Novel Minds

Novel Minds

Author: R. Tierney-Hynes

Publisher: Springer

Published: 2015-12-11

Total Pages: 190

ISBN-13: 1137033290

DOWNLOAD EBOOK

Eighteenth-century philosophy owes much to the early novel. Using the figure of the romance reader this book tells a new story of eighteenth-century reading. The impressionable mind and mutable identity of the romance reader haunt eighteenth-century definitions of the self, and the seductions of fiction insist on making an appearance in philosophy.


Language Anxiety

Language Anxiety

Author: Tim William Machan

Publisher: OUP Oxford

Published: 2009-01-29

Total Pages: 314

ISBN-13: 0191552488

DOWNLOAD EBOOK

This book looks at the ever-present anxieties associated with language change. Focusing on English from Alfred the Great to the present, Tim Machan offers a fresh perspective on the history of language. He reveals amusing and sometimes disconcerting aspects of our linguistic and social behavior and suggests that anxiety about language has sometimes allowed us to avoid the issues we really find disturbing: when speakers of English worry over grammar, sounds, or words the real source of their anxiety is often not language at all but issues like immigration or social instability. Drawing on an array of evidence from archives, literature, history, polemics, and the press, as well as centuries of legislation, Tim Machan uncovers the perennial nature of concerns about the poverty and purity of English. There has never been a time, he shows, when we weren't worried about the corruption of language and its apparent connections with educational standards, the morality of youth, the integrity of society, and the identity of our nations. This is a fascinating story, told here in consummate fashion, combining insight and anecdote, and learning with wit - a book for everyone interested in languages and the people who speak them.


A Careful Longing

A Careful Longing

Author: Aaron Santesso

Publisher: University of Delaware Press

Published: 2006

Total Pages: 230

ISBN-13: 9780874139457

DOWNLOAD EBOOK

This book examines the emergence of a new genre during the eighteenth century: the nostalgia poem. This genre is best understood by reconceiving the premises of nostalgia itself, examining it as first and foremost a mode of idealization rather than a longing for the past. From the poems that make up this genre, we have derived many of our modern ideas and images of nostalgia. In tracing the history of the nostalgia poem, this book also traces a pattern of tropic change, in which a new genre is built around tropes extracted from the dying genres. This new genre then begins producing its own tropes; in the case of the nostalgia poem, these include idealized school days and ruined villages. As these tropes become overly familiar, the nostalgia poem genre itself begins to fall apart. This book reevaluates poems ranging from Dryden's Hastings elegy to Crabbe's The Village, showing how works as varied as Gray's Eton College Ode, Macpherson's forged epics, and Goldsmith's The Deserted Village are all part of a doomed literary experiment - an experiment that has nevertheless determined the course of modern nostalgic thought.


Shakespeare Adaptations from the Early Eighteenth Century

Shakespeare Adaptations from the Early Eighteenth Century

Author: Kristine Johanson

Publisher: Rowman & Littlefield

Published: 2013-12-11

Total Pages: 475

ISBN-13: 1611474604

DOWNLOAD EBOOK

This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.


The Oxford Handbook of British Poetry, 1660-1800

The Oxford Handbook of British Poetry, 1660-1800

Author: Jack Lynch

Publisher: Oxford University Press

Published: 2016-11-24

Total Pages: 1011

ISBN-13: 0191019690

DOWNLOAD EBOOK

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.


From Rhetoric to Aesthetics: Wit and Esprit in the English and French Theoretical Writings of the Late Seventeenth and Early Eighteenth Centuries

From Rhetoric to Aesthetics: Wit and Esprit in the English and French Theoretical Writings of the Late Seventeenth and Early Eighteenth Centuries

Author: Klára Bicanová

Publisher: Masarykova univerzita

Published: 2016-01-01

Total Pages: 157

ISBN-13: 8021082305

DOWNLOAD EBOOK

Práce se zabývá především anglickým termínem wit v jeho moderním i historickém kontextu. Dále se zabývá literárními a estetickými důsledky pojmů wit a esprit a jejich použitím v teoretických spisech několika kritiků v období raně moderní Anglie a Francie. Práce má dva hlavní cíle. Prvním cílem je přehodnocení anglického pojmu wit, který je dnes považován za poněkud zastaralý výrazový prostředek historických poetických systémů a prezentovat jej jako životaschopnou a užitečnou součást současného uměleckého diskurzu. Druhým cílem této práce je poskytnout srovnávací výklad raně moderních anglických a francouzských teoretických textů zabývající se termíny wit a esprit.


English Dramatick Opera, 1661–1706

English Dramatick Opera, 1661–1706

Author: Andrew R. Walkling

Publisher: Routledge

Published: 2019-03-19

Total Pages: 344

ISBN-13: 1315524201

DOWNLOAD EBOOK

English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).


The Skeptical Sublime

The Skeptical Sublime

Author: James Noggle

Publisher:

Published: 2001

Total Pages: 284

ISBN-13: 0195142454

DOWNLOAD EBOOK

This title examines the role of scepticism in initiating the idea of the sublime in early modern British literature. James Noggle draws on philosophy, intellectual history, and critical theory to illuminate the aesthetic ideology of Pope, Swift, Dryden, and Rochester among other import ant writers of the period. "The Skeptical Sublime" compares the view of sublimity presented by these authors with that of the dominant, liberal tradition of 18th-century criticism to offer a new understanding of how these writers helped construct proto-aesthetic categories that stabilized British culture after years of civil war and revolution, while at the same time their scepticism allowed them to express ambivalence about the emerging social order


Art of the Everyday

Art of the Everyday

Author: Ruth Bernard Yeazell

Publisher: Princeton University Press

Published: 2008

Total Pages: 294

ISBN-13: 9780691127262

DOWNLOAD EBOOK

Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.