The Unquiet Country is a book of kinship- the legacies we inherit, the self we create and reflect, and ultimately, queer belonging and respect.In this hybrid debut, Patrick Milian explores the lives of Nadia Boulanger (1887-1979), arguably the most important composition pedagogue of the twentieth century, and her sister Lili Boulanger (1893¿-1918), a brilliant composer who died young. Revealing his status as HIV+, he eruditely considers camp, the femme fragile, and the transformative nature of illness as the lives of these remarkable sisters and their music intertwine with his own history and voice.The Unquiet Country includes an audio download of music commissioned from Emerson Eads and Milian reading the book in its entirety.
Imagine a scene of rural serenity, a night scene. Above the mountains surrounding this faraway place, the stars are a menagerie of silver flickering motes. Imagine a solitary ranch, a man and a woman asleep. It would be hard to fathom a purer vision of people at peace in the natural world. Who could foresee that this tranquility would be so brutally shattered by the night visitors?
Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837–38 Rebellions and Canada’s entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communication studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing.
In 1976 the body of Anna Mae Aquash, an American Indian luminary, was found frozen in the Badlands of South Dakota — or so the FBI said. After a suspicious autopsy and a rushed burial, friends had Aquash exhumed and found a .32-caliber bullet in her skull. Using this scandal as a point of departure, The Unquiet Grave opens a tunnel into the dark side of the FBI and its subversion of American Indian activists. But the book also discovers things the Indians would prefer to keep buried. What unfolds is a sinuous tale of conspiracy, murder, and cover-up that stretches from the plains of South Dakota to the polished corridors of Washington, D.C. First-time author Steve Hendricks sued the FBI over several years to pry out thousands of unseen documents about the events. His work was supported by the prestigious Fund for Investigative Journalism. Hendricks, who has freelanced for The Nation, Boston Globe, Orion, and public radio, is one of those rare reporters whose investigative tenacity is accompanied by grace with the written word.
The Case that Shocked the Country: The Unquiet deaths of Vida Robare, and Alexander McClay Williams -- the youngest person to die in the electric chair in Pennsylvania -- for a crime he did not commit, recounts an actual 1930 murder case in Delaware County, Pennsylvania. This stunning story sent shockwaves across the country as it flashed across newspaper headlines as far away as Texas, California, and Canada. It is a compelling combination of legal history, a real life murder mystery, and a 30 year quest for justice for a long forgotten 16 year old African American youth buried in an unmarked grave, who remains the youngest known person, to date, to die in Pennsylvania's electric chair. On Friday afternoon, October 3, 1930, the lifeless body of a popular white school matron was discovered in her bedroom covered in blood. The victim had sustained a brutal beating and was stabbed 47 times with an ice pick. There were no witnesses to the crime and scant evidence, except for the victim's missing key ring and the bloody handprint of an adult male left on the wallpaper by the door of her room, as her killer made his escape. Four days later, at what was then a tough reform school originally founded in Philadelphia, 16 year old Alexander McClay Williams - the eldest in an impoverished family of 13 children - "confessed" to the crime after repeated interrogations under undocumented circumstances, conducted without his parents or an attorney present in the room. Nearly three weeks after the learning disabled teenager signed not one, but three, confessions, the court appointed the county's only African America attorney - William Henry Ridley, Esq. (1867 - 1945) - to represent the youth. But his fate seemed already set. At the zenith of a remarkable 54-year career as a practicing attorney, Ridley would face insurmountable challenges with just two months to prepare a defense in his young client's capital murder case. How could Ridley overcome the stark realities of three dubious confessions, tampered evidence, a biased legal system, and an all-white jury that was understandably aghast at perhaps the most horrendous crime in county memory? Decades after his client was buried in an unmarked grave in a now abandoned cemetery, something curious happened. While living in the Ridley family's home when he was just a boy, the author first learned of this tragic story from his grandmother - the only child of William H. Ridley. Hearing the story left an indelible impression, which he could never forget. And the grisly tale continued to haunt him for decades as he grew into adulthood. As time wore on, the author began to look deeper into the case, digging down to uncover long lost evidence hidden beneath many layers of conflicting details and discrepancies. After gathering a volume of information and examining court documents and countless news articles, what he found shocked him, as it had shocked the country in 1930. He discovered that the frightened teenager who died in the electric chair did not commit the crime, and the real murderer escaped without facing punishment. The case of Alexander McClay Williams is a cautionary tale of what can result when systemic racism taints the criminal justice system, as the dynamics of this case are as crucial and applicable today as they were when these events unfolded 87 years ago. This book is a must read for those interested in the law, capital punishment, juvenile justice, African American history, and how the descendants of three seemingly unrelated families intertwined to try to overturn a monumental injustice for the last surviving sibling of Alexander McClay Williams.
