Tamerlane and Other Poems is the first published work by American writer Edgar Allan Poe. The short collection of poems was first published in 1827. Today, it is believed only 12 of approximately 50 copies of the collection still exist. The poems were largely inspired by Lord Byron, including the long title poem "Tamerlane", which depicts a historical conqueror who laments the loss of his first romance. Like much of Poe's future work, the poems in Tamerlane and Other Poems include themes of love, death, and pride.
Struggling to support her family in mid-19th-century New York, writer Frances Osgood makes an unexpected connection with literary master Edgar Allan Poe and finds her survival complicated by her intense attraction to the writer and the scheming manipulations of his wife.
This biography of Edgar Allan Poe, a giant of American Literature who invented both the horror and detective genre, is a portrait of extremes: a disinherited heir, a brilliant but underpaid author, a temperate man and uncontrollable addict.
Gothic, mysterious, theatrical, fatally flawed, and dazzling, the life of Edgar Allan Poe, one of America’s greatest and most versatile writers, is the ideal subject for Peter Ackroyd. Poe wrote lyrical poetry and macabre psychological melodramas; invented the first fictional detective; and produced pioneering works of science fiction and fantasy. His innovative style, images, and themes had a tremendous impact on European romanticism, symbolism, and surrealism, and continue to influence writers today. In this essential addition to his canon of acclaimed biographies, Peter Ackroyd explores Poe’s literary accomplishments and legacy against the background of his erratic, dramatic, and sometimes sordid life. Ackroyd chronicles Poe’s difficult childhood, his bumpy academic and military careers, and his complex relationships with women, including his marriage to his thirteen-year-old cousin. He describes Poe’s much-written-about problems with gambling and alcohol with sympathy and insight, showing their connections to Poe’s childhood and the trials, as well as the triumphs, of his adult life. Ackroyd’s thoughtful, perceptive examinations of some of Poe’s most famous works shed new light on these classics and on the troubled and brilliant genius who created them.
»King Pest« is a short story by Edgar Allan Poe, originally published in 1835. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.
Un anonimo narratore ci racconta del suo amore perduto Ligeia, una donna alta, dai capelli neri, estremamente intelligente, che credeva che la morte potesse essere sconfitta con la forza di volontà. Inoltre era innamorata in maniera ossessiva del marito, lo idolatrava, ricambiata. Quando lei muore lui è affranto. Qualche tempo dopo decide di andare avanti con la sua vita e si risposa. Strane cose cominciano ad accadere mentre il narratore continua a pensare sempre di più al suo primo amore, Ligeia…
Did Edgar Allan Poe know more about murder than he revealed in his bizarre stories of murder and mayhem? Was he in fact guilty of killing a girlfriend in a fit of rage many years before he became famous? Bruce Wetterau's taut thriller weaves a murder mystery worthy of Poe himself as it follows Poe through actual events in the last months of his life. The year 1849 saw the real-life Poe dealing with his alcoholism, failing health, poverty, and painful memories of his recently deceased child-bride wife. His life had become a psychological pressure cooker, with severe anxiety attacks and bouts of strange hallucinations. The Girl Behind the Wall opens in early 1849. Poe is being tormented by frightening visions about murdering Annabel Lee while he was a student at the University of Virginia. Afraid of the hangman's noose, Poe knows he can never tell anyone about the repressed memories haunting him. But a newspaper reporter named Sam Reynolds has overheard him talking erratically about Annabel while in a drunken stupor. That a man as famous as Poe could be a murderer would be the scoop of a lifetime and Reynolds will do anything to get it. Flash forward nearly two hundred years to the present. The book's hero, Clay Cantrell, accidentally uncovers damning evidence--Annabel's skeleton and a locket from Poe--behind an old brick wall at the university. While the mystery of Annabel's murder and Poe's strange visions unfolds in flashbacks, Cantrell and friends launch a search of their own for the truth about Annabel's death. But another murder mystery much closer to home overtakes them when a cold-blooded serial killer named the Raven claims his first victim, a UVA coed. Obsessed with Poe, the Raven stages his murders with clever ties to Poe's works. Clay tries to stop the murders and soon winds up in the Raven's cross hairs. Though this isn't the first vicious killer Clay--an ex-Army Ranger--has fought, he doesn't know the Raven has a diabolical plan to execute him. Will Poe finally reveal the truth about Annabel, or will he take the secret to his grave? Can Clay escape the Raven's plot, find what drives the Raven's murderous obsession with Poe, and at last answer the question, who killed Annabel Lee?
On the surface, "The Domain of Arnheim" is a tale of a fantastically wealthy man called "Ellison" who desires to express "the true character, the august aims, the supreme majesty and dignity of the poetic sentiment". He achieves his goal through creating "Arnheim", a castle and landscape-garden of supreme loveliness. As Ellison says, man can't affect the "general condition of man", but must be "thrown back...upon self". The first half of the story is a discussion of Ellison's philosophies concerning man and nature, and the second a detailed description of Arnheim itself. Edgar Allan Poe (1809–1849) was an American author, editor, poet, and critic. Most famous for his stories of mystery and horror, he was one of the first American short story writers, and is widely considered to be the inventor of the detective fiction genre. Many antiquarian books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new biography of the author.
