This collection brings together Daniel Bell's best work in essay form. It deals with a variety of topics: technology and culture, religion and personal identity, intellectuals and their societies, and the uses and abuses of doctrines of social class. The Winding Passage demonstrates the author's continuing concern with the salient issues of our times, while its inspiration draws upon an older, humanistic sociological tradition.
This collection brings together Daniel Bell's best work in essay form. It deals with a variety of topics: technology and culture, religion and personal identity, intellectuals and their societies, and the uses and abuses of doctrines of social class. The Winding Passage demonstrates the author's continuing concern with the salient issues of our times, while its inspiration draws upon an older, humanistic sociological tradition. In a central essay on intellectuals, Bell examines the term new class and calls it a muddle. Though the idea of class has been relevant to Western industrial society for the past two hundred years, the concept is less useful for examining Communist states, the Third World, and even the emerging postindustrial sectors of the West. Bell seeks to establish the idea of situs, the competitive conflict of functional groups for shares in the state budgetary process. A more personal note is struck in the final section of the book. In reflecting on the nature of intellectual life, the special role of the Jewish intellectual, and the tension between the claims of the parochial and the universal, Bell uses as a general framework antinomianism, the claims of individual conscience against authority, law, and established institutions. And in a final statement, "The Return of the Sacred," Bell explores the enlightenment belief in the dissolution of religion and attempts to show why it was wrong. This is a must book for those concerned with the sociology of knowledge, intellectual history, and social stratification. Speaking of The Winding Passage, Seymour Martin Lipset called the book "sociological analysis at its best" Irving Howe noted that "Bell is always worth listening to. He is a true intellectual." And Irving Louis Horowitz, in his review of the book, calls it "the sifted excellence of a civilized and urbane intellectual.
This book constitutes refereed proceedings of the 4th International Conference on Recent Trends in Advanced Computing - Computer Vision and Machine Intelligence Paradigms for Sustainable Development Goals. This book covers novel and state-of-the-art methods in computer vision coupled with intelligent techniques including machine learning, deep learning, and soft computing techniques. The contents of this book will be useful to researchers from industry and academia. This book includes contemporary innovations, trends, and concerns in computer vision with recommended solutions to real-world problems adhering to sustainable development from researchers across industry and academia. This book serves as a valuable reference resource for academics and researchers across the globe.
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.
Paleomythic is a roleplaying game of grim survival and mythical adventures in the land of Ancient Mu, a harsh prehistoric world full of mysterious ruins and temples to explore, huge and terrible creatures that roam and spread fear across the land, and nefarious mystics and sorcerers who plot dark schemes from the shadows. It is a world of biting cold winters, of people hunting and foraging to survive, and tribes that wage relentless war. Taking on the roles of hunters, healers, warriors, soothsayers, and more, players will navigate a world of hostile tribes, otherworldly spirits, prehistoric beasts, and monstrous creatures lurking in the dark places of the world. Players have huge scope in sculpting the game experience that best suits them, whether it's a gritty survival story without a trace of the mystical or a tale of grand adventure and exploration in a mythic setting.
Ellmann's sensitivity to what it meant to be an artist shaped his work from the outset: "The life of an artist ... differs from the lives of other persons in that its events are becoming artistic sources even as they command his present attention. Instead of allowing each day, pushed back by the next, to lapse into imprecise memory, he shapes again the experiences which have shaped him." Richard Ellmann died in 1987. His life and work have touched the lives of many. Some of the essays in this collection commemorate Richard Ellmann and his committment to Twentieth Century literature: most provide a continuing investigation of the Twentieth Century literature to which he devoted his carrer. Contributors include: Alison Armstrong, Daniel Albright, Christopher Butler, Carol Cantrell, Jonathan Culler, Elizabeth Butler Cullingford, Andonis Decavelles, Rupin Desai, Susan Dick, Terence Diggory, Terry Eagleton, Rosita Fanto, Charles Feidelson, James Flannery, Charles Huttar, Bruce Johnson, John Kelleher, Brendan Kennelly, Frank Kermode, Declan Kiberd, Peter Kuch, Bruce Johnson, James Laughlin, A. Walton Litz, Dominic Manganiello, Ellsworth Mason, Christie McDonald, Dougald McMillan, Sean O'Mordha, Vivian Mercier, Mary T. Reynolds, William K. Robertson, Joseph Ronsley, S.P. Rosenbaum, Ann Saddlemyer, Sylvan Schendler, Daniel Schneider, Fritz Senn, Jon Stallworthy, Lonnie Weatherby, Thomas Whitaker, and Elaine Yarosky.
Richard Ellmann's scholarly work is notable for its striking liveliness and clarity and its genuine illumination of the writers and works with which he dealt. His life of James Joyce, published in 1959, received more commendation and critical praise than any previous literary biography.
The period immediately following the Second World War was a time, observed Randall Jarrell, when many American writers looked to the art of criticism as the representative act of the intellectual. Rethinking this interval in our culture, Neil Jumonville focuses on the group of writers and thinkers who founded, edited, and wrote for some of the most influential magazines in the country, including Partisan Review, Politics, Commentary, and Dissent. In their rejection of ideological, visionary, and romantic outlooks, reviewers and essayists such as Sidney Hook, Irving Howe, Lionel Trilling, Harold Rosenberg, and Daniel Bell adopted a pragmatic criticism that had a profound influence on the American intellectual community. By placing pragmatism at the center of intellectual activity, the New York Critics crossed from large belief systems to more tentative answers in the hope of redefining the proper function of the intellectual in the new postwar world. Because members of the New York group always valued being intellectuals more than being political leftists, they adopted a cultural elitism that opposed mass culture. Ready to combat any form of absolutist thought, they found themselves pitted against a series of antagonists, from the 1930s to the present, whom they considered insufficiently rational and analytical to be good intellectuals: the Communists and their sympathizers, the Beat writers, and the New Left. Jumonville tells the story of some of the paradoxes and dilemmas that confront all intellectuals. In this sense the book is as much about what it means to be an intellectual as it is about a specific group of thinkers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
