Two newly-single sisters, one a divorce?, the other a widow, become roommates with a handsome, gay cupcake-baker as they try to return to the dating world of lower Manhattan.
A hysterical phone call from his ex-wife and a familiar face in a photograph upend Henry Archer's well-ordered life to bring him back into contact with the child he adored, a stepdaughter from a misbegotten marriage long ago 320 pp.
From the beloved and acclaimed novelist, a collection of witty, moving essays.In her two decades of writing, Elinor Lipman has populated her fictional universe with characters so utterly real that we feel like they’re old friends. Now she shares an even more intimate world with us—her own—in essays that offer a candid, charming take on modern life. Looking back and forging ahead, she considers the subjects that matter most: childhood and condiments, long marriage and solo living, career and politics. Here you’ll find the lighthearted: a celebration of four decades of All My Children, a reflection on being Jewish in heavily Irish-Catholic Lowell on St. Patrick’s Day, a hilariously unflinching account of her tiptoe into online dating. But she also tackles the serious and profound in eloquent stories of unexpected widowhood and caring for elderly parents that use her struggles to illuminate ours. Whether for Lipman’s longtime readers or those who love the essays of Nora Ephron or Anna Quindlen, I Can't Complain is a diverting delight.
A liberal New England college campus is a peculiar place for a girl to grow up in this “lovable, psychologically intricate [and] bittersweet farce” (The New York Times Book Review). Massachusetts, 1970s. Born to a pair of “bleeding heart” professors who live on campus as dorm parents, Frederica Hatch soon finds herself the unofficial mascot of Dewing College. Life is so ideal that by the time she becomes a teenager, Frederica finds herself chafing under the care of "the most annoyingly evenhanded parental team in the history of civilization." But she’s about to learn that life isn’t as simple or idyllic as it seems—even amid the manicured lawns of a small women’s college like Dewing. A new dorm parent has just arrived on campus. Laura Lee French is glamorous, worldly, and the former wife of Frederica’s father. Suddenly, Frederica sees her parents’ lives—and by extension her own—in a whole new light. “May be Lipman's best work so far... Every page offers laugh-out-loud dialogue.”—The Seattle Times
Daphne Maritch doesn't quite know what to make of the heavily annotated high school yearbook she inherits from her mother. She discards it when she moves to New York. But when it's found by a neighbor/documentary filmmaker, the yearbook's mysteries - not to mention her own family's - take on a whole new urgency
From the bestselling author of In Her Shoes, All Fall Down and the forthcoming novel Who Do You Love, Good in Bedis a funny and tender story full of heart. Cannie Shapiro never wanted to be famous. The smart, sharp, plus-sized reporter was perfectly happy writing about other people's lives for her local newspaper. And for the past twenty-eight years, things have been tripping along nicely for Cannie. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her job, her friends, her dog and her life. She loves her apartment and her commodious, quilt-lined bed. She has made a tenuous peace with her body and she even felt okay about ending her relationship with her boyfriend Bruce. But now this... 'Loving a larger woman is an act of courage in our world,' Bruce has written in a national woman's magazine. And Cannie - who never knew that Bruce saw her as a larger woman, or thought that loving her was an act of courage - is plunged into misery, and the most amazing year of her life.
Her carefully constructed life thrown into turmoil by the appearance of an eighteen-year-old girl with ties to her past, New York television producer Marian Caldwell is swept up in a maelstrom of personal discovery that changes both of their perceptions about family.
It's 1962 and Natalie Marx is shocked when her mother receives this reply to her enquiry about summer accommodation in Vermont: 'Our guests who feel most comfortable here, and return year after year, are Gentiles.' It was not complicated, as her mother pointed out. 'They had a hotel; they didn't want Jews. We were Jews.' For the intrepid twelve-year-old Natalie, the words are an infuriating, irresistible challenge. She manages to wangle an invitation to join a friend on holiday there - and, as her obsession begins with the family that has excluded her, she sets in train events which will change her life, and which will tie her forever to the eccentric family who run the Inn at Lake Devine
Rachel Klein is sacked from her job at the White House after she sends an email criticizing Donald Trump. As she is escorted off the premises she is hit by a speeding car, driven by what the press will discreetly call "a personal friend of the President." Does that explain the flowers, the get-well wishes at a press briefing, the hush money offered by a lawyer at her hospital bedside? Rachel's recovery is soothed by comically doting parents, matchmaking room-mates, a new job as aide to a journalist whose books aim to defame the President, and unexpected love at the local wine store. But secrets leak, and Rachel's new-found happiness has to make room for more than a little chaos. Will she bring down the President? Or will he manage to do that all by himself? Rachel to the Rescue is a mischievous political satire, with a delightful cast of characters, from one of America's funniest novelists.
By turns subversive and darkly comic, brutal and tender, Ron Leshem’s debut novel is an international literary sensation, winner of Israel’s top award for literature and the basis for a prizewinning film. Charged with brilliance and daring, hypnotic in its intensity, Beaufort is at once a searing coming-of-age story and a novel for our times—one of the most powerful, visceral portraits of the horror, camaraderie, and absurdity of war in modern fiction. Beaufort. To the handful of Israeli soldiers occupying the ancient crusader fortress, it is a little slice of hell—a forbidding, fear-soaked enclave perched atop two acres of land in southern Lebanon, surrounded by an enemy they cannot see. And to the thirteen young men in his command, Twenty-one-year-old Lieutenant Liraz “Erez” Liberti is a taskmaster, confessor, and the only hope in the face of attacks that come out of nowhere and missions seemingly designed to get them all killed. All around them, tension crackles in the air. Long stretches of boredom and black humor are punctuated by flashes of terror. And the threat of death is constant. But in their stony haven, Erez and his soldiers have created their own little world, their own rules, their own language. And here Erez listens to his men build castles out of words, telling stories, telling lies, talking incessantly of women, sex, and dead comrades. Until, in the final days of the occupation, Erez and his squad of fed-up, pissed-off, frightened young soldiers are given one last order: a mission that will shatter all remaining illusions—and stand as a testament to the universal, gut-wrenching futility of war. The basis for the Academy Award-nominated film of the same name.