The Upward Path: A Reader For Colored Children

The Upward Path: A Reader For Colored Children

Author: James Weldon Johnson

Publisher: Good Press

Published: 2023-10-04

Total Pages: 182

ISBN-13:

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"The Upward Path: A Reader For Colored Children" by James Weldon Johnson, Paul Laurence Dunbar, Frederick Douglass, Booker T. Washington, William Pickens, Charles W. Chesnutt, William H. Holtzclaw, Augusta Bird, H. Cordelia Ray, W. E. B. DuBois, James E. Shepard, William Henry Sheppard, Ruth Anna Fisher, Lillian B. Witten, Jessie Fauset. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.


The Upward Path

The Upward Path

Author: Mary White Ovington

Publisher:

Published: 2024-10-08

Total Pages: 0

ISBN-13: 9789362090478

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The Upward Path: A Reader For Colored Children, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.


Performing Racial Uplift

Performing Racial Uplift

Author: Juanita Karpf

Publisher: Univ. Press of Mississippi

Published: 2022-01-04

Total Pages: 180

ISBN-13: 1496836707

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In Performing Racial Uplift: E. Azalia Hackley and African American Activism in the Postbellum to Pre-Harlem Era, Juanita Karpf rediscovers the career of Black activist E. Azalia Hackley (1867–1922), a concert artist, nationally famous music teacher, and charismatic lecturer. Growing up in Black Detroit, she began touring as a pianist and soprano soloist while only in her teens. By the late 1910s, she had toured coast-to-coast, earning glowing reviews. Her concert repertoire consisted of an innovative blend of spirituals, popular ballads, virtuosic showstoppers, and classical pieces. She also taught music while on tour and visited several hundred Black schools, churches, and communities during her career. She traveled overseas and, in London and Paris, studied singing with William Shakespeare and Jean de Reszke—two of the classical music world’s most renowned teachers. Her acceptance into these famous studios confirmed her extraordinary musicianship, a “first” for an African American singer. She founded the Normal Vocal Institute in Chicago, the first music school founded by a Black performer to offer teacher training to aspiring African American musicians. Hackley’s activist philosophy was unique. Unlike most activists of her era, she did not align herself unequivocally with either Booker T. Washington or W. E. B. Du Bois. Instead, she created her own mediatory philosophical approach. To carry out her agenda, she harnessed such strategies as giving music lessons to large audiences and delivering lectures on the ecumenical religious movement known as New Thought. In this book, Karpf reclaims Hackley's legacy and details the talent, energy, determination, and unprecedented worldview she brought to the cause of racial uplift.


Crisis

Crisis

Author: William Edward Burghardt Du Bois

Publisher:

Published: 1920

Total Pages: 336

ISBN-13:

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The Crisis

The Crisis

Author: William Edward Burghardt Du Bois

Publisher:

Published: 1919

Total Pages: 1028

ISBN-13:

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A record of the darker races.


Picturing the New Negro

Picturing the New Negro

Author: Caroline Goeser

Publisher:

Published: 2007

Total Pages: 384

ISBN-13:

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Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.