Weaving Chiapas

Weaving Chiapas

Author: Yolanda Castro Apreza

Publisher: University of Oklahoma Press

Published: 2018-02-08

Total Pages: 358

ISBN-13: 0806160942

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In the highlands of Chiapas, Mexico, a large indigenous population lives in rural communities, many of which retain traditional forms of governance. In 1996, some 350 women of these communities formed a weavers’ cooperative, which they called Jolom Mayaetik. Their goal was to join together to market textiles of high quality in both new and ancient designs. Weaving Chiapas offers a rare view of the daily lives, memories, and hopes of these rural Maya women as they strive to retain their ancient customs while adapting to a rapidly changing world. Originally published in Spanish in 2007, this book captures firsthand the voices of these Maya artisans, whose experiences, including the challenges of living in a highly patriarchal culture, often escape the attention of mainstream scholarship. Based on interviews conducted with members of the Jolom Mayaetik cooperative, the accounts gathered in this volume provide an intimate view of women’s life in the Chiapas highlands, known locally as Los Altos. We learn about their experiences of childhood, marriage, and childbirth; about subsistence farming and food traditions; and about the particular styles of clothing and even hairstyles that vary from community to community. Restricted by custom from engaging in public occupations, Los Altos women are responsible for managing their households and caring for domestic animals. But many of them long for broader opportunities, and the Jolom Mayaetik cooperative represents a bold effort by its members to assume control over and build a wider market for their own work. This English-language edition features color photographs—published here for the first time—depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women’s narratives and place their accounts within cultural and historical context.


Maya Threads

Maya Threads

Author: Walter F. Morris (Jr.)

Publisher: Thrums Books

Published: 2015

Total Pages: 0

ISBN-13: 9780983886068

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"Enter the Maya world through the pages of this book. Understand the roots of Maya culture and costume as it is expressed in their ancient history and legends, and in their ever-evolving, colorful, beautifully handcrafted dress. You will see exquisite gauze fabrics that trace their origins from the 9th century AD to a present-day lowland village; festival wear that blends Roman Catholicism and paganism, reverence and mockery; gloriously brocaded and embroidered wardrobes that tie communities together, embroidery techniques that reflect displacements and migrations - in other words, fabrics that trace the history and evolution of a people."


Textile Fiestas of Mexico

Textile Fiestas of Mexico

Author: Sheri Brautigam

Publisher: Thrums, LLC

Published: 2016

Total Pages: 0

ISBN-13: 9780996447584

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Winner: 2017 IBPA Benjamin Franklin Awards, Silver, Travel This book, geared to independent-minded travelers, presents the most safe and accessible regional markets and artisan events in Mexico, with an emphasis on finding the finest quality traditional textiles and shopping ethically. Where and when to go, how to get around, what to look for at each location, how to judge quality--it's all here, with abundant photographs and common-sense advice.


The Unbroken Thread

The Unbroken Thread

Author: Kathryn Klein

Publisher: Getty Publications

Published: 1997-01-01

Total Pages: 178

ISBN-13: 0892363819

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Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.


The Work of Art

The Work of Art

Author: Carmella Padilla

Publisher: Museum of New Mexico Press

Published: 2013

Total Pages: 0

ISBN-13: 9780989199209

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This book invites readers to understand and invest in the living legacy of folk art as a way to participate in the human story of the handmade -- and to make a meaningful impact on lives world-wide. The Work of Art by Carmella Padilla (Available July, 2013) examines the role of folk artists in the twenty-first century, recognising their power as creative and socially responsible champions for global change, connection, and cultural sustainability. Through interviews with folk artists from Mali to Madagascar to Cuba, Peru, Afghanistan, Uzbekistan, and beyond, Padilla introduces us to individuals and communities who are using their handmade traditions to overcome poverty, gender inequity, environmental degradation, ethnic conflict, and limited opportunities for political, educational, and social advancement.


Made in Mexico

Made in Mexico

Author: W. Warner Wood

Publisher: Indiana University Press

Published: 2008

Total Pages: 529

ISBN-13: 0253351545

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The story behind the international trade in Oaxacan textiles


Textile Traditions of Mesoamerica and the Andes

Textile Traditions of Mesoamerica and the Andes

Author: Margot Blum Schevill

Publisher: University of Texas Press

Published: 2010-07-05

Total Pages: 534

ISBN-13: 0292787618

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In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.


Oaxaca Stories in Cloth

Oaxaca Stories in Cloth

Author: Eric Sebastian Mindling

Publisher: Schiffer + ORM

Published: 2016-10-01

Total Pages: 288

ISBN-13: 1507302460

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Winner: 2017 IBPA Benjamin Franklin Awards, Gold, Multicultural 2017 IBPA Benjamin Franklin Awards, Silver, Art & Photography Oaxaca Stories in Cloth includes more than 175 sensitive, intimate, full-color portraits of traditional people of the Oaxacan hinterlands who continue to wrap themselves in the clothing that expresses their ancient, living culture. Eric Mindling captures this vanishing world with artistry and respect, and just in the nick of time. This book offers a window into a vanishing culture where few people have the opportunity to go.


Crafting Identity

Crafting Identity

Author: Pavel Shlossberg

Publisher: University of Arizona Press

Published: 2015-06-11

Total Pages: 281

ISBN-13: 0816530998

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Crafting Identity goes far beyond folklore in its ethnographic exploration of mask making in central Mexico. In addition to examining larger theoretical issues about indigenous and mestizo identity and cultural citizenship as represented through masks and festivals, the book also examines how dominant institutions of cultural production (art, media, and tourism) mediate Mexican “arte popular,” which makes Mexican indigeneity “digestible” from the standpoint of elite and popular Mexican nationalism and American and global markets for folklore. The first ethnographic study of its kind, the book examines how indigenous and mestizo mask makers, both popular and elite, view and contest relations of power and inequality through their craft. Using data from his interviews with mask makers, collectors, museum curators, editors, and others, Pavel Shlossberg places the artisans within the larger context of their relationships with the nation-state and Mexican elites, as well as with the production cultures that inform international arts and crafts markets. In exploring the connection of mask making to capitalism, the book examines the symbolic and material pressures brought to bear on Mexican artisans to embody and enact self-racializing stereotypes and the performance of stigmatized indigenous identities. Shlossberg’s weaving of ethnographic data and cultural theory demystifies the way mask makers ascribe meaning to their practices and illuminates how these practices are influenced by state and cultural institutions. Demonstrating how the practice of mask making negotiates ethnoracial identity with regard to the Mexican state and the United States, Shlossberg shows how it derives meaning, value, and economic worth in the eyes of the state and cultural institutions that mediate between the mask maker and the market.