Tailored specifically to the needs of modern businesswomen, this completely revised resource breaks down travel and accommodation options and offers expert help with problems faced on the road. Author Kathleen Ameche covers every aspect of the business-travel process, from using a travel agent vs. self-planning to navigating airport hassles to finding alternative transportation options in the destination city. Ameche pays particular attention to maintaining comfort and safety during solo travel, eating right and staying fit while on the road, and managing family life and household operations while away.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor. The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other identities. These are the stories of women who fought because they wanted to, because they had to, or because they could. Among the warriors you’ll meet are: * Tomyris, ruler of the Massagetae, who killed Cyrus the Great of Persia when he sought to invade her lands * The West African ruler Amina of Hausa, who led her warriors in a campaign of territorial expansion for more than 30 years * Boudica, who led the Celtic tribes of Britain into a massive rebellion against the Roman Empire to avenge the rapes of her daughters * The Trung sisters, Trung Trac and Trung Nhi, who led an untrained army of 80,000 troops to drive the Chinese empire out of Vietnam * The Joshigun, a group of 30 combat-trained Japanese women who fought against the forces of the Meiji emperor in the late 19th century * Lakshmi Bai, Rani of Jhansi, who was regarded as the “bravest and best” military leader in the 1857 Indian Mutiny against British rule * Maria Bochkareva, who commanded Russia’s first all-female battalion—the First Women’s Battalion of Death—during WWII * Buffalo Calf Road Woman, the Cheyenne warrior who knocked General Custer off his horse at the Battle of Little Bighorn * Juana Azurduy de Padilla, a mestiza warrior who fought in at least 16 major battles against colonizers of Latin America and who is a national hero in Bolivia and Argentina today * And many more spanning from ancient times through the 20th century. By considering the ways in which their presence has been erased from history, Toler reveals that women have always fought—not in spite of being women but because they are women.
Winner of the Western Heritage Award for "Outstanding Western Novel" 2005 As the Cheyenne fought that June day in 1876, warrior Comes in Sight faced grave danger. His horse had been shot out from under him, and he was left stranded on the battlefield. Suddenly, a rider galloped through enemy fire, pulled Comes in Sight onto the back of her horse, and spirited him to safety. It was Buffalo Calf Road Woman—the warrior’s own sister. While white men refer to this clash as the Battle of the Rosebud, the Cheyenne know it as the battle, “Where the Girl Saved Her Brother.” Days later, Buffalo Calf fought at the Battle of Little Bighorn—the only woman to do so. And now a controversy is brewing over her role in that battle: Did Buffalo Calf strike the fatal blow that killed Custer? In this award-winning novel, authors Rosemary Agonito and Joseph Agonito depict the life and times of this brave young woman and the devastating effects of white man’s westward migration. Based on true events, this epic tale of love and war is an inspiring journey through one of history’s most moving sagas.
A Road Warrior's work life demands travel-lots of travel. This Road Warrior's life landed him in all 50 states and 6 foreign countries, covered 4.7 million air miles, and required more than 4,000 nights in hotels. And that's where the glamour ends. Road Warrior is for anyone who has ever traveled and experienced airport lines, TSA checkpoints, weather delays, equipment delays, security delays, middle seats, traffic jams, or fellow travelers who are by turns, enjoyable, crazy, knowledgeable, clueless, helpful, selfish, agreeable...and disagreeable...and still managed to come out smiling. You'll discover there's no commute like a Road Warrior's commute, and you'll delight in the unusual diversity of destinations in this Road Warrior's life-one week "working" at Churchill Downs, another week flying to a school in a remote Alaskan village on the Iditarod Trail, and at other times, walking through the heavily guarded precincts of twelve California State prisons. Arranged alphabetically from A is for Advice to Zzzz is for Sleep-Road Warrior is NOT a "how to travel" book. It is an anecdotal memoir of the author's determination to thrive-not just survive-during more than two-and-a-half decades on the road. Whether he's finding the fun in B is for Baseball, explaining a comically embarrassing situation in the Big Apple in X is for X-Rated, confessing to rude behavior in C is for Credit Card, or admitting to fearing for his life in P is for Prayer, the chapters provide a potpourri of fun, fear, fascination, laughter, and insights.
