Undertaker Jonas Crow is charged with transporting the coffin of an ex-miner become millionaire back to the mining vein that made his fortune. The funeral should have been a calm affair, but there's an unexpected turn of events: on the eve of his death, Joe Cusco swallowed all his gold, so as to carry it with him for all eternity. Unfortunately, the secret was leaked, provoking the fury of all the miners of Anoki City. They can't just leave such a fortune to be buried while they're sweating their souls away in the mining shafts! As Jonas says, "death never comes alone..."
Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.
Winner of the 2017 Wrestling Observer Award for Best Wrestling Book. "Outstanding" - Stone Cold Steve Austin "The best biography ever done on a wrestler" - Dave Meltzer, Wrestling Observer "May very well be the most compelling pro wrestling biography in the history of the genre" - Alex Marvez, Sporting News "Transcends wrestling bios" - Mike Johnson, PWInsider.com "The research that this author went into...it's unbelievable. I can't recommend this book enough" - John Pollock, POST Wrestling "*****" - John Lister, Cinemazine An alpha male with a beta body, looking to thrive in worlds where beta males with alpha bodies are the primary requirement. He was a complex paradox, a walking contradiction. He lived more in 35 years than most do in a lifetime, the product of an arduous infanthood. His overachievement is awe-inspiring. Tales of his conflicts and conquests became the stuff of legend. His borderline genius and tragic demise made him an icon shrouded in mystique. He was Brian Pillman, and two decades later the most comprehensive look at one of professional wrestling's most fascinating stories has been compiled. Discover unheard details of his upbringing, the incredible story behind chasing an NFL roster spot and his introduction to pro wrestling in the crazy Stampede circuit. Revel at his trials and tribulations in WCW and the WWF, walking the fine line between the cusp of superstardom and political turmoil. Reflect in the most detailed, inside breakdown of his Loose Cannon gambit ever produced, the scam that turned him into the talk of the business, before fatally drowning in personal tragedy and addiction. With exclusive interviews with some of Brian's closest friends and family, Crazy Like A Fox is a must-read for Pillman fans, and a breathtaking look at the bizarre world of wrestling to boot...
'On the last day of 1959 my father, the Beau Brummel of morticians, piled us into his green and white Desoto in which we looked like a moving pack of Salem cigarettes. He drove away from Lanesboro, the city in which we all were born, and into a small town on the Kentucky and Tennessee border. It was only a ninety-minute drive, but it might as well have been to Alaska. When our big boat of a car glided into Jubilee we circled the town square and headed towards the residential section of Main Street. My father pulled the car over and our five dark heads turned to face a huge, slightly run down house. My parents were total strangers to this tiny enclave, but it didn't matter because my father had finally realised his dream in this old house, which was to own his own funeral home.'
On Dee Branch’s first date with Johnnie Oliver, a fourth-generation funeral director, she knew she was in for a unique relationship when he had to leave “for just a minute”—and he came back to the car with a corpse. Over twenty years later, Dee was still in love with her charming southern gentleman when he passed away suddenly in 2007. Determined to carry on Johnnie’s work, Dee earned her mortuary science degree, only to find herself no longer needed in the family business. So Dee crossed the racial divide in the most segregated industry in America and joined the staff of an African-American funeral home as a single white woman. In The Undertaker’s Wife, Oliver draws from her wealth of experience to provide candid and often hysterically funny advice on dying well and surviving the loss of those who have gone before. Her insights on the common ground of grief, survival, and the ever-present faithfulness of God (to all of us, regardless of our race, religious upbringing, or socio-economic background) will help readers prepare for one of life’s only certainties—and do it with wisdom, grace, and a healthy dose of joy.
An enthralling novel of historical fiction for fans of Lisa Wingate and Ellen Marie Wiseman, The Undertaker’s Assistant is a powerful story of human resilience set during Reconstruction-era New Orleans that features an extraordinary and unforgettable heroine at its heart. “The dead can’t hurt you. Only the living can.” Effie Jones, a former slave who escaped to the Union side as a child, knows the truth of her words. Taken in by an army surgeon and his wife during the War, she learned to read and write, to tolerate the sight of blood and broken bodies—and to forget what is too painful to bear. Now a young freedwoman, she has returned south to New Orleans and earns her living as an embalmer, her steady hand and skillful incisions compensating for her white employer’s shortcomings. Tall and serious, Effie keeps her distance from the other girls in her boarding house, holding tight to the satisfaction she finds in her work. But despite her reticence, two encounters—with a charismatic state legislator named Samson Greene, and a beautiful young Creole, Adeline—introduce her to new worlds of protests and activism, of soirees and social ambition. Effie decides to seek out the past she has blocked from her memory and try to trace her kin. As her hopes are tested by betrayal, and New Orleans grapples with violence and growing racial turmoil, Effie faces loss and heartache, but also a chance to finally find her place . . .
This collection focuses on the specific issue of controversy as a cross-sectional aspect of contemporary children’s and YA literature, in a spectrum stretching from national experiences, to explore the impact of specific historical, economic and social environments on the rise of controversies; to inter-national exchanges in which controversies are generated specifically by the interactions between cultures; to international contexts that deal with controversies relevant on a global scale. By adopting controversy as an adjustable lens for a joined consideration of literary themes, narrative or aesthetic solutions, translation choices, publishing and marketing decisions, and discursive practices, the volume establishes a diversified collection of chapters that offers new insight into functions of children’s and YA literature in contemporary culture.
