At the heart of this chronicle of "bob wire" is the story of three men, who happened to meet and become interested together in a curious sample of armored fencing shown at the 1873 county fair in De Kalb, Illinois.
The history of animals and humans as seen through barbed wire. In this original and controversial book, historian and philosopher Reviel Netz explores the development of a controlling and pain-inducing technology—barbed wire. Surveying its development from 1874 to 1954, Netz describes its use to control cattle during the colonization of the American West and to control people in Nazi concentration camps and the Russian Gulag. Physical control over space was no longer symbolic after 1874. This is a history told from the perspective of its victims. With vivid examples of the interconnectedness of humans, animals, and the environment, this dramatic account of barbed wire presents modern history through the lens of motion being prevented. Drawing together the history of humans and animals, Netz delivers a compelling new perspective on the issues of colonialism, capitalism, warfare, globalization, violence, and suffering. Theoretically sophisticated but written with a broad readership in mind, Barbed Wire calls for nothing less than a reconsideration of modernity.
How could an ordinary fence shape a nation's history? Before the 1870s, much of the American West was an uninterrupted expanse of plains, where native tribes followed buffalo herds for hundreds of miles and cowboys ran cattle wherever water and grass led them. After the Homestead Act of 1862, settlers pouring into the West to stake their claims found that farming was not easy in cattle country, where the Law of the Open Range dictated that the needs of the herds-and their owners-came first. Then, seemingly overnight, everything changed. The invention and mass production of barbed wire made it possible for homesteaders to fence off millions of acres, creating a violent clash of cultures. In this engaging history, the struggles of cattlemen, farmers, Indians, inventors, and outlaws are brought to life for history buffs and curious readers alike. Enhanced by historic photos, maps, and a handy chronology, Barbed Wire: The Fence That Changed the West reveals the fascinating account of how a simple twist of wire transformed a country's landscape and ushered in a new way of life.
This volume contains 90 striking bandw photographs about the deep interior of the American west, a place where people are defined by their relations to animals and the land. In this chronicle of the everyday life of the last remaining cowboys, photographer Smith and author Klinkenborg capture a world of ranch-work, self-reliance, and hard-won trust. Oversize: 10.25x10.50". Annotation copyrighted by Book News, Inc., Portland, OR
“Fear deer no more! The best source I’ve seen on the topic!” —Tracy DiSabato-Aust, award-winning garden designer and best-selling author Deer are one of the most common problems a gardener can face. These cute but pesky animals can quickly devour hundreds of dollars’ worth of plants. And common solutions include the use of unattractive fencing and chemicals. In Deer-Resistant Design, Karen Chapman offers another option—intentional design choices that result in beautiful gardens that coexist with wildlife. Deer-Resistant Design showcases real home gardens across North America—from a country garden in New Jersey to a hilltop hacienda in Texas—that have successfully managed the presence of deer. Each homeowner also shares their top ten deer-resistant plants, all welcome additions to a deer-challenged gardeners shopping list. A chapter on deer-resistant container gardens provides suggestions for making colorful, captivating, and imaginative containers. Lushly illustrated and filled with practical advice and inspiring design ideas, Deer-Resistant Design is packed with everything you need to confidently tackle this challenging problem.
What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.