Lydia Sigourney
Lydia Sigourney

Author: Lydia Sigourney

Publisher: Broadview Press

Published: 2008-08-28

Total Pages: 355

ISBN-13: 1770480471

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Lydia Huntley Sigourney (1791–1865) was the most widely read and respected pre-Civil War American woman poet in the English-speaking world. In a half-century career, Sigourney produced a wide range of poetry and prose envisaging the United States as a new kind of republic with a unique mission in history, in which women like herself had a central role. This edition contributes to the current recovery of Sigourney and her republican vision from the oblivion into which they were cast by the aftermath of the Civil War, the construction of a male-dominated American “national” literary canon, and the aesthetics of Modernism. In this Broadview edition, a representative selection of poetry and prose from across her career illustrates Sigourney’s national vision and the diversity of forms she used to promote it. In the appendices, letters and documents illustrate her challenges and working methods in what she called her “kitchen in Parnassus.”

Romanticism and Women Poets
Romanticism and Women Poets

Author: Harriet Kramer Linkin

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 401

ISBN-13: 0813184924

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One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.