In the gripping conclusion to the Veil of Magic trilogy, Josh and Maddy must go on a quest to find out how to fix the Veil of Magic and protect and strengthen the magical world's inhabitats for all time.
Seth is among the Hebrew slaves Moses has delivered from Egypt. They have arrived at Sinai and Moses has ascended the mountain, but he has been gone an extraordinarily long time. The ex-slaves find themselves in a strange and demanding environment not knowing what has happened to their leader. This situation has led to their creating an idol, a god to lead them. As a whole, the Hebrew nation acknowledges G-d, although they are not exactly obedient to him. A Tabernacle must be built to teach the people about G-d and to establish a system of worship. But Seth is an unbeliever and often feels he is in the company of a superstitious people. So ordinarily, he would have nothing to do with such a plan. But as a skilled weaver, when he is asked to create a special veil to guard G-d’s Presence within the Tabernacle, he is left dismayed and conflicted. The Weaver and the Veil takes us along on his journey toward a decision, highlights the meaning of the veil, and reveals its call on the lives of Seth’s descendants.
"Through an analysis of specific weaving stories, the difference between a text and a textile becomes blurred. Such stories portray women weavers transforming their domestic activity of making textiles into one of making texts by inscribing their cloth with both personal and political messages."--BOOK JACKET.
Dalia Marx provides a general introduction and feminist commentary on the last three tractates of the order of Qodashim . Each tractate deals with different aspects of the Second Temple as perceived by the rabbis and each sheds its own light on gender issues. The commentary on Tamid, a tractate dealing with the priestly service in the Temple, discusses the priests as a gender unto themselves and considers women as potential participants in the lay-service of the Temple and perhaps even as part of the sacred service. Middot concerns itself with the design of the Temple, and the commentary explores sacred space from a gendered perspective. Finally, Marx turns to Qinnim, a tractate dealing with bird offerings, typically brought by women. The commentary shows how the tractate employs images of women to develop its discourse. This volume opens a unique window onto the rabbis' perspectives on the Temple and gender related matters.
In this first ever monograph on Jacques Derrida's 'Toledo confession' – where he portrayed himself as 'sort of a Marrano of the French Catholic culture' – Agata Bielik-Robson shows Derrida's marranismo to be a literary experiment of auto-fiction. She looks at all possible aspects of Derrida's Marrano identification in order to demonstrate that it ultimately constitutes a trope of non-identitarian evasion that permeates all his works: just as Marranos cannot be characterized as either Jewish or Christian, so is Derrida's 'universal Marranism' an invitation to think philosophically, politically and – last but not least – metaphysically without rigid categories of identity and belonging. By concentrating on Derrida's deliberate choice of marranismo, Bielik-Robson shows that it penetrates deep into the very core of his late thinking, constantly drawing on the literary works of Kafka, Celan, Joyce, Cixous and Valéry, and throws a new light on his early works, most of all: Of Grammatology, Dissemination and 'Différance'. She also offers a completely new interpretation of many of Derrida's works only seemingly non-related to the Marrano issue, like Glas, Given Time: Counterfeit Money, Death Penalty Seminar, and Specters of Marx. In these new readings, this book demonstrates that the Marrano Derrida is not a marginal auto-biographical figure overshadowed by Derrida the Philosopher: it is one and the same thinker who discovered marranismo as a literary trope of openness, offering up a new genre of philosophical story-telling which centers around Derrida's Marrano 'auto-fable'.
Enide’s tattered dress and Erec’s fabulous coronation robe; Yvain’s nudity in the forest, which prevents maidens who know him well clothed from identifying him; Lanval’s fairy-lady parading about in the Arthurian court, scantily dressed, for all to observe: just why is clothing so important in twelfth-century French romance? This interdisciplinary book explores how writers of this era used clothing as a signifier with multiple meanings for many narrative purposes. Clothing figured prominently in twelfth-century France, where exotic fabrics and furs came to define a social elite. Monica Wright shows that representations of clothing are not mere embellishments to the text; they help form the textual weave of the romances in which they appear. This book is about how these descriptions are constructed, what they mean, and how clothing becomes an active part of romance composition—the ways in which writers use it to develop and elaborate character, to advance or stall the plot, and to structure the narrative generally.
An ancient enemy still lurks among the Universes… With Kelsey Hale's team reunited, she soon learns just how the Eebra-Shee have protected so many for so long against an enemy who destroyed entire Universes. But, she knows something they don't: That a Nief-Pirae ship somehow escaped the Veil designed to keep them contained. A special investigation team of String Weavers and Eebra-Shee Masters soon arrive at a distant, and strangely hostile, Tower. The mysteries deepen with the discovery of disturbingly familiar technology on the planet, a government who wants the Tower gone, corporations run-amok, and a Tower strangely weakened. They must find the answers, and soon. At stake is every life-form, planet, sun, and universe among the infinite multi-universes. Join Kelsey Hale in a coming of age science fiction adventure across alternate universes and encounters with alien planets, species and societies. Thrust into a dangerous journey to places she could have never imagined, she is determined to discover the truth of her mysterious past. A truth that will change her life forever. Titles in "The String Weaver" Series The String Weavers The Phoenix Eggs The Dark Phoenix The Dividers The Tower of Epnos When the Skies Fell Celestial Fire
The study of the textile sector has always been central to economic history: from reconstructions of the dynamic growth in the medieval wool industry, to the rise of silk and light and mixed fabrics in the modern era, to the driving role of cotton in the industrialisation process. Although the dynamics of textile manufacturing are closely linked to the transformations of fashion, economic history has long neglected its role as a factor in economic change, treating it primarily as a kind of exogenous catalyst. This book makes a decisive contribution to the understanding of a fundamental transformation, the consequences of which are projected into contemporary society, but which matured in pre-industrial times: the advent of fashion.