Like most societies Vietnam has seen marked changes in family structures and dynamics this century. For Vietnam however these changes have been especially radical. After decades of French acculturation the 1940s brought sweeping economic changes and a move away from collectivism. Perhaps because of Vietnam’s long isolation from the late 1970s into the early 1990s, very little has been written on the Vietnamese family. This text provides an examination of the Vietnamese family focusing on two fundamental relationships – husband-wife and parent-children – within their wider social and historical context. The author explores how and why marital partners are chosen; individual’s domains within the family; reproduction and birth control; son preference; ancestor worship; and the role of the state. As such, the study will be of interest not just to sociologists but also to those scholars looking to understand the current social transformation of Vietnam.
Like most societies Vietnam has seen marked changes in family structures and dynamics this century. For Vietnam however these changes have been especially radical. After decades of French acculturation the 1940s brought sweeping economic changes and a move away from collectivism. Perhaps because of Vietnam’s long isolation from the late 1970s into the early 1990s, very little has been written on the Vietnamese family. This text provides an examination of the Vietnamese family focusing on two fundamental relationships – husband-wife and parent-children – within their wider social and historical context. The author explores how and why marital partners are chosen; individual’s domains within the family; reproduction and birth control; son preference; ancestor worship; and the role of the state. As such, the study will be of interest not just to sociologists but also to those scholars looking to understand the current social transformation of Vietnam.
In recent years the popular media have described Vietnamese Americans as the quintessential American immigrant success story, attributing their accomplishments to the values they learn in the traditional, stable, hierarchical confines of their family. Questioning the accuracy of such family portrayals, Nazli Kibria draws on in-depth interviews and participant observation with Vietnamese immigrants in Philadelphia to show how they construct their family lives in response to the social and economic challenges posed by migration and resettlement. To a surprising extent, the "traditional" family unit rarely exists, and its hierarchical organization has been greatly altered.
Reconfiguring Families in Contemporary Vietnam chronicles and analyzes the most significant change for families in Vietnam's recent past – the transition to a market economy, referred to as Doi Moi in Vietnamese and generally translated as the "renovation". Two decades have passed since the wide-ranging institutional transformations that took place reconfigured the ways families produce and reproduce. The downsizing of the socialist welfare system and the return of the household as the unit of production and consumption redefined the boundaries between the public and private. This volume is the first to offer a multidisciplinary perspective that sets its gaze exclusively on processes at work in the everyday lives of families, and on the implications for gender and intergenerational relations. By focusing on families, this book shifts the spotlight from macro transformations of the renovation era, orchestrated by those in power, to micro-level transformations, experienced daily in households between husbands and wives, parents and children, grandparents and other family members.
For anyone who has ever felt like they don't belong, Sigh, Gone shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature. In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents. Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes—and ultimately saves—him.
“My husband doesn’t have a head for business,” complained Ngoc, the owner of a children’s clothing stall in Ben Thanh market. “Naturally, it’s because he’s a man.” When the women who sell in Ho Chi Minh City’s iconic marketplace speak, their language suggests that activity in the market is shaped by timeless, essential truths: Vietnamese women are naturally adept at buying and selling, while men are not; Vietnamese prefer to do business with family members or through social contacts; stallholders are by nature superstitious; marketplace trading is by definition a small-scale enterprise. Essential Trade looks through the façade of these “timeless truths” and finds active participants in a political economy of appearances: traders’ words and actions conform to stereotypes of themselves as poor, weak women in order to clinch sales, manage creditors, and protect themselves from accusations of being greedy, corrupt, or “bourgeois” – even as they quietly slip into southern Vietnam’s growing middle class. But Leshkowich argues that we should not dismiss the traders’ self-disparaging words simply because of their essentialist logic. In Ben Thanh market, performing certain styles of femininity, kinship relations, social networks, spirituality, and class allowed traders to portray themselves as particular kinds of people who had the capacity to act in volatile political and economic circumstances. When so much seems to be changing, a claim that certain things or people are inherently or naturally a particular way can be both personally meaningful and strategically advantageous. Based on ethnographic fieldwork and life history interviewing conducted over nearly two decades, Essential Trade explores how women cloth and clothing traders like Ngoc have plied their wares through four decades of political and economic transformation: civil war, postwar economic restructuring, socialist cooperativization, and the frenetic competition of market socialism. With close attention to daily activities and life narratives, this groundbreaking work of critical feminist economic anthropology combines theoretical insight, vivid ethnography, and moving personal stories to illuminate how the interaction between gender and class has shaped people’s lives and created market socialist political economy. It provides a compelling account of postwar southern Vietnam as seen through the eyes of the dynamic women who have navigated forty years of profound change while building their businesses in the stalls of Ben Thanh market.
This book is one of the first ethnographies written on the life of farmers in rural Southern Vietnam since the economic reform in the 1980s. It investigates how social, economic and political factors affect the farmers' life in the Mekong Delta in the late socialist era with a particularly focus on the family, which serves as the basic and most significant social unit for the farmers. Dealing with classical anthropological topics of kinship and family, the book examines them as dynamic institutions. With vivid illustrations of the village life, family farming, education of children, jobs outside of farming and everyday politics, it presents new and different pictures of the current Vietnamese family under rapid social changes. The book will contribute to the current ethnographical research in Vietnam and Southeast Asia and also be of particular interest to those working on society and culture in the geographical region from broader disciplines. It will also appeal to readers who are interested in such topics as late socialism, social transformation, and rural development. -- Amazon.com.
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.
Marked changes in family structures and dynamics have been seen in most societies this century, often as part of wider social transformations. Family changes were especially radical in a few countries where new Marxist regimes sought to institute the "socialist family" as a cornerstone of their revolution. Here, arguably the transformation of the family was as important as the collectivization of property and labour.
Tied in to Ken Burns' forthcoming (2017) TV series on Vietnam, to which the author is a major contributor, the reissue of a Pulitzer finalist memoir of a Vietnamese family in the 20th century
