There really is a monster in the hallway. be careful. Your bedroom door mill open, throwing light on your face. You’ll feign sleep. The door mill close behind your father, and darkness mill descend. This novel peeks through the fence at what only looks like an ordinary house, where a little girl navigates a childhood shrouded in taboo. Based on true stories and real people. The Ugliest Word is a quick read that mill not only shock you, it mill alter your world view.
Behold the 300 Ugliest Words in the English Language! Proceed at your own risk! J. R. R. Tolkien once said that cellar door is the most beautiful phrase in the English language; since then it has received quite a bit of attention from poets and linguists. But what of the ugly words? This delightfully humorous volume celebrates the words that make people gag and cover their ears. Too long have these atrocious utterances gone unrecognized, nay, shunned from society. No longer! The Illustrated Compendium of Ugly English Words pays homage to the 300 worst words in existence, such as: Amazeballs (noun): The public's opinion on this word can be perfectly encapsulated by a recent Slate article titled Who coined amazeballs and why do they hate humanity? Chunky (adjective): Chunky (meaning lumpy) is a word so vile, it can make even the most pleasant image sound disgusting. Let's try. Chunky flower. Chunky chocolate milk. Chunky Jonathan Van Ness. See? Moist (adjective): Slightly or moderately wet; damp; the linguistic equivalent of stepping in a lukewarm puddle in socks and feeling the water ooze between your toes with every step thereafter. Rural (adjective): Meaning of the countryside, rural's definition is not actually gross. Its foulness stems more from its pronunciation, which forces the speaker to make a noise akin to the grunt of a zombie. Worm (noun): Any type of burrowing, elongated invertebrate with a soft, limbless body. (Is that a description of a real creature or a monster from a nightmare video game? Hard to say.) What makes these words ugly? It's the nature of the word's meaning, the pre-existing association the reader has with the word, or the sound and look of the word or all three! The Illustrated Compendium of Ugly English Words catalogs the ugliness from A to Z, along with each word's pronunciation guide, definition, and origin, plus quotes demonstrating usage. Illustrations on nearly every page of this hardcover make it both a hilarious reference book and the ideal gift for anyone who can't stand the sound of words like acrid, panties, gubernatorial, ointment, and squirt. More than anything, though, this compendium can be used as a reminder that, despite all of our differences, deep down we all share the same hopes, the same dreams, and the same primal hatred for the terms that make us go, Ugh, why would you even say that?!
What would you do if you were suddenly broke and homeless?How would you feel if the very people you love threw you out?This book of poems answers those two questions. It speaks of the conflicts one faces with one's dearest ones to being put out on the streets alone, cold and hungry.Artwork was contributed by the unique painter, Kavion Robinson.
Pedro is ugly, so ugly that he has been mistakenly identified as El Chupacabra. In the town of Santa Maria all animals are welcome and free. But from the mountains, the lizard king and his gang raid the town of precious supplies. In their hour of need the town turn to a hero, a hero whose name will strike fear in to all that hear it. Will Pedro save Santa Maria? Or will the truth be told? Authors Note: After receiving negative feedback and hate mail, I thought it prudent to add a PARENTAL WARNING-This book contains words like poo, fart and snot; it also uses the word fluff three times as a cuss word. I would also like to point out that Chupacabra comes from the words chupar "to suck" and cabra "goat," literally "goat sucker" and is not a double entendre.
The New York Times bestseller now in paperback. One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.
A beaut story about one very ugly kid. Robert Hoge was born with a tumour in the middle of his face, and legs that weren't much use. There wasn't another baby like him in the whole of Australia, let alone Brisbane. But the rest of his life wasn't so unusual: he had a mum and a dad, brothers and sisters, friends at school and in his street. He had childhood scrapes and days at the beach; fights with his family and trouble with his teachers. He had doctors, too: lots of doctors who, when he was still very young, removed that tumour from his face and operated on his legs, then stitched him back together. He still looked different, though. He still looked ... ugly. UGLY is the true story of how an extraordinary boy grew up to have an ordinary life, and how that became his greatest achievement of all.
"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Ugly dolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--
Randall Kennedy takes on not just a word, but our laws, attitudes, and culture with bracing courage and intelligence—with a range of reference that extends from the Jim Crow south to Chris Rock routines and the O. J. Simpson trial. It’s “the nuclear bomb of racial epithets,” a word that whites have employed to wound and degrade African Americans for three centuries. Paradoxically, among many Black people it has become a term of affection and even empowerment. The word, of course, is nigger, and in this candid, lucidly argued book the distinguished legal scholar Randall Kennedy traces its origins, maps its multifarious connotations, and explores the controversies that rage around it. Should Blacks be able to use nigger in ways forbidden to others? Should the law treat it as a provocation that reduces the culpability of those who respond to it violently? Should it cost a person his job, or a book like Huckleberry Finn its place on library shelves?
"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--
From Colleen Hoover, the #1 New York Times bestselling author of It Starts with Us and It Ends with Us, a heart-wrenching love story that proves attraction at first sight can be messy. When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.