The Global Road Warrior is the ultra-pragmatic reference for the international business communicator and traveler, containing critical information you need for survival and success while on the road internationally.
Road Warrior Werewolves versus McDonaldland Mutants...post-apocalyptic fiction has never been quite like this. They call themselves the Warriors, their enemies call them the Bitches. They are a gang of man-eating, motorcycle-riding, war-hungry werewolf women, and they are the rulers of the wasteland. A century after the fall of civilization, only one city remains standing. It is a self-contained utopian society protected by a three-hundred-foot-high steel wall. The citizens of this city live safe, peaceful lives, completely ignorant to the savagery that takes place beyond the walls. They are content and happy, blindly following the rules of the fascist fast food corporation that acts as their government. But when Daniel Togg, a four-armed bootlegger from the dark side of town, is cast out of the walled city, he soon learns why the state of the outside world has been kept secret. The wasteland is a chaotic battleground filled with giant wolves, mutant men, and an army of furry biker women who are slowly transforming into animals. Trapped on the wrong side of a war zone, Daniel Togg makes new friends and new enemies, while uncovering the mysteries of the people living in the wasteland and how they came to be there. Including 45 illustrations by the author, Warrior Wolf Women of the Wasteland is an epic bizarro tale of dehumanization, gender separation, consumption, and violent sexual awakenings. A fast-paced post-apocalyptic adventure in the vein of The Road Warrior, featuring a very unique werewolf mythology.
This book explores the inter-relationship of disability and trauma in the Mad Max films (1979-2015). George Miller’s long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body – in devastating injury and its lasting effects – and in the broader social and historical contexts of trauma, disability, gender and myth. Over the franchise’s four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max’s post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change. Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max.
The classic hero of myth and legend is defined in masculine terms, but to judge a woman by the strengths and virtues of the typical male hero does her an injustice. The hero of "When Women Were Warriors" becomes a hero by learning to master herself and to understand the human heart.
The WomenÕs Warrior Society is a remarkable gathering of characters and voices used to expose truths about Native American life. In tightly woven prose, Lois Beardslee tells stories about people from all over North America and from either side of the line between abused and abuser. Both individual and archetypal, Native and non-Native, male and female, her characters take up arms against widely accepted stereotypes about Native people. The women warriors in these tales have lived through a variety of mishaps, experiencing the consequences brought on by misinformation and the misguided efforts of institutions and individuals. Armed with this experience, they gather in unlikely ÒsweatlodgesÓÑfrom kitchen tables to public librariesÑtransforming into she-wolves who, lips curled, snarl at their own victimization and assert that hope for future generations is maintained through creativity, determination, and the preservation of traditional values. This is political writing at its most honest and creative. BeardsleeÕs style is poetic and lyrical, and her voice, shifting as it does, both grips us with terrible tone and comforts us with familiar assurance. A fierce call to action, this book reads like a song cycleÑboth singing to us and demanding that we sing in response. Beardslee creates new strategies and measures of success. Her warriors dance, bark, howl, and transform themselves in unexpected ways that invoke tears, laughter, even awe. They are, above all, driven, successful, and eternally hopeful.
In a time of ancient gods, warlords and kings...a land in turmoil called out for a hero! She was XENA, a mighty princess forged in the heat of battle! In this all-new series, writer VITA AYALA (Black Panther, Shuri, Wonder Woman, The Wilds) and artists OLYMPIA SWEETMAN, VASCO GEORGIEV, JORDI PEREZ, AND ERICA D’URSO throw Xena and her companion Gabrielle headfirst into a mysterious adventure. Can Xena discover the secrets of a village full of super-strong children, before jealous and petty GODS get involved?
