her second book, The Dolls, was published in January 2020 and was shortlisted for the Edvard P. Prize that same year, as was Feathers in 2015. JENNIFER RUSSELL has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius's
A treasure trove of Barbie RM, Sindy and other International dolls! While the similarities of these international dolls to the American Barbie RM doll are great, the differences are phenomenal! Wilder hair, more elaborate facial features, unique costumes! Identifying aides include complete descriptions of the costumes, years produced and series numbers. 380 color photos.
This vintage book contains an fantastic treatise on the dolls of the world, looking at these timeless children's toys as enjoyed in Russia, China, Great Britain, Switzerland, and many other countries. With authentic photographs and a wealth of fascinating information, this volume will be of considerable utility to both collectors and dealers alike. Contents include: "Great Britain", "Miss America", "The Feast of Dolls", "Russia", "A Flathead Dolly", "Lapland", "Italian Rabinos", "Maria Theresa, of Hungary", "The Precious Child of Korea", "Some Strange Dolls", "La Belle Francaise", "South Africa", "Herald, the Norwegian", "Chandi and Kali", "Switzerland", "Dolores, of Sunny Spain", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction on dolls.