The Works of John Dryden, Volume XX

The Works of John Dryden, Volume XX

Author: John Dryden

Publisher: Univ of California Press

Published: 1990-05-30

Total Pages: 544

ISBN-13: 0520905334

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For the first time since 1695, a complete text of De Arte Graphica as Dryden himself wrote it is available to readers. In all, Volume XX presents six pieces written during Dryden's final decade, each of them either requested by a friend or commissioned by a publisher. Two are translations, three introduce translations made by others, and the sixth introduces an original work by one of Dryden's friends. The most recent version of De Arte Graphica, Saintsbury's late nineteenth-century reissue of Scott's edition, based the text of the translated matter on an edition that was heavily revised by someone other than Dryden. In fact, only one of the pieces offered here, the brief Character of Saint-Evremond, has appeared complete in a twentieth-century edition. The commentary in this volume supplies biographical and bibliographical contexts for these pieces and draws attention to the views on history and historians, poetry and painting, Virgil and translation, which Dryden expresses in them. Many other volumes of prose, poetry, and plays are available in the California Edition of The Works of John Dryden.


The Works of John Dryden, Volume XVII

The Works of John Dryden, Volume XVII

Author: John Dryden

Publisher: Univ of California Press

Published: 1972-01-01

Total Pages: 547

ISBN-13: 0520905199

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This collection of prose writing from the pen of Dryden dates from 1668 to 1691, and contains work that the editors describe as "a sampler of Dryden as biographer-historian, political commentator, religious controversialist, literary polemicist, literary theorist, and practical critic. Among the works contained here is his "Essay of Dramatick Poesie."


The Works of John Dryden, Volume XIII

The Works of John Dryden, Volume XIII

Author: John Dryden

Publisher: Univ of California Press

Published: 1985-01-24

Total Pages: 672

ISBN-13: 0520905296

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Volume XIII contains three of Dryden's Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.


The Works of John Dryden, Volume XII

The Works of John Dryden, Volume XII

Author: John Dryden

Publisher: Univ of California Press

Published: 2023-11-15

Total Pages: 570

ISBN-13: 0520913647

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The three plays in this volume, composed between 1672 or 1673 and 1675, demonstrate Dryden's versatility and inventiveness as a dramatist. Amboyna, a tragedy written to stir the English to prosecute the Third Dutch War, describes the destruction by the Dutch of English trading posts on two Indonesian islands. Regarded in its time as sensationalist, it is really a dignified drama that decries violence. The State of Innocence, termed an opera, is a rhymed version of Milton's Paradise Lost. Though never performed or set to music, it became one of Dryden's most widely read dramas. Aureng-Zebe, the last and generally considered the best of Dryden's rhymed heroic plays, portrays the rise to power of Mogul emperor Aureng-Zebe (1618-1707).


Performing Race and Torture on the Early Modern Stage

Performing Race and Torture on the Early Modern Stage

Author: Ayanna Thompson

Publisher: Routledge

Published: 2013-09-13

Total Pages: 187

ISBN-13: 1135908559

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Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.