Nineteen-year-old Ruri Morikawa gets wrangled into a messy situation when her selfish childhood friend strands her in another world! To make matters somehow worse, a mysterious conspiracy then gets her abandoned in a perilous forest. Through an unexpected turn of events, she comes into possession of a mystical bracelet that allows her to transform into a white cat. Now that she's in the Land of the Dragon King, she has to hide the fact that she's humanâwhich means spending her days as a little white cat, for the time being... But how will she exact her much-earned revenge against those whoâve wronged her while stuck in the form of a small, fluffy, cuddly kitty cat?!
Ruri Morikawa manages to survive the assassination plot devised by the Church of God's Light and the pair of fake Reapersâleaving the castle of the Nation of the Dragon King in disrepair. With reconstruction underway, Ruri takes a trip to the Nation of the Beast King by suggestion of their Beloved, Celestine. With their efforts to find the Church of God's Light coming up empty, the rather egotistical Spirit of Fire, a supreme-level spirit, shows up at their doorstep. Will things proceed to heat up in the Nation of the Beast King? Or will they get too hot to handle?
After discovering the horrific conditions in Nadasha, Ruri decides she can’t sit on the sidelines any longer. Determined to prevent the outbreak of war, she’ll somehow have to convince the Priestess Princess herself—Asahi, the last person she ever wants to talk to again. Can Ruri’s naive and clueless childhood friend be made to see reason?!
"Born in 1948, in Abu Dhabi, the author knew dreadful poverty for years before fabulous oil wealth transformed his country forever. He grew up in the ruler's palace, barefoot like his playmates, now senior figures in the United Arab Emirates." "This is a vivid eye-witness account of the total transformation within only 30 years of a Bedouin society into a country with the world's highest per capita income. He speaks with great frankness about his own life and career and about the role of the British in his country."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In Mistress of Dragons we were introduced to a world where political deception, greed, and avarice have lead to a violation of the "hands off" policy of the Parliament of Dragons concerning the affairs of men. Indeed that violation threatens more than policy and order it threatens the peaceful existence of the human race. Man's only hope and his greatest threat is The Dragon's Son Twins born out of violence and raised apart. Ven (short for Vengeance) is raised in seclusion under the watchful eye of his deceased mother's Amazonian lover. He is a child whose appearance belies his heritage - half-man/ half-dragon. Marcus is raised in a court, and given all of the protections and breeding that would entail. He appears to be completely human, yet his psychic link with the brother he has never known betrays the dragon magic that lies within him. It is up to the dragon emissary who passes himself off as a man, Draconas, to protect them both before the internecine struggle destroys the Parliament of Dragons and brings an oppressive reign of fire down upon all mortal men. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.
Julian the Apostate was the nephew of Emperor Constantine the Great. Julian ascended to the throne in A.D. 361, at the age of twenty-nine, and was murdered four years later after an unsuccessful attempt to rebuke Christianity and restore the worship of the old gods. Now this historical tapestry is brought to vibrant life by the dazzling talent of Gore Vidal.
Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.
