Drama Characters: 1 male, 1 female Interior Set Rose, a shy dimestore salesgirl whose life centers around reveries and daydreams, lives in a dreary Philadelphia apartment. Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer feat
In this small, luminous memoir, the National Book Award-winner Patti Smith revisits the most sacred experiences of her early years, with truths so vivid they border on the surreal. The author entwines her childhood self - and its 'clear, unspeakable joy' - with memories both real and envisioned from her twenties on New York's MacDougal Street, the street of cafés. Woolgathering was completed in Michigan, on Patti Smith's 45th birthday and originally published in a slim volume from Raymond Foye's Hanuman Books. Twenty years later, Bloomsbury is proud to present it in a much augmented edition, featuring writing that was omitted from the book's first printing, along with new photographs and illustrations.
The Woolgatherer gives us the richest kind of autobiography: tentative, questioning, multi-layered and shot through with vivid memories. There is a refreshing astringency of vision, a cathartic toughness in the way Gray's poetry confronts the remembered humiliations of childhood poverty, adult disappointments and mature regret. But though there is a shunning of all false consolations, there is room for wry and stoic humour which prevents any tendency to bleakness in these poems. There is also celebration of moments of joy and those persons such as the Misses Norman and Miss Maingot who offered the liberating gift of education and access to books. Above all, Gray's poetry consistently delights both mind and the senses with its inventiveness and rigour in the working out of metaphor, the taut energy of its rhythmic patterns and sometimes rhyme. Cecil Gray was born in Trinidad in 1923 and has had a distinguished career as a Caribbean educator. He now lives in Canada.
Mirador Publishing invited submissions of short stories celebrating the Weird and the Wonderful.We were overwhelmed by the number and the quality of entries. Choosing the winners proved to be a monumental task. Our criteria centred on the gifts of story telling and imagination. We believe these should be the overriding considerations, for the exploration of the human condition through the story telling process.We take great pleasure in presenting this selection by some of the world "s most promising new writers and we look forward to working with these immensely talented story tellers on future projects.Have fun and lose yourself in the wonderful Mirador Fantasmagoria.
Aidan is a brash, arrogant young wizard, and heir to his father's impressive legacy. And it's high time he be wedded to a suitable woman, to ensure the ancient line of sorcerers continues. But Aidan has a secret: a fae lover, one of the Woolgathers, an ancient race of magical forest creatures. His father would never approve of their union, and thus young Aidan harbors a bitter resentment toward the old man's matchmaking ways... Speaking of which, Kara has by now been whisked off to old wizard's family estate, where she awaits the first meeting with her unwilling betrothed. Never mind that she plans to do anything in her power to ruin her own marriage! It's not until she meets the charming, sensitive fae servant of her future husband that she finds a sympathetic ear... and starts to wonder if maybe there's something worth sticking around for after all... --- “Wait,” she tugged hard on his hand, “Terren.” He turned back toward her. His expression was wary. The nimble fingers tightened on her hand, warm and smooth. “I… have to get you back.” He lowered his violet eyes. She frowned. She didn’t understand this place, but if there was an ally to be found here, it was him. And Kara suspected something in the way he avoided looking directly at her now, and how his fingers were grazing the palm of her hand… “Why do you have to?” she asked. She stepped closer. Terren stiffened, but did not drop her hand. “You don’t like them, do you? They treat you terribly.” “The old one does indeed. Master Aiden is simply… having a particularly bad day. Regardless, I don’t mind,” his mouth quirked in a mysterious smile, but he was tight with nervous energy. She ran her other hand slowly up his chest and he flinched backward. “You’re lying.” His small smirk faded into a frown. She glared hard at him, their faces so close she could feel his breath on her cheek. His expression softened suddenly. His eyebrows quivered in a look of intrigue as he explored her eyes, nose, down to her mouth. “Do you want to kiss me?” she whispered and leaned toward him. Terren inhaled sharply, but did not move to embrace her. He looked back up into her eyes. “Interesting...” the word whispered out of him with a confident playfulness that unsettled Kara. “What is?” Terren’s long fingers stroked down her hair. He twirled a lock between his fingers. “You are.” He took her hand and turned away, pulling her after him. “Follow me.”
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Stalin's reign of terror was not all doom and gloom, much of it was (meant to be) funny! Tracing the development of official humour, satire, and comedy, Dobrenko and Jonsson-Skradol do away with the idea that all humour in the USSR was subversive, instead exploring why laughter was a core component to the survival of the Soviet regime.
The purpose of this book is to fill a void. There has never been a comprehensive work in English that included several types of double harness looms and their operation. Rather than a collection of projects and patterns, this book is meant as a guide to either acquiring a drawloom or modifying an existing loom to do double harness patterns when desired.The section on designing is meant to provide weavers with tools to create interesting textiles on their own.
For years, Mrs. Alving has, for appearance's sake, endured a loveless marriage to a dissolute and drunken man. She even sent her only son away from home so that he would not be corrupted by his father. But despite (or, ironically, perhaps because of) her efforts, the ghosts of the past are resurrected as her son reappears, the obvious heir to his father's sins and excesses
Never has the celebrated author of Butley and Otherwise Engaged been more amusing and more touching than in this thoroughly delightful portrait of a mediocre but lovable English schoolteacher named St. John Quartermaine and his fellow faculty at a small school in Cambridge which teaches English to foreigners.
