Robert Lepage / Ex Machina
Robert Lepage / Ex Machina

Author: James Reynolds

Publisher: Bloomsbury Publishing

Published: 2019-02-07

Total Pages: 314

ISBN-13: 147427658X

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Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.

Robert Lepage's original stage productions
Robert Lepage's original stage productions

Author: Karen Fricker

Publisher: Manchester University Press

Published: 2020-07-28

Total Pages: 483

ISBN-13: 1526115859

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This book explores the development of Robert Lepage’s distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage’s productions. Productions discussed include The Dragon’s Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage’s original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century.

Robert Lepage’s Scenographic Dramaturgy
Robert Lepage’s Scenographic Dramaturgy

Author: Melissa Poll

Publisher: Springer

Published: 2018-07-10

Total Pages: 207

ISBN-13: 3319733680

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This book theorizes auteur Robert Lepage’s scenography-based approach to adapting canonical texts. Lepage’s technique is defined here as ‘scenographic dramaturgy’, a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage’s adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage’s scenographic dramaturgy in re-‘writing’ extant texts, including Shakespeare’s Tempest on Huron-Wendat territory, Stravinsky’s Nightingale in a twenty-seven ton pool, and Wagner’s Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage’s twenty-first century ‘auto-adaptations’ of his own seminal texts, The Dragons’ Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration.

Great North American Stage Directors Volume 7
Great North American Stage Directors Volume 7

Author: James Peck

Publisher: Bloomsbury Publishing

Published: 2024-01-25

Total Pages: 233

ISBN-13: 1350303682

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This volume focuses on three artists who embrace media and technology as essential elements of their theatrical expression: Elizabeth LeCompte, Ping Chong, and Robert Lepage. Diverse in their aesthetic interests, they nevertheless share an approach to directing that includes technological media on stage as central to a rigorously crafted production concept. Technological elements live alongside and negotiate with the theatre's human players, disclosing, shaping, and even intruding on the dramas they enact. The essays in this volume explore how all three directors have provided decisive responses to a question that has dogged the theatre for at least the last century: what relationship can theatre, an art form grounded in live, ephemeral, expression, have to technology? The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.

The Visual Laboratory of Robert Lepage
The Visual Laboratory of Robert Lepage

Author: Ludovic Fouquet

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9780889227743

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Investigates the influence of technology and visual art in the work of Robert Lepage, leading figure on the international stage.

Handbook of Digital Public History
Handbook of Digital Public History

Author: Serge Noiret

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-04-04

Total Pages: 562

ISBN-13: 3110430290

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This handbook provides a systematic overview of the present state of international research in digital public history. Individual studies by internationally renowned public historians, digital humanists, and digital historians elucidate central issues in the field and present a critical account of the major public history accomplishments, research activities, and practices with the public and of their digital context. The handbook applies an international and comparative approach, looks at the historical development of the field, focuses on technical background and the use of specific digital media and tools. Furthermore, the handbook analyzes connections with local communities and different publics worldwide when engaging in digital activities with the past, indicating directions for future research, and teaching activities.

Theatricality of Robert Lepage
Theatricality of Robert Lepage

Author: Aleksandar Saša Dundjerovi?

Publisher: McGill-Queen's Press - MQUP

Published: 2007-08-24

Total Pages: 354

ISBN-13: 0773581650

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The Theatricality of Robert Lepage studies several productions, including The Dragons' Trilogy, Vinci and Tectonic Plates, The Seven Streams of River Ota, Zulu Time, and The Far Side of the Moon. Dundjerovic provides major new insights into Lepage's creative process through an examination of his workshops, open rehearsals, and performances, as well as interviews with Lepage and his collaborators. Outlining the key production elements of Lepage's theatricality, Dundjerovic provides a practitioner's view of how Lepage creates as a director, actor, and writer and explores Lepage's practice within both the local Québécois and the international theatre context.

The Cinema of Robert Lepage
The Cinema of Robert Lepage

Author: Aleksandar Dunđerović

Publisher: Wallflower Press

Published: 2003

Total Pages: 200

ISBN-13:

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The Cinema of Robert Lepage is the first critical study of one of the most striking artists of Quebecois and Canadian independent filmmaking. The book examines Lepage's creative methods of filmmaking in their cultural and social context and argues that his work cannot be seen separately from his oeuvre as a multidisciplinary artist and challenges the notions that Lepage should be considered only in the terms of Quebecois film tradition. The author explores such themes with Lepage in a new exclusive and detailed interview.

The Cambridge Introduction to Theatre Directing
The Cambridge Introduction to Theatre Directing

Author: Christopher Innes

Publisher: Cambridge University Press

Published: 2013-05-02

Total Pages: 299

ISBN-13: 1107354609

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This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.