The Unknown O'Neill

The Unknown O'Neill

Author: Eugene O'Neill

Publisher: Yale University Press

Published: 1988-01-01

Total Pages: 458

ISBN-13: 9780300039856

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Gathers early plays and scenarios, as well as critical essays, short stories, and poems by the influential American playwright


The O'Neill

The O'Neill

Author: Jeffrey Sweet

Publisher: Yale University Press

Published: 2014-05-27

Total Pages: 336

ISBN-13: 0300195575

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"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.


Critical Companion to Eugene O'Neill, 2-Volume Set

Critical Companion to Eugene O'Neill, 2-Volume Set

Author: Robert M. Dowling

Publisher: Infobase Publishing

Published: 2009

Total Pages: 831

ISBN-13: 1438108729

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This study explores the personal, historical, and artistic influences that combined to form such dark and influential American masterpieces as 'The Iceman Cometh', 'The Emperor Jones', 'Mourning Becomes Electra', 'Hughie', and - arguably the finest tragedy ever written by an American - 'Long Day's Journey into Night'.


Eugene O'Neill

Eugene O'Neill

Author: Robert M. Dowling

Publisher: Yale University Press

Published: 2014-10-28

Total Pages: 566

ISBN-13: 0300210590

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An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times


Conversations with Eugene O'Neill

Conversations with Eugene O'Neill

Author: Eugene O'Neill

Publisher: Univ. Press of Mississippi

Published: 1990

Total Pages: 284

ISBN-13: 9780878054473

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This collection of thirty years of interviews with America's only Nobel Prize dramatist records his encounters with the press and gives a striking portrait of the man and the process of his public mythologizing. A profoundly private individual, O'Neill struggled throughout his life to overcome his intense discomfort with oral discourse as he responded to the probings of interviewers wishing him to discuss a wide range of social, political, literary, and theatrical issues. Collected in their entirety for the first time, these interviews begin in 1920, when O'Neill was thirty-two. Serious American drama, for many, began and, for many others, ended with Eugene O'Neill. This collection lends new testimony to the truth of that assertion.


Chaos

Chaos

Author: Tom O'Neill

Publisher: Little, Brown

Published: 2019-06-25

Total Pages: 500

ISBN-13: 0316477575

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A journalist's twenty-year fascination with the Manson murders leads to "gobsmacking" (The Ringer) new revelations about the FBI's involvement in this "kaleidoscopic" (The New York Times) reassessment of an infamous case in American history. Over two grim nights in Los Angeles, the young followers of Charles Manson murdered seven people, including the actress Sharon Tate, then eight months pregnant. With no mercy and seemingly no motive, the Manson Family followed their leader's every order -- their crimes lit a flame of paranoia across the nation, spelling the end of the sixties. Manson became one of history's most infamous criminals, his name forever attached to an era when charlatans mixed with prodigies, free love was as possible as brainwashing, and utopia -- or dystopia -- was just an acid trip away. Twenty years ago, when journalist Tom O'Neill was reporting a magazine piece about the murders, he worried there was nothing new to say. Then he unearthed shocking evidence of a cover-up behind the "official" story, including police carelessness, legal misconduct, and potential surveillance by intelligence agents. When a tense interview with Vincent Bugliosi -- prosecutor of the Manson Family and author of Helter Skelter -- turned a friendly source into a nemesis, O'Neill knew he was onto something. But every discovery brought more questions: Who were Manson's real friends in Hollywood, and how far would they go to hide their ties? Why didn't law enforcement, including Manson's own parole officer, act on their many chances to stop him? And how did Manson -- an illiterate ex-con -- turn a group of peaceful hippies into remorseless killers? O'Neill's quest for the truth led him from reclusive celebrities to seasoned spies, from San Francisco's summer of love to the shadowy sites of the CIA's mind-control experiments, on a trail rife with shady cover-ups and suspicious coincidences. The product of two decades of reporting, hundreds of new interviews, and dozens of never-before-seen documents from the LAPD, the FBI, and the CIA, Chaos mounts an argument that could be, according to Los Angeles Deputy District Attorney Steven Kay, strong enough to overturn the verdicts on the Manson murders. This is a book that overturns our understanding of a pivotal time in American history.


