This volume explores the myriad ways in which pottery was created, utilized, and experienced in the prehistoric Aegean, across a period of more than 4000 years between the Middle Neolithic and the Early Iron Age transition.
The Wider Island of Pelopsexplores the myriad ways in which pottery was created, utilized, and experienced in the prehistoric Aegean, across a period of more than 4000 years between the Middle Neolithic and the Early Iron Age transition. Pottery is capable both of creating bonds and creating barriers. It serves as a sociocultural call and response, marking similarity and difference, collectivism and individualism, knowledge, and the absence of knowledge. Contextually-bound, it embodies identities, memories and multiple histories. It reflects choice and reinforces orthodoxy; a product of change, and a driver of it, that both creates and curates understanding of the world. Necessity and commodity, at times anachronistic, and at others, avant-garde, it is subversive and slavish, innovative and derivative; visible always, and never without value. The seventeen papers collected here provide a diachronic perspective on the value of pottery in marking and mediating cross-scale sociocultural discourse; in framing and facilitating the transmission of knowledge and meaning; in driving economies; in the preservation of memory, in the practice of cult; and, in more recent times, as a vector in the dialogue of imperialism: at once introducing key themes in the study of Aegean pottery, and providing a snapshot of recent archaeological work in Greece.
The history of Sparta is increasingly seen as important, not only for its own sake but also for understanding Athenian literature and the political history of numerous Greek states. Traditional approaches to Sparta are now being supplemented by contributions from archaeology and the social sciences. The renewed interest in Sparta is international. The volume includes, for the first time, original contributions from most of the world's leading authorities on Spartan history.
In this concise but stimulating book on history and Greek culture, Hans-Joachim Gehrke continues to refine his work on 'intentional history', which he defines as a history in the self-understanding of social groups and communities – connected to a corresponding understanding of the other – which is important, even essential, for the collective identity, social cohesion, political behaviour and the cultural orientation of such units. In a series of four chapters Gehrke illustrates how Greeks' histories were consciously employed to help shape political and social realities. In particular, he argues that poets were initially the masters of the past and that this dominance of the aesthetic in the view of the past led to an indissoluble amalgamation of myth and history and lasting tension between poetry and truth in the genre of historiography. The book reveals a more sophisticated picture of Greek historiography, its intellectual foundations, and its wider social-political contexts.