The Big Book of Business Quotations
The Big Book of Business Quotations

Author: Johnnie L. Roberts

Publisher: Simon and Schuster

Published: 2016-11-15

Total Pages: 373

ISBN-13: 1634500210

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A quotable reference for anyone interested in learning the ins and outs of business or starting their own. More than one million people in the United States take the necessary steps to enroll in master’s of business programs every single year. These students learn the fundamentals required to eventually start their own businesses, carry on family businesses, or become CEOs of other people’s businesses. The Big Book of Business Quotations, compiled and edited by journalist Johnnie Roberts, features advice, ideas, strategies, and secrets that helped make some of the most successful businesspeople in the world rich, famous, or both. These quotes will inspire and motivate any current or aspiring businessperson to achieve success. “Leadership is a potent combination of strategy and character. But if you must be without one, be without the strategy.” —Norman Schwarzkopf “Business opportunities are like buses; there’s always another one coming.” —Richard Branson “You only have to do a very few things right in your life so long as you don’t do too many things wrong.” —Warren Buffett “Success is often achieved by those who don’t know that failure is inevitable.” —Coco Chanel

Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860

Author: Randi Margrete Selvik

Publisher: Routledge

Published: 2020-12-30

Total Pages: 285

ISBN-13: 1000296571

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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.