The Violent Image

The Violent Image

Author: Neville Bolt

Publisher: Hurst Publishers

Published: 2012

Total Pages: 2

ISBN-13: 1849041911

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Fast-moving, self- propelled 'violent images' have radically changed the nature of insurgency in the modern world. The global media has revolutionised the way ideas, messages and images are disseminated, and the speed with which they travel. First satellite TV, then laptops and the Internet, and now mobile phones and social media have transformed the way we communicate, collapsing time and distance. Rebels who hope to overthrow states or to build transnational, ideological communities, have adopted these dynamic technologies. But they have also learned the key lesson: in a visual world, the power of the image has supplanted that of the written world. Neville Bolt investigates how today's revolutionaries have rejuvenated the nineteenth century 'propaganda of the deed' so that terrorism no longer simply goads states into overreacting, thereby losing legitimacy. The deed has become a tool to highlight the underlying grievances of communities. Pictures of 9/11, 7/1 and Abu Ghraib are today's weapon of choice. The Violent Image explores what happens in the 'moment of shock'; how emotive pictures attach to messages, causing populations to rise up in anger. From the Fenians to the Taliban to the Arab Spring we learn how insurgents have adapted the way they use violence to tell stories and effect social change. In the 'war of ideas', the new revolutionaries aim to set in motion surges of support that spread virally through global networks at such speed that states can no longer defend their own strategic narratives. Have we now reached the point where insurgents and populations are driving images and ideas so fast, that a new era of revolutionary politics is already upon us?


Violent Image

Violent Image

Author: Neville Bolt

Publisher: Oxford University Press, USA

Published: 2020-05-29

Total Pages: 352

ISBN-13: 9780197511671

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Fast-moving, self- propelled 'violent images' have radically changed the nature of insurgency in the modern world. The global media has revolutionised the way ideas, messages and images are disseminated, and the speed with which they travel. First satellite TV, then laptops and the Internet, and now mobile phones and social media have transformed the way we communicate, collapsing time and distance. Rebels who hope to overthrow states or to build transnational, ideological communities, have adopted these dynamic technologies. But they have also learned the key lesson: in a visual world, the power of the image has supplanted that of the written world. Neville Bolt investigates how today's revolutionaries have rejuvenated the nineteenth century 'propaganda of the deed' so that terrorism no longer simply goads states into overreacting, thereby losing legitimacy. The deed has become a tool to highlight the underlying grievances of communities. Pictures of 9/11, 7/1 and Abu Ghraib are today's weapon of choice. The Violent Image explores what happens in the 'moment of shock'; how emotive pictures attach to messages, causing populations to rise up in anger. From the Fenians to the Taliban to the Arab Spring we learn how insurgents have adapted the way they use violence to tell stories and effect social change. In the 'war of ideas', the new revolutionaries aim to set in motion surges of support that spread virally through global networks at such speed that states can no longer defend their own strategic narratives. Have we now reached the point where insurgents and populations are driving images and ideas so fast, that a new era of revolutionary politics is already upon us?


The Violence of the Image

The Violence of the Image

Author: Liam Kennedy

Publisher: Routledge

Published: 2020-09-13

Total Pages: 244

ISBN-13: 1000213404

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Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.


The Cruel Radiance

The Cruel Radiance

Author: Susie Linfield

Publisher: University of Chicago Press

Published: 2012-04-15

Total Pages: 341

ISBN-13: 0226482510

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Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.


Violent Messiahs

Violent Messiahs

Author: Joshua Dysart

Publisher:

Published: 2002

Total Pages: 0

ISBN-13: 9781582402369

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"A genre-bending, theological, sci-fi love story about criminal politics, the nature of violence and man's search for individuality"--Vol. 1, p. [4] of cover.


A Violent God-Image

A Violent God-Image

Author: Matthias Beier

Publisher: A&C Black

Published: 2006-06-02

Total Pages: 402

ISBN-13: 9780826418357

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At the heart of Drewermann's non-violent interpretation of key Christian beliefs is his analysis of a violent image of God that characterizes traditional interpretations of sin and the cross. His empathic critique of the clerical mentality, ideology, and culture ( The Cleric ) led to his being silenced by Roman Catholic authorities in 1991.


The Civil Contract of Photography

The Civil Contract of Photography

Author: Ariella Azoulay

Publisher: Princeton University Press

Published: 2021-09-14

Total Pages: 586

ISBN-13: 1935408372

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In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.


The violence of colonial photography

The violence of colonial photography

Author: Daniel Foliard

Publisher: Manchester University Press

Published: 2022-11-15

Total Pages: 396

ISBN-13: 1526163306

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The late nineteenth century saw a rapid increase in colonial conflicts throughout the French and British empires. It was also the period in which the camera began to be widely available. Colonial authorities were quick to recognise the power of this new technology, which they used to humiliate defeated opponents and to project an image of supremacy across the world. Drawing on a wealth of visual materials, from soldiers’ personal albums to the collections of press agencies and government archives, this book offers a new account of how conflict photography developed in the decades leading up to the First World War. It explores the various ways in which the camera was used to impose order on subject populations in Africa and Asia and to generate propaganda for the public in Europe, where a visual economy of violence was rapidly taking shape. At the same time, it reveals how photographs could escape the intentions of their creators, offering a means for colonial subjects to push back against oppression.


The New Violent Cartography

The New Violent Cartography

Author: Samson Okoth Opondo

Publisher: Routledge

Published: 2012

Total Pages: 314

ISBN-13: 0415782848

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This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are ‘equipped’ for fitting in them. Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity. This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today.


Serial Images

Serial Images

Author: Jennifer Dyer

Publisher: LIT Verlag Münster

Published: 2011

Total Pages: 159

ISBN-13: 3643900775

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This book argues that in the works of Degas, Mondrian, Bacon, Schiele and Warhol, serial iteration articulates a process of free, constructive becoming which they interpret in different ways. Not only does the serially iterative structure of the images show that activity and novelty are primary concerns, but it involves the viewer in the activity presented in the images. For these reasons, serial iteration is fundamentally connected both to modernist aspects of the work and to other concerns such as the structure of subjectivity and the movement of history. Serially iterative structure opens up the meaning of these five artists images by relating them to concerns in contemporary art and thought.