From the seventeenth through the nineteenth centuries, a steady stream of Scots migrated to Ulster and eventually onward across the Atlantic to resettle in the United States. Many of these Scots-Irish immigrants made their way into the mountains of the southern Appalachian region. They brought with them a wealth of traditional ballads and tunes from the British Isles and Ireland, a carrying stream that merged with sounds and songs of English, German, Welsh, African American, French, and Cherokee origin. Their enduring legacy of music flows today from Appalachia back to Ireland and Scotland and around the globe. Ritchie and Orr guide readers on a musical voyage across oceans, linking people and songs through centuries of adaptation and change.
First published in 1948, this autobiography from Burl Ives, whom Carl Sandberg calls “the greatest folk ballad singer of them all,” is as fresh and wholesome as a summer’s breeze out of an Illinois cornfield. His ballads have long been an authentic expression of his land and its people—songs his grandmother taught him in the Midwestern farm country, songs remembered by old-timers in small towns all over the land, songs he heard hobos singing—songs we have come to know and love. In Wayfaring Stranger, writing in the stirring imaginative language of the ballad, Burt Ives tells of a night spent in a haystack with a pig, and of a brief fight with a railroad cop on top of a boxcar. He hitched a ride with Al Capone’s master bootlegger; he barely escaped the clutches of an old maid in Maine; he fell in love on a Great Lakes steamer; he played for evangelists and politicians; in speakeasies and public parks. Always he listened to the people, and he learned their songs. Anywhere he could get an audience, he sang his ballads: Barbara Allen, The Riddle Song, Fair Eleanor, Old Smokey, Silver Dagger, Foggy Foggy Dew. Now in Wayfaring Stranger, he has written his own story—as warm and appealing as the songs he sings. “It’s a fine book, warm, and full-bided, like Burl himself. Burl gives the reader the combination which is in everything he sings: a sense of dignity without pretentiousness, of simplicity without sentimentality. He makes the folk feeling richly alive. Some of his little character sketches remind me of the unforgettable etchings in Sherwood Anderson’s Winesburg. In short, Burl tells stories just the way he plays and sings—naturally, unaffectedly, poignantly.”—Louis Untermeyer
Can you feel nostalgic for a life you've never known? Suffused with her much-loved warmth and wit, Emma John's memoir follows her moving and memorable journey to master one of the hardest musical styles on earth - and to find her place in an alien world. Emma had fallen out of love with her violin when a chance trip to the American South introduced her to bluegrass music. Classically trained, highly strung and wedded to London life, Emma was about as country as a gin martini. So why did it feel like a homecoming? Answering that question takes Emma deep into the Appalachian mountains, where she uncovers a hidden culture that confounds every expectation - and learns some emotional truths of her own.
Bursting forth from the Louisiana Piney Woods is Deep Roots, a collection of short stories from author Curt Iles. In the warm and touching style loved by readers of his previous books, Iles weaves stories of the people, places, and history of rural Louisiana. PLEASE CHANGE TO: In the book that solidified his reputation as a storyteller, Curt Iles released his sixth book, The Wayfaring Stranger. Based on family stories of his great-great-great grandparents, Iles fashions the story of Joseph Moore, an Irish stowaway, searching for freedom and peace. Moore ventures to Louisiana's "No Man's Land" during the turbulent 1850's. While making a new life, he meets Eliza Clark, a young woman with deep roots in the piney woods. The Wayfaring Stranger is the story of how their lives intersect in the pioneer wilderness of mid-nineteenth century Louisiana. It is a riveting tale that will grip readers from its opening scene to dramatic ending.
On March 10, 1948, world-renowned composer and pianist Ernst von Dohnányi (1877−1960) embarked for the United States, leaving Europe for good. Only a few years earlier, the seventy-year-old Hungarian had been a triumphant, internationally admired musician and leading figure in Hungarian musical life. Fleeing a political smear campaign that sought to implicate him in intellectual collaboration with fascism, he reached American shores without a job or a home. A Wayfaring Stranger presents the final period in Dohnányi’s exceptional career and uses a range of previously unavailable material to reexamine commonly held beliefs about the musician and his unique oeuvre. Offering insights into his life as a teacher, pianist, and composer, the book also considers the difficulties of émigré life, the political charges made against him, and the compositional and aesthetic dilemmas faced by a conservative artist. To this rich biographical account, Veronika Kusz adds an in-depth examination of Dohnányi’s late works—in most cases the first analyses to appear in musicological literature. This corrective history provides never-before-seen photographs of the musician’s life in the United States and skillfully illustrates Dohnányi’s impact on European and American music and the culture of the time.
A collection of 10 folk songs arranged for voice and piano in a simple style appropriate for beginning soloists, unison classroom singing, and elementary choral groups. Included are reproducible melody-line song sheets for each song. Easy piano accompaniments strongly support the melody, and vocal tessituras are moderate; most have an octave range. Titles: * Li'l Liza Jane * Siyahamba * Scarborough Fair * De Colores * and Many More!
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.
"With Wayfaring, Jacobs continues his tradition of exploring Christian theology and experience by way of the essay-- Jacobs muses on the usefulness and dangers of blogging, the art of dictionary making, the world of Harry Potter, and an appreciation of trees."--Publisher's description.
