Dudley attempts to impose a pattern on the entire history of human civilization. He shows how the major transformations in the character of social life have been determined by eight significant innovations: four new ways of dealing with information - writing, printing, mass media and integrated circuits; and four new ways of organizing the applications of violence - metal weapons, artillery, steam transport and heavy cavalry. Military and informational technologies are so crucial because they are instrumental in holding states together, while innovation in itself tends to produce new economies of scale.
In Dressed To Kill, Rick explains with exacting detail the purpose and function of each piece of Roman armor. In the process, he describes the significance of our spiritual armor not only to withstand the onslaughts of the enemy and but also to overturn the tendencies of the carnal mind. Furthermore, Rick delivers a clear, scriptural...
SWORD WORDS teaches you how to wage your Christian spiritual warfare using the SWORD of the Spirit which is the WORD of God. (Ephesians 6:17)It instructs you on how to wield your SWORD WORDS together with the full armor of God. It demystifies the enemy's devices and explains the battle plan. SWORD WORDS also tells you how to position yourself strategically and communicate effectively with your backup so that you can win your battles regardless of whether you are fighting for your health, marriage, children, ministry or finances or fighting against addictions, opposition, fear, death, and discouragement.
Commands to kill, to commit ethnic cleansing, to institutionalize segregation, to hate and fear other races and religions—all are in the Bible, and all occur with a far greater frequency than in the Qur’an. But fanaticism is no more hard-wired in Christianity than it is in Islam. In Laying Down the Sword, “one of America’s best scholars of religion” (The Economist) explores how religions grow past their bloody origins, and delivers a fearless examination of the most violent verses of the Bible and an urgent call to read them anew in pursuit of a richer, more genuine faith. Christians cannot engage with neighbors and critics of other traditions—nor enjoy the deepest, most mature embodiment of their own faith—until they confront the texts of terror in their heritage. Philip Jenkins identifies the “holy amnesia” that, while allowing scriptural religions to grow and adapt, has demanded a nearly wholesale suppression of the Bible’s most aggressive passages, leaving them dangerously dormant for extremists to revive in times of conflict. Jenkins lays bare the whole Bible, without compromise or apology, and equips us with tools for reading even the most unsettling texts, from the slaughter of the Canaanites to the alarming rhetoric of the book of Revelation. Laying Down the Sword presents a vital framework for understanding both the Bible and the Qur’an, gives Westerners a credible basis for interaction and dialogue with Islam, and delivers a powerful model for how a faith can grow from terror to mercy.
Widely considered in his own time as a genial but provincial lightweight who was out of place in the presidency, Abraham Lincoln astonished his allies and confounded his adversaries by producing a series of speeches and public letters so provocative that they helped revolutionize public opinion on such critical issues as civil liberties, the use of black soldiers, and the emancipation of slaves. This is a brilliant and unprecedented examination of how Lincoln used the power of words to not only build his political career but to keep the country united during the Civil War.
In a sweeping fantasy that award-winning author Franny Billingsley calls "fascinating and unique," debut author Kathy MacMillan weaves palace intrigue and epic world-building to craft a tale for fans of Rae Carson and Megan Whalen Turner. Raisa was just a child when she was sold into slavery in the kingdom of Qilara. Before she was taken away, her father had been adamant that she learn to read and write. But where she now lives, literacy is a capital offense for all but the nobility. The written language is closely protected, and only the King, Prince, Tutor, and Tutor-in-training are allowed to learn its very highest form. So when she is plucked from her menial labor and selected to replace the last Tutor-in-training who was executed, Raisa knows that betraying any hint of her past could mean death. Keeping her secret guarded is hard enough, but the romance that's been blossoming between her and Prince Mati isn't helping matters. Then Raisa is approached by the Resistance—an underground rebel army—to help liberate the city's slaves. She wants to free her people, but that would mean aiding a war against Mati. As Raisa struggles with what to do, she discovers a secret that the Qilarites have been hiding for centuries—one that, if uncovered, could bring the kingdom to its knees.
Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader BolesÅaw DrobiÅski and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the filmâs release in 1969 â plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.
