It is 1973, and the Los Angeles Presse-Syndicat’s thirtyish music-arts “stringer” Axel Haberley believes in the arts’ cross-fertilization. With a passion for Vincent Van Gogh, an editor willing to let him “file pieces” from abroad, and passable college French, Axel plans a cultural wanderjahr. The Van Gogh Quartet is a true story which reads like a novel. Travelling with his young love interest Daphne, and stumbling onto an unknown Van Gogh work, what “Axie” really finds is the subject on his own canvas: Himself. THE VAN GOGH QUARTET reveals a picaresque best—the treasure which is one’s own life’s meaning.
It is 1973, and the Los Angeles Presse-Syndicat’s thirtyish music-arts “stringer” Axel Haberley believes in the arts’ cross-fertilization. With a passion for Vincent Van Gogh, an editor willing to let him “file pieces” from abroad, and passable college French, Axel plans a cultural wanderjahr. The Van Gogh Quartet is a true story which reads like a novel. Travelling with his young love interest Daphne, and stumbling onto an unknown Van Gogh work, what “Axie” really finds is the subject on his own canvas: Himself. THE VAN GOGH QUARTET reveals a picaresque best—the treasure which is one’s own life’s meaning.
As a five year old I encountered a picture of a young man in a rakish hat and a yellow coat, on the wall of a large classroom. There was something instantly intriguing about the image, but it was also puzzling because it represented neither politician nor prince, the usual fare for Australian school decorations. I was eventually told that this was a reproduction of a painting, the artist was Vincent van Gogh, and that the subject was some young Frenchman. On special days we assembled in that room and during the next several years I found myself gazing beyond visiting speakers at the fellow in the yellow jacket. It was almost another fifty years before I felt properly conversant with the portrait and realized that van Gogh's subject, Armand Roulin, was seventeen at the time ofthe original painting and had died at seventy-four during my schoolboy contemplations. In the interim my enjoyment of the works of the Impressionists and Post Impressionists had grown and I occasionally ran into the name of Dr. Gachet, Vincent's last attending physician, in books and catalog essays. The doctor was my entree to the overlapping charms of medical and art histories. In 1987 I had the good fortune to participate as a biochemist in the centenary celebration of the Pasteur Institut in Paris.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
This is the story of one of the world’s most iconic images. Martin Bailey explains why Van Gogh painted a series of sunflower still lifes in Provence. He then explores the subsequent adventures of the seven pictures, and their influence on modern art. Through the Sunflowers, we gain fresh insights into Van Gogh’s life and his path to fame. Based on original research, the book is packed with discoveries – throwing new light on the legendary artist.
Vincent van Gogh was a restless soul. He spent his twenties searching for a vocation and once he had determined to become an artist, he remained a traveller, always seeking fresh places for the inspiration and opportunities he needed to create his work. Living with Vincent van Gogh tells the story of the great artist’s life through the lens of the places where he lived and worked, including Amsterdam, London, Paris and Provence, and examines the impact of these cityscapes and landscapes on his creative output. Featuring artworks, unpublished archival documents and contemporary landscape photography, this book provides unique insight into one of the most important artists in history.
Starry Night is a fully illustrated account of Van Gogh's time at the asylum in Saint-Remy. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.
Two lives. Two loves. One impossible choice. From the #1 New York Times bestselling author of the Reese’s Book Club Pick One Day in December . . . “I read The Two Lives of Lydia Bird in a single sitting. What a beautiful, emotional gift Josie Silver has given us.”—Jodi Picoult Written with Josie Silver’s trademark warmth and wit, The Two Lives of Lydia Bird is a powerful and thrilling love story about the what-ifs that arise at life’s crossroads, and what happens when one woman is given a miraculous chance to answer them. Lydia and Freddie. Freddie and Lydia. They’d been together for more than a decade and Lydia thought their love was indestructible. But she was wrong. On Lydia’s twenty-eighth birthday, Freddie died in a car accident. So now it’s just Lydia, and all she wants is to hide indoors and sob until her eyes fall out. But Lydia knows that Freddie would want her to try to live fully, happily, even without him. So, enlisting the help of his best friend, Jonah, and her sister, Elle, she takes her first tentative steps into the world, open to life—and perhaps even love—again. But then something inexplicable happens that gives her another chance at her old life with Freddie. A life where none of the tragic events of the past few months have happened. Lydia is pulled again and again through the doorway to her past, living two lives, impossibly, at once. But there’s an emotional toll to returning to a world where Freddie, alive, still owns her heart. Because there’s someone in her new life, her real life, who wants her to stay.
