Previously published in the print anthology The Mysterious Mr. Quin. Mr. Satterthwaite’s old friend Lady Barbara Stanleigh asks him to investigate her daughter Margery’s claim that the family seat is haunted. He and Mr. Quin set about solving the mystery.
Alix falls in love with a perfect stranger: Gerald Martin; and despite the opposition of her friend Dick Windyford, she marries him. The couple decides to buy and live at Philomel Cottage; a nice cabin lost in the country. Suddenly, Alix begins to think that her husband is a murderer who wants to keep her money and desperately must find the way to escape without arousing his suspicions. Will she make it?
Agatha Christie's Complete Secret Notebooks brings together for the first time Secret Notebooks and Murder in the Making, two volumes that explore the fascinating contents of her 73 notebooks. This includes illustrations, deleted extracts, unused ideas, two unpublished Poirot stories and a lost Miss Marple. When Agatha Christie died in 1976, aged 85, she had become the world's most popular author. With sales of more than two billion copies worldwide in more than 100 countries, she had achieved the impossible - more than one book every year since the 1920s, every one a bestseller. So prolific was Agatha Christie's output - 66 crime novels, 20 plays, 6 romance books under a pseudonym and over 150 short stories - it was often claimed that she had a photographic memory. Was this true? Or did she resort over those 55 years to more mundane methods of working out her ingenious crimes? Following the death of Agatha's daughter, Rosalind, at the end of 2004, a remarkable secret was revealed. Unearthed among her affairs at the family home of Greenway were Agatha Christie's private notebooks, 73 handwritten volumes of notes, lists and drafts outlining all her plans for her many books, plays and stories. Buried in this treasure trove, all in her unmistakable handwriting, are revelations and details that will fascinate anyone who has ever read or watched an Agatha Christie story. Christie archivist and expert John Curran leads the reader through the six decades of Agatha Christie's writing career, unearthing some remarkable clues to her success and a number of never-before-published excerpts and stories from her archives. This book features Agatha's original ending of her very first book, The Mysterious Affair at Styles, painstakingly transcribed from her notebooks. It also includes a number of short stories from the archives reproduced in full, including the unpublished The Man Who Knew, How I Created Hercule Poirot, and an early draft for a Miss Marple story, The Case of the Caretaker's Wife.
An Agatha Christie short story from the collection The Golden Ball and Other Stories. A young Englishman visiting Cornwall finds himself delving into the legend of a Belgian nun who is living as a refugee in the village. Possessed of supernatural powers, she is said to have caused her entire convent to explode when it was occupied by invading German soldiers during World War I. Sister Angelique was the only survivor. Could such a tall tale possibly be true?
Previously published in the print anthology The Regatta Mystery and Other Stories. The narrator is startled by a vision in his mirror: He sees a man with a scarred neck strangling a beautiful blonde. He later meets the woman in his vision, Sylvia, and notes her fiancé's scarred neck. He tells her of his premonition, and the engagement is broken off. But is that all there is to it?
Previously published in the print anthology Partners in Crime. The Beresfords meet their first client, a man whose secret affair with a shopgirl goes terribly awry when she disappears. Tommy assures him they will find her within twenty-four hours, though it is by no means certain that they will meet this impossible deadline.
Dan W. Clanton, Jr. examines the presence and use of religion and Bible in Agatha Christie's Hercule Poirot novels and stories and their later interpretations. Clanton begins by situating Christie in her literary, historical, and religious contexts by discussing “Golden Age” crime fiction and Christianity in England in the late 19th-early 20th centuries. He then explores the ways in which Bible is used in Christie's Poirot novels as well as how Christie constructs a religious identity for her little Belgian sleuth. Clanton concludes by asking how non-majority religious cultures are treated in the Poirot canon, including a heterodox Christian movement, Spiritualism, Judaism, and Islam. Throughout, Clanton acknowledges that many people do not encounter Poirot in his original literary contexts. That is, far more people have been exposed to Poirot via “mediated” renderings and interpretations of the stories and novels in various other genres, including radio, films, and TV. As such, the book engages the reception of the stories in these various genres, since the process of adapting the original narrative plots involves, at times, meaningful changes. Capitalizing on the immense and enduring popularity of Poirot across multiple genres and the absence of research on the role of religion and Bible in those stories, this book is a necessary contribution to the field of Christie studies and will be welcomed by her fans as well as scholars of religion, popular culture, literature, and media.