The Will to Do, the Soul to Dare By: Zsolt Rumy Zsolt Rumy is the founder of Zoltek Corporation, the company that brought carbon fibers out of aerospace down to earth, making them affordable in a variety of everyday commercial products. Today, Zoltek carbon fibers can be found in most aircraft brakes, giant - over one hundred meters long - wind turbine blades and in cars, like the Tesla Roadster, Cadillac and Corvette. This book tells, in his own words, Zsolt’s story, starting from living in an oppressive communist society in Hungary to experiencing freedom and unbridled opportunity in America. Zsolt, at the age of fourteen, along with his family, escaped from Budapest after the Russians crushed the 1956 revolution. He started in America as a poor immigrant, educated as a chemical engineer and spent a decade in the corporate world before striking out on his own. In this autobiography, Zsolt shares his life experiences as a skinny kid throwing Molotov cocktails at Russian tanks on the streets of his beloved Budapest to an exciting and full life in America. He also shares the inspirational business experiences of an entrepreneur starting with nothing and reaching great financial success. Zsolt’s tale will not disappoint.
'The treasure-trove of the real self is within us, but it can be lifted only when the mind is still.'Paul Brunton was one of the 20th century's greatest explorers of, and writers on, the spiritual traditions of the East. He travelled widely throughout India (in particular) and met gurus and teachers who enriched his life immeasurably. By passing on to us the wisdom he learned directly from these holy men, he is widely credited as having introduced yoga and meditation to the West. In The Secret Path, Paul Brunton explains in simple language how to meditate, and how this will transform your everyday existence. He also describes the remarkable experiences and understandings he himself gained from meditation and how, by making this ancient practice a part of your life, you will be able to experience a valuable kind of freedom and a deep inner peace. The classic work - which has been reprinted many times - is a very special pointer towards your inner world, and one written by a most unusual and adventurous man of insight.
"Students of the final troubled decades of the thirteenth-century (following the censures of the 1270s) will be delighted to have this richly researched presentation of the metaphysics of Godfrey of Fontaines."--Modern Schoolman "Plainly the indispensable key to understanding and evaluating Godfrey's thought."--International Studies in Philosophy "A clearly written and substantial contribution to our understanding of this important period in medieval thought. . . ."--Choice "This excellent study makes accessible the central philosophical ideas of one of the three or four most important Parisian masters of theology between Thomas Aquinas and Duns Scotus. Already the leading authority on his subject, Professor Wippel here draws together and greatly extends his previous work, providing a superbly documented view of the highest of high scholastic discussion as seen in the contributions of a subtle and spirited participant."--Speculum
17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal
