Lady Betty has no interest in the Duke of Collingham. She doesn't care that he's fabulously wealthy, or devastatingly handsome, or impeccably well-dressed. All she sees is an arrogant nobleman with an abrasive personality and an annoyingly persistent streak. And the Duke of Collingham is persistent. He can have any woman in the whole of Society--but the one who won't have him is the only one he wants. And he'll stop at nothing to persuade her.
A “perfectly executed suspense tale very much in the mode of Daphne du Maurier’s Rebecca” (The Washington Post) from the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, and The Turn of the Key. On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, this is a “captivating and eerie page-turner” (The Wall Street Journal) from the Agatha Christie of our time.
Using espionage as a metaphor for politics, John le Carré explores the dilemmas that confront individuals and governments as they act during and in the aftermath of the Cold War. His unforgettable characters struggle to maintain personal and professional integrity while facing conflicting personal, institutional, and ideological loyalties. In The Spy Novels of John le Carré , author Myron Aronoff interprets the ambiguous ethical and political implications of the work of John le Carré, revealing him to be one of the most important political writers of our time. Aronoff shows how through his writing, le Carré poses the difficult question of to what extent are western governments justified in pursuing raison d'état without undermining the very democratic freedoms that they claim to defend. He also draws parallels between the self-parody of le Carré and that of the seventeenth-century Dutch artist Jan Steen, and explains how it expresses a unique form of ambiguous moralism. In this volume Aronoff relates le Carré's fictional world to the real world of espionage, and demonstrates the need to balance the imperatives of ethics and politics in regard to some of the most pressing issues facing the world today.
Three delightful historical romances from the New York Times bestselling author known as “the best of the Regency writers” (Kirkus Reviews). Experience the passion of the Waverly Women, sisters who have been raised to stand up against the iniquities of the male sex. Fanny, Frederica, and Felicity meet their matches in this three-volume Regency romance collection that includes The First Rebellion, Silken Bonds, and The Love Match. The First Rebellion (Book 1): Though she tends to think of all men as cruel and lustful beasts, the beautiful and shy Miss Fanny soon finds herself longing to kiss the Earl of Tredair, one of the most hated of his kind! Silken Bonds (Book 2): Frederica, Mrs. Waverly’s adopted daughter, knows that until men stop preferring lisping dimwits over intellectual equals, she’ll be better off without them. Until Lord Harry Dangers rescues her from a pack of drunken thugs . . . The Love Match (Book 3): Felicity, a champion of women’s rights, is the secret author of a scandalous new novel about a lady “rake” and her passionate exploits. But she can’t hide her attraction to the titled gentleman intrigued by her headstrong ways . . . Praise for M. C. Beaton and her novels “A delightful tale . . . romance fans are in for a treat.” —Booklist “Nicely atmospheric, most notable for its gentle humor and adventurous spirit.” —Publishers Weekly
"My aim in it has been to convey a juster and less prejudiced notion than prevails at present respecting the Danish and Norwegian conquests." -Jens Jacob Asmussen Worsaae, An Account of the Danes and the Norwegians (1852) An Account of the Danes and the Norwegians in England, Scotland and Ireland (1852) by Jens Warsaae, was based on his research into the Scandinavian invasions of the European mainland. During the 10th century, the European mainland was invaded by Norse settlers from Denmark, Norway, and Sweden, who intermarried with native tribes and came to be known as "Normans." While their influence on the history of France was significant, it was even stronger in England, which the Normans conquered in the 11th century. Warsaae's book, commissioned by the Royal Society of Northern Antiquaries, was his attempt to revise the impressions that the 19th century British had of the effects of the Norman conquests on England. This replica of the original text is accompanied by numerous woodcuts.
World Literature for the Wretched of the Earth recovers a genealogy of anticolonial thought that advocated collective inexpertise, unknowing, and unrecognizability. Early-twentieth-century anticolonial thinkers endeavored to imagine a world emancipated from colonial rule, but it was a world they knew they would likely not live to see. Written in exile, in abjection, or in the face of death, anticolonial thought could not afford to base its politics on the hope of eventual success, mastery, or national sovereignty. J. Daniel Elam shows how anticolonial thinkers theorized inconsequential practices of egalitarianism in the service of an impossibility: a world without colonialism. Framed by a suggestive reading of the surprising affinities between Frantz Fanon’s political writings and Erich Auerbach’s philological project, World Literature for the Wretched of the Earth foregrounds anticolonial theories of reading and critique in the writing of Lala Har Dayal, B. R. Ambedkar, M. K. Gandhi, and Bhagat Singh. These anticolonial activists theorized reading not as a way to cultivate mastery and expertise but as a way, rather, to disavow mastery altogether. To become or remain an inexpert reader, divesting oneself of authorial claims, was to fundamentally challenge the logic of the British Empire and European fascism, which prized self-mastery, authority, and national sovereignty. Bringing together the histories of comparative literature and anticolonial thought, Elam demonstrates how these early-twentieth-century theories of reading force us to reconsider the commitments of humanistic critique and egalitarian politics in the still-colonial present.