THE STORY: BOB chronicles the highly unusual life of Bob and his lifelong quest to become a Great Man. Born and abandoned in the bathroom of a fast food restaurant, Bob energetically embarks on an epic journey across America and encounters inspir
Comedian Melville Snelson's standup comedy is two decades past its sell-by date, and hecklers now outnumber fans. In the 1990s, “edgy” standup comic MELVILLE SNELSON had it all—but twenty-five years later, his jokes come off as tired and offensive. Desperate for a comeback, Snelson sets out on tour with a group of young, socially conscious comedians. Can a '90s has-been hit the big time, or is Snelson about to be cancelled for good? A hilarious, definitely adult contemporary satire that mocks the dying breaths of white male entitlement.
“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.
"Highly recommended" Sunday Times "Utterly captivating" Woman and Home "Sympathetic and clear-eyed" Financial Times Summer Reads of 2021 "Unfailingly impressive" Irish Times "Sparse and precise" Telegraph "A beautiful novel of what it is to be a women in modern Europe" New European "An intelligent study of female desire, ambition and frailty" Observer Bookseller Paula has lost a child, and a husband. Where will she find her happiness? Fiercely independent Judith thinks more of horses than men, but that doesn't stop her looking for love online. Brida is a writer with no time to write, until she faces a choice between her work and her family. Abandoned by the "perfect" man, Malika struggles for recognition from her parents. Her sister Jorinde, an actor, is pregnant for a third time, but how can she provide for her family alone? Love in Five Acts explores what is left to five women when they have fulfilled their roles as wives, mothers, friends, lovers, sisters and daughters. As teenagers they experienced the fall of the Berlin Wall, but freedom brings with it another form of pressure: the pressure of choice. Punchy and entirely of the moment, Love in Five Acts engages head-on with what it is to be a woman in the twenty-first century. Translated from the German by Jamie Bulloch