Dussel (ethics, Universidad Nacional Autonoma de Mexico) shows how North American and European philosophies have failed to give historically faithful analysis of the genesis of the "myth" of modernity, and have never engaged in a serious questioning of their own Eurocentric presuppositions. He contends that North American and European philosophers have fallen into a false belief that there is a linear sequence that moves from the premodern to the modern, developed, and industrialized. Annotation copyright by Book News, Inc., Portland, OR
Nelson Maldonado-Torres argues that European modernity has become inextricable from the experience of the warrior and conqueror. In Against War, he develops a powerful critique of modernity, and he offers a critical response combining ethics, political theory, and ideas rooted in Christian and Jewish thought. Maldonado-Torres focuses on the perspectives of those who inhabit the underside of western modernity, particularly Jewish, black, and Latin American theorists. He analyzes the works of the Jewish Lithuanian-French philosopher and religious thinker Emmanuel Levinas, the Martiniquean psychiatrist and political thinker Frantz Fanon, and the Catholic Argentinean-Mexican philosopher, historian, and theologian Enrique Dussel. Considering Levinas’s critique of French liberalism and Nazi racial politics, and the links between them, Maldonado-Torres identifies a “master morality” of dominion and control at the heart of western modernity. This master morality constitutes the center of a warring paradigm that inspires and legitimizes racial policies, imperial projects, and wars of invasion. Maldonado-Torres refines the description of modernity’s war paradigm and the Levinasian critique through Fanon’s phenomenology of the colonized and racial self and the politics of decolonization, which he reinterprets in light of the Levinasian conception of ethics. Drawing on Dussel’s genealogy of the modern imperial and warring self, Maldonado-Torres theorizes race as the naturalization of war’s death ethic. He offers decolonial ethics and politics as an antidote to modernity’s master morality and the paradigm of war. Against War advances the de-colonial turn, showing how theory and ethics cannot be conceived without politics, and how they all need to be oriented by the imperative of decolonization in the modern/colonial and postmodern world.
Remembering Lived Lives is a religious historiography book that focuses on issues and theorists located primarily in Latin America. Instead of joining the chorus of contemporary European intellectuals like Slavoj Žižek, who insist on a renewed Eurocentrism, this study challenges both historians and theologians to take seriously the work done by theorists located in what Enrique Dussel calls the underside of modernity. This is an interdisciplinary work that opens with Karl Barth's outline for historical-theological study and closes with an analysis of the film The Mission. Written for both the history or theology instructor and student, it deals with subjects like church history, biography as theology, liberation theology as primary source material, photographs, and historical movies.
Enrique Dussel's writings span the theology of liberation, critiques of discourse ethics and evaluations of Marx, Levinas, Habermas, and others. This anthology of articles by US philosophers elucidating Dussel's thought offers critical analyses from a variety of perspectives.
Enrique Ambrosini Dussel is and has been one of the most prolific Latin American philosophers of the last 100 years. He has written over fifty books, and over three hundred articles ranging over the history of the Latin American philosophy, political philosophy, church history, theology, ethics, and occasional pieces on the state of Latin American countries. Dussel is first and foremost a moral philosopher, a philosopher of liberation. But for him, philosophy must be liberated so that it may contribute to social liberation. In one sense, "beyond philosophy" means to go beyond contemporary, academicized, professionalized, and "civilized" philosophy by turning to all that demystifies the autonomy of philosophy and turns our attention to its sources. "Beyond philosophy," also means to go beyond philosophy in the Marxian sense of abolishing philosophy by realizing it. This is the definitive English language collection of Dussel's enormous body of work. It will allow the reader to get a good sense of the breath and depth of Dussel's opus, covering four major areas: ethics, economics, history, and liberation theology.
Available in English for the first time, a masterwork by Enrique Dussel, one of the world's foremost philosophers, and a cornerstone of the philosophy of liberation, which he helped to found and develop.
DIVA new and more concrete understanding of the inseparability of colonialism and modernity that also explores how the rhetoric of modernity disguises the logic of coloniality and how this rhetoric has been instrumental in establishing capitalism as the econ/div
DIVExplores the profound cultural transformations triggered by Spain's efforts to colonize the Andean region, and demonstrates the continuing influence of the Inquisition to the present day./div
Using Delhi’s contemporary history as a site for reflection, Pirate Modernity moves from a detailed discussion of the technocratic design of the city by US planners in the 1950s, to the massive expansions after 1977, culminating in the urban crisis of the 1990s. As a practice, pirate modernity is an illicit form of urban globalization. Poorer urban populations increasingly inhabit non-legal spheres: unauthorized neighborhoods, squatter camps and bypass legal technological infrastructures (media, electricity). This pirate culture produces a significant enabling resource for subaltern populations unable to enter the legal city. Equally, this is an unstable world, bringing subaltern populations into the harsh glare of permanent technological visibility, and attacks by urban elites, courts and visceral media industries. The book examines contemporary Delhi from some of these sites: the unmaking of the citys modernist planning design, new technological urban networks that bypass states and corporations, and the tragic experience of the road accident terrifyingly enhanced by technological culture. Pirate Modernity moves between past and present, along with debates in Asia, Africa and Latin America on urbanism, media culture, and everyday life. This pioneering book suggests cities have to be revisited afresh after proliferating media culture. Pirate Modernity boldly draws from urban and cultural theory to open a new agenda for a world after media urbanism.