Poet, critic, translator, scholar, and pre-eminent novelist, Ahmed Ali (1910-1994) is best known for his deeply-moving portrait of Delhi, Twilight in Delhi (1940). This volume brings together essays which provide current critical insights into Ali's work, life, and socio-cultural milieu.
In graphically stunning illustrations that feature clever twists in points of view, familiar scenes turn and turn again to show each perspective. Full color.
Loosely based on the true story of Binjamin Wilkomirski, whose fabricated 1995 Holocaust memoir transfixed the reading public, The Canvas has a singular construction, its two inter-related narratives begin at either end and meet in the middle. Amnon Zichroni, a psychoanalyst in Zurich, encourages Minsky to write a book about his traumatic childhood experience in a Nazi death camp, a memoir which the journalist Jan Wechsler claims is a fiction. Years later, a suitcase arrives on Wechsler's doorstep, allegedly lost in Israel, a trip he has no memory of.
This book presents a detailed account of two analytic case studies examined through the particular viewpoint of creativity.The first part of the book contains a review of the classical and contemporary literature on the source and function of creativity. Creativity is then examined from the perspective of several analytic models - Freudian, Kleinian, and post-Kleinian. The second and third parts of the book present case illustrations that deal with the use of creative activity in analysis. The creative use of biblical stories in the case of David, or the use of paintings and poems in the case of Rachel, portrayed the inner reality of these patients. David's violent and incestuous biblical stories reflected his world of incestuous and destructive wishes towards his primary objects (and towards the therapist in the transference). Rachel's paintings and poems conveyed her unconscious conflicts, depressive fantasies and anxieties, stemming from her fusion with her mother who was a child Holocaust survivor. Working through their relationships with their primary objects and their self perception, as revealed by these creative activities in analysis, facilitated the patients' mourning.
The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witnessed the reevaluation of traditional practices as well as focused research supporting significant new methodologies, procedures, and synthetic materials for the care and conservation of paintings on fabric supports. Conserving Canvas compiles the proceedings of the conference, presenting a wide array of papers and posters that provide important global perspectives on the history, current state, and future needs of the field. Featuring an expansive glossary of terms that will be an invaluable resource for conservators, this publication promises to become a standard reference for the international conservation community. The free online edition of this open-access publication is available at getty.edu/publications/conserving-canvas. Also available are free PDF and EPUB downloads of the book.
There is a world behind the canvas. Past the flat façade and the crackling paint is a realm where art lives, breathes, creates, and destroys. Claudia Miravista loves art but only sees what is on the surface-until the Dutch boy Pim appears in the painting in her room. Pim has been trapped in the world behind the canvas for centuries by a power-hungry witch, and he now believes that Claudia is his only hope for escape. Fueled by the help of an ancient artist and some microwaveable magic, Claudia enters the wondrous and terrifying world behind the canvas, intent on destroying the witch's most cherished possession and setting her new friend free. But in that world nothing is quite as it appears on the surface. Not even friendship.
When army special forces hero Paul Cable is critically injured during a covert operation in Afghanistan, he slumps in to the depths of a deep coma. From his hospital bed he discovers himself barely alive in 'The Waiting State'. Joined by a surprise ally he is taken on a torturous journey of the past: one he had tried to bury. One of dark times in an unforgiving place, during the harshest of circumstances. Only Paul Cable can decide whether he should live or die. 'This Lonely Incubus' is an incredible story through 1970's-80's childhood, 1990's coming of age, until present day. A trip from timid child, via awkward youth, to highly respected trained killer.