The post-Kleinian model of the mind, as developed by W. R. Bion and Donald Meltzer, is essentially an aesthetic one. It is founded on Melanie Klein's discovery of the "internal object" with its combined masculine and feminine qualities and ambiguous, awe-inspiring nature. Turbulent emotional experiences are repeatedly transformed through symbol-formation, on the basis of the internal relationship between the infant self and its object; and the aesthetic containment provided by this "counter-transference dream" (as Meltzer put it) enables the mind to digest its conflicts and develop.This search for a pattern that can make "contrary" emotions thinkable is modelled by all art forms and accounts for their universal significance. It is a process that can be observed particularly clearly in literature, in the form of the romance between the poet and his Muse (the traditional formulation of the psycho-analytic internal object).
When people of faith are suffering, they struggle with the notions that God is letting them suffer or simply doesn't care if they're suffering. They argue against the injustice of their circumstances, building a case for why they obeyed God only to be deserted in their time of need. The general belief that many Christians hold that God will protect them from earthly harm and pain is false. What God more correctly promises is to walk with his children through pain. God is pleased as he witnesses the maturing of our faith, character and resolve to serve Him. God knows the eternal purpose he has for each one of us. He knows that all of our experiences in this life, joyful and painful, mold us into the beings he wants us to be for all eternity. Life is not purely about finding God and waiting to transition from this world into the next. Life is about growth and equipping ourselves for God's eternal purpose and, as difficult as it is to experience, this equipping includes hardship. This world is a vale of soul-making. God doesn't leave us when we're suffering rather, he allows us to experience the complete journey of life leading toward eternal joy and contentment by fitting ourselves for his infinite purpose.
The letters of John Keats are, T. S. Eliot remarked, "what letters ought to be; the fine things come in unexpectedly, neither introduced nor shown out, but between trifle and trifle." This new edition, which features four rediscovered letters, three of which are being published here for the first time, affords readers the pleasure of the poet's "trifles" as well as the surprise of his most famous ideas emerging unpredictably. Unlike other editions, this selection includes letters to Keats and among his friends, lending greater perspective to an epistolary portrait of the poet. It also offers a revealing look at his "posthumous existence," the period of Keats's illness in Italy, painstakingly recorded in a series of moving letters by Keats's deathbed companion, Joseph Severn. Other letters by Dr. James Clark, Percy Bysshe Shelley, and Richard Woodhouse--omitted from other selections of Keats's letters--offer valuable additional testimony concerning Keats the man. Edited for greater readability, with annotations reduced and punctuation and spelling judiciously modernized, this selection recreates the spontaneity with which these letters were originally written.
A leading spiritual writer recovers "The Desert Way of Believing" -- the spiritual pathway discovered by early Christian monks who lived in the Egyptian desert that is still relevant to Christians today. Alan Jones distills the elements that made this fully orthodox way of inner transformation a unique and important part of the early church. Refreshingly readable and filled with rich insights, Soul Making draws together the spirituality of modern literature and elements of psychology. Jones shows how the desert way can become for any spiritual seeker a soul-stretching means of experiencing the "wonder, mystery, and awe" at the heart of the Christian faith.
John Keats was one of the central figures of English Romanticism and is still one of England's most popular poets. This sourcebook brings together texts and documents that provide a gateway towards an understanding of the man, his life and his work.
Provocative essays that seek “to turn the attention of analytic philosophy of religion on the problem of evil . . . towards advances in ethical theory” (Reading Religion). The contributors to this book—Marilyn McCord Adams, John Hare, Linda Zagzebski, Laura Garcia, Bruce Russell, Stephen Wykstra, and Stephen Maitzen—attended two University of Notre Dame conferences in which they addressed the thesis that there are yet untapped resources in ethical theory for affecting a more adequate solution to the problem of evil. The problem of evil has been an extremely active area of study in the philosophy of religion for many years. Until now, most sources have focused on logical, metaphysical, and epistemological issues, leaving moral questions as open territory. With the resources of ethical theory firmly in hand, this volume provides lively insight into this ageless philosophical issue. “These essays—and others—will be of primary interest to scholars working in analytic philosophy of religion from a self-consciously Christian standpoint, but its audience is not limited to such persons. The book offers illustrative examples of how scholars in philosophy of religion understand their aims and how they go about making their arguments . . . hopefully more work will follow this volume’s lead.”—Reading Religion “Recommended.”—Choice
This collection of important writings fills the need for an anthology that adequately represents recent work on the problem of evil. This is perhaps one of the most discussed topics in the philosophy of religion, and is of perennial interest to philosophers and theologians.