The Dog

The Dog

Author: Joseph O'Neill

Publisher: Vintage

Published: 2015-06-09

Total Pages: 258

ISBN-13: 0307472949

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A New York Times Notable Book Nominated for the Man Booker Prize In this extraordinary, both comic and philosophically profound novel, the acclaimed author of Netherland uncovers the hidden contours of a glittering Middle Eastern city—and the quiet dilemmas of modernity. When our unnamed hero, a self-sabotaging and oddly existential lawyer, finds his life in New York falling apart, he seizes an opportunity to flee to Dubai, taking a mysterious job for a fabulously wealthy Lebanese family. As he struggles with his position as the “family officer” of the capricious Batros brothers, he also struggles with the “doghouse,” a condition of culpability in which he feels trapped, even as he composes endless electronic correspondence—both sent and unsent—in an attempt to find a way out. An unforgettable fable for our globalized times, The Dog is told with Joseph O’Neill’s hallmark eloquence, empathy, and stylistic mastery.


The Cambridge Companion to Eugene O'Neill

The Cambridge Companion to Eugene O'Neill

Author: Michael Manheim

Publisher: Cambridge University Press

Published: 1998-09-24

Total Pages: 379

ISBN-13: 113982550X

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This is a volume of specially commissioned essays containing studies of Eugene O'Neill's life, his intellectual and creative forebears, and his relation to the theatrical world of his creative period, 1916–42. Also included are descriptions of the O'Neill canon and its production history on stage and screen, and a series of essays on 'special topics' related to the playwright, such as his treatment of women in the plays, his portrayals of Irish and African Americans, and his attempts to deal in dramatic terms with his parental family culminating in his greatest play, Long Day's Journey Into Night. One of the essays speaks for those who are critical of O'Neill's work, and the volume concludes with an essay on O'Neill criticism containing a select bibliography of full-length studies of the playwright's work.


The Theatre of Eugene O’Neill

The Theatre of Eugene O’Neill

Author: Kurt Eisen

Publisher: Bloomsbury Publishing

Published: 2017-11-16

Total Pages: 257

ISBN-13: 1474238432

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Named a Choice Outstanding Academic Title of the Year 2018 The Theatre of Eugene O'Neill offers a new comprehensive overview of O'Neill's career and plays in the context of the American theatre. Organised thematically, it considers his modernist intervention in the theatre, offers readers detailed analysis of the plays, and assesses the recent resurgence in his reputation and new approaches to staging his work. It includes a study of all his major plays-The Emperor Jones, The Hairy Ape, The Iceman Cometh, Long Day's Journey Into Night, A Moon for the Misbegotten and Desire Under the Elms-besides numerous other full length and one act dramas. Eugene O'Neill is generally credited with inventing modern American drama, in a time of cultural ferment and lively artistic and intellectual change. Yet O'Neill's theatrical instincts were always shaped by American stage traditions that were inextricable from his sense of himself and his own national culture. This study shows that his theatrical modernism represents not so much a break from these traditions as a reinvention of their scope and significance in the context of international stage modernism, offering an image of national culture and character that opens new possibilities for the stage while remaining rooted in its past. Kurt Eisen traces O'Neill's modernism throughout the dramatists's work: his attempts to break from the themes, plots, and moral conventions of the traditional melodramatic theatre; his experiments in stagecraft and theme, and their connection to traditional theatre and his European modernist contemporaries; the turn toward direct and indirect self-representation; and his critique of the family and of American 'pipe dreams' and the allure of success. The volume additionally features four contributed essays providing further critical perspectives on O'Neill's work, alongside a chronology of the writer's life and times.