NATIONAL BESTSELLER • A deeply powerful memoir about bipolar illness that has both transformed and saved lives—with a new preface by the author. Dr. Jamison is one of the foremost authorities on manic-depressive (bipolar) illness; she has also experienced it firsthand. For even while she was pursuing her career in academic medicine, Jamison found herself succumbing to the same exhilarating highs and catastrophic depressions that afflicted many of her patients, as her disorder launched her into ruinous spending sprees, episodes of violence, and an attempted suicide. Here Jamison examines bipolar illness from the dual perspectives of the healer and the healed, revealing both its terrors and the cruel allure that at times prompted her to resist taking medication.
We rarely hear the past voices of the rural poor - the laborers dependent on casual employment, the workhouse inmates, the dispossessed. This book lets them tell their own story. It is, frequently, a story of bitterness and resentment, and one that bursts occasionally into outright rebellion. To many who occupied the early-Victorian countryside, injustice seemed part of the landscape. Robert Lee draws on a remarkable set of historical sources from Norfolk which show how the experience of poverty could lead people into social transgression and political resistance. Using dramatizations of contemporary accounts he presents a series of disturbing true stories, and goes on to assess what each one can tell us about the reality of nineteenth-century rural society. Insurrection, riot, execution, witchcraft, seduction - Unquiet Country visits the dark side of the Age of Improvement.
Richard Holbrooke, who died in December 2010, was a pivotal player in U.S. diplomacy for more than forty years. Most recently special envoy for Iraq and Afghanistan under President Obama, Holbrooke also served as assistant secretary of state for both Asia and Europe, and as ambassador to both Germany and the United Nations. He had a key role in brokering a peace agreement among warring factions in Bosnia that led to the Dayton Peace Accords in 1995. Widely regarded to possess one of the most penetrating minds of any modern diplomat of any nation, Holbrooke was also well known for his outsized personality, and his capacity to charm and offend in equally colossal measures. In this book, the friends and colleagues who knew him best survey his accomplishments as a diplomat, activist, and author. Excerpts from Holbrooke's own writings further illuminate each significant period of his career. The Unquiet American is both a tribute to an exceptional public servant and a backstage history of the last half-century of American foreign policy.
Every queer person lives with the trauma of AIDS, and this plays out intergenerationally. Usually we hear about two generations—the first, coming of age in the era of gay liberation, and then watching entire circles of friends die of a mysterious illness as the government did nothing to intervene. And now we hear about younger people growing up with effective treatment and prevention available, unable to comprehend the magnitude of the loss. But there is another generation between these two, one that came of age in the midst of the epidemic with the belief that desire intrinsically led to death, and internalized this trauma as part of becoming queer. Between Certain Death and a Possible Future: Queer Writing on Growing up with the AIDS Crisis offers crucial stories from this missing generation in AIDS literature and cultural politics. This wide-ranging collection includes 36 personal essays on the ongoing and persistent impact of the HIV/AIDS crisis in queer lives. Here you will find an expansive range of perspectives on a specific generational story—essays that explore and explode conventional wisdom, while also providing a necessary bridge between experiences. These essays respond, with eloquence and incisiveness, to the question: How do we reckon with the trauma that continues to this day, and imagine a way out?