The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald, examines this British Victorian writer's employment of female figures to represent Deity. Such symbolism is extremely unusual for a Christian author of this period and anticipates the efforts of many modern theologians to develop an image of God as Mother. Bonnie Gaarden reads the goddess-figures in MacDonald's fantasies as both archetypes of the collective unconscious and as emblems articulating MacDonald's unique Christian theology, which is Trinitarian, Neo-Platonic, mystical and universalist. The goddesses become the central figures around which the author develops her interpretations of MacDonald's adult fantasy-novels, his children's books and some of his fairy tales. These readings discover MacDonald's ideas about God and the nature of good and evil, models of spiritual and psychological development that foreshadow the theories of Carl Jung and Eric Neumann, and acerbic commentary on the values and customs of Victorian society and religion. According to The Christian Goddess, MacDonald's Romantic belief in God's self-revelation in Nature led him to create Nature-mothers (such as the Green Lady in 'The Golden Key' and Lilith's Eve) which evoke both the Great Mother archetype described by Eric Neumann, and the modern neopagan Great Mother as developed in the works of James Frazer, Robert Graves, and Marija Gimutas. MacDonald dramatized his view of evil and its cure in the title character of Lilith, a Terrible Mother archetype historically embodied in the Hindu goddess Kali. MacDonald's notion of the world as Keat's 'vale of Soulmaking,' also elaborated by religious philosopher John Hick, is conveyed by Magic Cauldron archetypes in The Wise Woman, 'The Gray Wolf,' and Lilith. Muse-figures in Phantastes and At the Back of the North Wind express MacDonald's conviction that a 'right imagination' is the voice of God, while Divine Children in The Wise Woman and 'The Golden Key' communicate his belief that 'true childhood' is the Divine nature. The great-grandmother in the Princess books, a personification of the multi-dimensional activity of Divine Wisdom, springs from the Judeo-Christian Sophia and the classical Athena, while Kore figures in The Princess and the Goblin, Lilith, and Phantastes re-present the transforming descents of Persephone and Christ. This book shows MacDonald's fantasies as a chronological bridge, anchored in the traditions of the Hebrew Bible and the New Testament, incorporating the teachings of Christian mysticism and theistic Romanticism, and linking to the contemporary concerns in Western society that have given birth to the New Age. The Christian goddess portrayed in these fantasies may strike the reader as a Deity whose time has come.
A groundbreaking manifesto about what our nation’s top schools should be—but aren’t—providing: “The ex-Yale professor effectively skewers elite colleges, their brainy but soulless students (those ‘sheep’), pushy parents, and admissions mayhem” (People). As a professor at Yale, William Deresiewicz saw something that troubled him deeply. His students, some of the nation’s brightest minds, were adrift when it came to the big questions: how to think critically and creatively and how to find a sense of purpose. Now he argues that elite colleges are turning out conformists without a compass. Excellent Sheep takes a sharp look at the high-pressure conveyor belt that begins with parents and counselors who demand perfect grades and culminates in the skewed applications Deresiewicz saw firsthand as a member of Yale’s admissions committee. As schools shift focus from the humanities to “practical” subjects like economics, students are losing the ability to think independently. It is essential, says Deresiewicz, that college be a time for self-discovery when students can establish their own values and measures of success in order to forge their own paths. He features quotes from real students and graduates he has corresponded with over the years, candidly exposing where the system is broken and offering clear solutions on how to fix it. “Excellent Sheep is likely to make…a lasting mark….He takes aim at just about the entirety of upper-middle-class life in America….Mr. Deresiewicz’s book is packed full of what he wants more of in American life: passionate weirdness” (The New York Times).
