This is the first book devoted to the personal collection of Queen Elizabeth. The watercolors and drawings reflect the wide range of Queen Elizabeth's interests and her enthusiastic patronage of contemporary artists from the 1930s onwards.
Published to accompany the touring exhibition at Laing Art Gallery, Newcastle upon Tyne: June 29-September 15, 2019; Poole Museum, Dorset: October 26, 2019-January 5, 2020; Wolverhampton Art Gallery: March 7-May 31, 2020.
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
The Historical Dictionary of the British Monarchy provides a chronology starting with the year 495 and continuing to the present day, an introductory essay, an extensive bibliography, and over 600 cross-referenced dictionary entries on significant persons, places, events, institutions, and other aspects of British culture, society, economy, and politics. This book is a must for anyone interested in the British monarchy.
A fresh and intimate portrait of Queen Victoria 'at the play'. Through Victoria's diary, artwork and correspondence we see her as enraptured spectator, bountiful patron and tyrannical director of private theatricals. At times she appears formidable. More frequently she is impudent, high-spirited and unruly; a woman who delights in gory melodramas and circus acts. Queen Victoria and the Theatre of Her Age gives readers a deeply personal account of her lifelong devotion to the stage. It will appeal to anyone interested in monarchy's place in popular culture.
The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as the devout Lady Margaret Beaufort, and the entertaining Lady Emma Hamilton. History's Beauties, the first detailed study of this collection, maps a culture of femininity that reframes the Victorian fascination with women's domestic and sentimental presence by locating it within a Parliament-centred 'national' culture.