The Vibrant Violin Music Theory Book 1 - US Terms

The Vibrant Violin Music Theory Book 1 - US Terms

Author: Amanda Oosthuizen

Publisher:

Published: 2017-09-26

Total Pages: 60

ISBN-13: 9781977654649

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The Vibrant Violin Music Theory Book 1 is only for violin players! Follow the violinbods through the book as they take you on a progressive journey through reading treble clef, note values, time signatures, key signatures, scales, intervals, musical symbols, terms and much more. With clear explanations, plenty of easy (and trickier) exercises, puzzles, regular checks so you can see how you're doing, and interesting violin facts and information.This version has US terminology (whole / half notes etc). The same book but with UK terms is available in an alternative version. All examples and exercises are in treble clef. Ideal for beginner violin players young and old, covering all you need to know for grades 1 and 2 violin. The Vibrant Violin Music Theory Book 2 carries on from Book 1 and takes you through the theory behind Grades 3-5 violin.Answers are available on the Secret Violin Page at our website. Details are in the book.For more Vibrant Violin books including solo books, ensemble books, theory books, practice notebooks, festive books, and duet books for many instrument combinations, as well as free stuff, please visit www.WildMusicPublications.com


Basic Music Theory

Basic Music Theory

Author: Jonathan Harnum

Publisher: Questions Ink. Publishing

Published: 2005

Total Pages: 0

ISBN-13: 9780970751287

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Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.


Understanding Basic Music Theory

Understanding Basic Music Theory

Author: Catherine Schmidt-Jones

Publisher:

Published: 2018-01-28

Total Pages: 278

ISBN-13: 9781680921540

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The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.


Music as Biology

Music as Biology

Author: Dale Purves

Publisher: Harvard University Press

Published: 2017-02-01

Total Pages: 115

ISBN-13: 0674972961

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The universality of musical tones has long fascinated philosophers, scientists, musicians, and ordinary listeners. Why do human beings worldwide find some tone combinations consonant and others dissonant? Why do we make music using only a small number of scales out of the billions that are possible? Why do differently organized scales elicit different emotions? Why are there so few notes in scales? In Music as Biology, Dale Purves argues that biology offers answers to these and other questions on which conventional music theory is silent. When people and animals vocalize, they generate tonal sounds—periodic pressure changes at the ear which, when combined, can be heard as melodies and harmonies. Human beings have evolved a sense of tonality, Purves explains, because of the behavioral advantages that arise from recognizing and attending to human voices. The result is subjective responses to tone combinations that are best understood in terms of their contribution to biological success over evolutionary and individual history. Purves summarizes evidence that the intervals defining Western and other scales are those with the greatest collective similarity to the human voice; that major and minor scales are heard as happy or sad because they mimic the subdued and excited speech of these emotional states; and that the character of a culture’s speech influences the tonal palette of its traditional music. Rethinking music theory in biological terms offers a new approach to centuries-long debates about the organization and impact of music.