Preface2. The Natural Governing Party (1945-1957) 3. Three Faces of Nationalism (1957-1968) 4. Pierre Trudeau's Three-Quarter Turn (1968-1984) 5. The 1980s: The Corporate Decade 6. In the Wake of the Free Trade Agreement 7. Beyond the Nation State 8. Omens of a New Politics 9. The East Germany of North America? Sources Bibliography
How has race shaped Canada’s international encounters and its role in the world? How have the actions of politicians, diplomats, citizens, and nongovernmental organizations reflected and reinforced racial power structures in Canada? In this book, leading scholars grapple with these complex questions, destabilizing conventional understandings of Canada in the world. Dominion of Race exposes how race-thinking has informed priorities and policies, positioned Canada in the international community, and contributed to a global order rooted in racial beliefs. While the contributors reconsider familiar topics, including the Paris Peace Conference and Canada’s involvement with the United Nations, they enlarge the scope of Canada’s international history by subject, geography, and methodology. By demonstrating that race is a fundamental component of Canada and its international history, this important book calls for reengagement with the histories of those marginalized in, or excluded from, the historical record.
An essential American dream—equal access to higher education—was becoming a reality with the GI Bill and civil rights movements after World War II. But this vital American promise has been broken. Christopher Newfield argues that the financial and political crises of public universities are not the result of economic downturns or of ultimately valuable restructuring, but of a conservative campaign to end public education’s democratizing influence on American society. Unmaking the Public University is the story of how conservatives have maligned and restructured public universities, deceiving the public to serve their own ends. It is a deep and revealing analysis that is long overdue. Newfield carefully describes how this campaign operated, using extensive research into public university archives. He launches the story with the expansive vision of an equitable and creative America that emerged from the post-war boom in college access, and traces the gradual emergence of the anti-egalitarian “corporate university,” practices that ranged from racial policies to research budgeting. Newfield shows that the culture wars have actually been an economic war that a conservative coalition in business, government, and academia have waged on that economically necessary but often independent group, the college-educated middle class. Newfield’s research exposes the crucial fact that the culture wars have functioned as a kind of neutron bomb, one that pulverizes the social and culture claims of college grads while leaving their technical expertise untouched. Unmaking the Public University incisively sets the record straight, describing a forty-year economic war waged on the college-educated public, and awakening us to a vision of social development shared by scientists and humanists alike.
This book offers a highly original approach to Black masculinities and sport in Canada. The book will be especially exciting for those interested in decolonisation, culture, and the intersection of identity, sport, and politics. Who Da Man attempts to account for the ways that Black Diasporic identifications intersect with the dominant misogyny and homophobia in contemporary men's sporting cultures. Abdel-Shehid suggests that thinking about Diaspora in the making of contemporary Black sporting cultures provides a more comprehensive framework than that which looks at sport solely within the framework of nations and nationalism. He further argues that Canadian hegemonic ideas and practices typically marginalise blackness and Black peoples. Thus, the author suggests, Black masculinities in sport are often connected to Diasporic locations. These connections can be either empowering or disempowering, requiring careful analysis to achieve full understanding of how things are being perceived, projected, and therefore implemented. "Who Da Man" offers a feminist and queer reading of Black masculinity, and suggests that thinking about Black sporting masculinities means paying attention to the ways that these larger discourses of racism, exclusion, and Diaspora shape Black masculinities. Moreover, the book asks to what extent homophobia and misogyny within men's sporting cultures influence contemporary understandings of Black masculinity.
This edited work offers an interdisciplinary exploration of the meanings, uses, and contradictions of nationalism, critical to contemporary understandings of Canada and Canadians.
The topics covered are wide-ranging and eclectic, and include, among others, studies of the Battle of Amiens, the Halifax explosion, Charlie Chaplin and wartime propaganda in the Canadian Expeditionary Force, Newfoundland's contribution to the war effort, the leadership capabilities of Brigadier General Griesbach, and the wartime poetry of John McRae. Contributors include Major John Armstrong (ret.), author many articles on military history and an administrative specialist in the Canadian Forces for thirty-two years, including stints as an instructor in history at the Royal Military College; Laura Brandon, curator of war art at the Canadian War Museum and co-author of Canvas of War: Painting and the Canadian Experience, 1914-1918; Patrick Brennan, associate professor of history at the University of Calgary; Tim Cook, archivist at the National Archives of Canada; Owen Cooke, independent researcher and former chief archivist at the Directorate of History, Canadian Department of National Defence; Andrew Horrall, archivist in charge of military records at the National Archives of Canada; John Hurst, retired administrator from the University of Guelph and head of the Ontario Branch of the WFA ; Jeff Keshen, associate professor of history at the University of Ottawa; David Parsons, Lt. Colonel with the Canadian Forces in Korea and chair of the Newfoundland Branch of the WFA; Roger Sarty, director of Historical Research and Exhibit Development at the Canadian War Museum; Christopher J. Terry, director, Canada Science and Technology Museums and chair of the Aviation Museum Group of the International Association of Transportation Museums; and Sidney F. Wise, professor emeritus in history and former dean of Graduate Studies and Research at Carleton University.
From the 1950s to the 1970s Walter Gordon was the voice of English Canadian nationalism, first as chair of the Royal Commission on Canada's Economic Prospects, then as a minister in Lester B. Pearson's cabinet, and finally as founder and honorary chair of the Committee for an Independent Canada. In the late 1960s many Canadians heeded Gordon's call for limits on the level of American investment in Canadian industry and joined with him to form a broad movement to limit American influence in Canada.